\version "2.22.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.4) #(ly:set-option 'point-and-click #f) %mobile -s16.0 -i3.5 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 20 mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} mt=#(define-music-function (offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) htitle="Officium defunctorum: 8. Graduale" hcomposer="Morales" \header { title=\markup{\fontsize #3 "8. Graduale"} subtitle="Officium defunctorum" subsubtitle=\markup{\null \vspace #2 } composer="Cristóbal de Morales (c.1500-1553)" pdfauthor=\composer %opus="(-)" %poet=\markup{} % el graduale del manuscrito de Málaga contiene el siguiente número con otra letra copyright=\markup{ \fill-line {"Edited by Nancho Alvarez upon a transcription by Josep M. Llorens" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } \score {\transpose c c \relative c''{ << \new Voice = "canto" { \override Staff.TimeSignature.stencil = #'() \override Stem.transparent = ##t \set Score.timing = ##f \override NoteHead.style = #'neomensural \clef "G" % clave de do en tercera \key a \minor \[g4 b a\] a a a \[c a c a\] \[g b g a b\] \[b a\] \bar "||" } \new Lyrics \lyricsto "canto" { Re -- _ _ qui -- em æ -- ter -- _ _ _ _ _ _ _ _ \mt #1 nam __ _ } >> }%transpose \layout { \override LigatureBracket.padding = #1 indent = 3.7\cm %tablet indent=3.0\cm line-width=15\cm %tablet line-width=14\cm ragged-right = ##f } } %tablet \pageBreak global={\key c \major \time 2/2 \skip 1*39 \bar "|." } cantus=\relative c''{ r2 a ~ a f g a f4. g8 a4 b c1 r2 a ~ a f \[g2 e\] f1 r2 g a c ~ c4 b a2 g1 \[e2 f g1\] a4 c b a ~ a \ss gis8 \ss fis gis2 a1 ~ a R1*3 c2 c4 c c2. b4 c4 c,8 d e f g4 ~ g f2 e4 f2 a ~ a4 g f2 r2 e ~ e f g a g1 \[g2 a\] \[d,2 e\] \[f g a2.\] b4 c2 a g4 a4. \ss gis8 gis4 % CSIC \ss gis4 a4. a\breve*1/2 } altus=\relative c''{ R1*2 r2 a ~ a f g a d,2 f ~ f4 e8 d c4 d e2 c d4. c8 d8 e f4 ~ f e8 d e2 f2. e8 d e2. f4 d1 r4 a'4. g8 f4 ~ f4 d8 c d2 % CSIC sic. resolucion irregular de la septima; distinto en ms IV Málaga f1 e c2 r c2 c4 c c2. b4 c8 d e f g4 a ~ a g f2 e4 g g g a2 f g4. f8[ e d] e4 ~ e8 d c b c2 r2 c ~ c d e c ~ c d e f ~ f4 e8 d e2 ~ e c4 d ~ d b2 c4 d f2 e4 f4 c f2 g f4 e8 d e1 ~ e\breve*1/2 } tenor=\relative c'{ \[c1 a c d\] e2 \[c b\] a a2 a g1 \ss bes2. a4 g1 f2 a ~ a4 g a f g1 a2 c ~ c4 b8 a b2 \[c2 d\] b1 a R1*2 c2 c4 c c2. b4 c e e e f4. e8 d2 c g ~ g4 a g2 f2 r \[f1 g a c ~ \] c \[c2 a\] \[b g\] a2 c ~ c d e c ~ c4 b8 a b2 a\breve*1/2 } bassus=\relative c{ r2 f ~ f d e f d1 \[c2 f\] g2 d f1 c \[bes c\] R1 r2 c' ~ c b c2 a g1 \[f2 d\] e1 r2 f f4 f f2 ~ f4 e f g a4. g8 e4 f ~ f e d2 c1 R1 c1 ~ c d2 f ~ f4 e d2 c1 r2 d c1 ~ c \[e2 f\] \[g e\] d2 c f4. e8 d2 \[c2 f\] e1 a,\breve*1/2 } textocantus=\lyricmode{ do -- na e -- is Do -- _ _ mi -- ne do -- na e -- _ is do -- na e -- is Do -- mi -- ne, __ _ _ Do -- _ _ mi -- _ _ _ ne et lux per -- pe -- tu -- a __ _ _ _ _ _ _ _ lu -- _ ce -- at lu -- ce -- at e -- is, lu -- _ ce -- _ _ _ _ _ _ at e -- _ _ _ is. } textoaltus=\lyricmode{ do -- na e -- is Do -- _ _ _ mi -- _ ne, __ _ do -- _ na _ e -- _ _ is Do -- _ _ _ mi -- ne do -- na e -- _ _ is Do -- mi -- ne et lux per -- pe -- tu -- a __ _ _ _ _ _ _ _ _ lu -- ce -- at e -- _ _ _ _ _ _ _ _ _ is lu -- ce -- at e -- _ _ is, __ _ _ _ lu -- ce -- at e -- _ _ _ _ _ _ _ _ _ _ is. } textotenor=\lyricmode{ do -- _ _ _ na e -- _ is Do -- mi -- ne, do -- na e -- is, do -- na e -- is Do -- _ _ mi -- _ ne, Do -- _ mi -- ne et lux per -- pe -- tu -- a lu -- ce -- at e -- _ _ _ _ _ _ is lu -- _ _ _ ce -- _ at __ _ e -- _ _ _ _ _ _ _ is. } textobassus=\lyricmode{ do -- na e -- is Do -- _ _ _ _ _ mi -- ne __ _ do -- na e -- is Do -- mi -- _ ne et lux per -- pe -- tu -- a __ _ lu -- _ _ ce -- at e -- is lu -- ce -- at __ _ e -- is lu -- ce -- at __ _ e -- _ _ is, lu -- ce -- at e -- _ _ is. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c1" \key c \major \time 2/2 a'\breve } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Altus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c2" \key c \major \time 2/2 a'\breve } \layout { line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 \[c'\breve*1/4 \once \override NoteHead.ligature-flexa = ##t a c' d'\] } \layout { \context {\Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } line-width=\incipitwidth indent = 0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-f3" \key c \major \time 2/2 f\breve } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' c'{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "treble" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice %melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff %\RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 ragged-last-bottom = ##f indent=3.6\cm system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 8) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 14) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #20 }