\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.4)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Officium defunctorum: 25. Absolve Domine"
hcomposer="Morales"

\header {
	title=\markup{\fontsize #3 "25. Absolve Domine"}
	subtitle="Officium defunctorum"
	subsubtitle=\markup{\null \vspace #2 }
	composer="Cristóbal de Morales (c.1500-1553)"
        pdfauthor=\composer
	opus=\markup{"(highly dubious attribution)"}
	poet=\markup{"Valladolid ms. 21"}
	% Archivo de Música de la Catedral Metropolitana de Valladolid (E-V), Libro de coro, ms. 21; copiado en 1649
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez upon a transcription by Josep M. Llorens" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

global={\key c \major \time 2/2 \skip 1*40 \bar "|." }


cantus=\relative c'{
	R1*2
	f2 f
	f f ~
	f4 e d2
	e \[e
	f\] g ~
	g4 f f2
	e2. d8 c
	d2 e
	e g
	a a
	g f % CSIC \ss fis
	g \[g
	f\] e
	e1
	R1
	e2 g
	a4 a a a
	g2 f
	f4 g a4. g8
	f4 e2 d4
	e1
	R1
	e2 \[f2
	g\] f ~
	f e
	d e ~
	e4 d8 c d2
	c1
	R1
	g'2 g4 g
	\[g2 f\]
	\[g a\]
	g f ~
	f e ~
	e4 d8 c d2
	e1 ~
	\parenthesize e ~
	\parenthesize e\breve*1/2
	% CSIC añade 2 compases en silencio en todas las voces menos en el bajo. No lo entiendo.
	% Yo he prolongado el acorde final
}

altus=\relative c'{
	R1
	c2 c
	c4 d2 c8 b
	c4 d a4. b8
	c2 a ~
	a\[b 
	d2.\] g,4
	d'2 c ~
	c a ~
	a a
	c d
	f f
	d d 
	d e4 c ~
	c b c2 ~
	c r4 e ~
	e4 d f e ~
	e d8 c d2
	f2 f ~
	f4 e d2
	c4 d e4. d8
	c4 b a2
	r4 b2 \[c4 ~
	c d2\] g,4 ~
	g a2 d4
	b c4. b8 a g
	f2 g4 a ~
	a4 b c2
	b4 c4. b8 b4
	c e e e
	e2 c 
	d2. e4 ~
	e4 d8 c d2 ~
	d f2 ~
	f4 e d2
	c1 
	a
	b1 ~ 
	\parenthesize b ~
	\parenthesize b\breve*1/2 % CSIC silencios
}

tenor=\relative c'{
	R1
	r2 a
	a a
	a \[f
	g\] \[f
	e\] \[g
	a b ~ \]
	b4 a a2
	g2 f ~
	f e
	r4 a b2
	c c ~
	c4 b a2
	b c4. b8
	a4 f g2
	g g
	b c4 c
	c c b2
	c c ~
	c a ~
	a4 b c4. b8
	a4 g f2
	e2 r
	a \[b
	c\] \[a
	g\] a4 c ~
	c8 b a4 c2
	f,2 g ~
	g r4 g
	g g g2 ~
	g a4 c ~
	c b8 a b4 c ~
	c4 b a2
	b c ~
	c a ~
	a g
	f1
	e1 ~
	\parenthesize e ~
	\parenthesize e\breve*1/2 % CSIC silencios
}

bassus=\relative c{
	f2 f
	f f ~
	f4 d d f ~
	f8 e d c d2
	\[c2 d\]
	a \[e'
	d\] g ~
	g4 d f2
	c d ~
	d a
	a'2 g
	f f
	g d
	g \[c,
	d\] c
	c e
	g2 a4 a
	a a g2
	f f
	c d
	R1*2
	r2 e
	\[f2 g\]
	c,2 \[d
	e\] f4. e8
	d2 c
	d c
	R1*2
	c2 c4 c
	c4.^\markup{\fontsize #-2 "sic"} a8 g2 % octavas con tenor y disonancia con altus
	g1 % disonanca
	r2 f'
	g4 g f2 % octavas con el cantus
	c2 c4. c8
	f2 d
	e1
	g2. e4
	e\breve*1/2
	% No entiendo estos dos compases al final donde solo el bajo tiene notas
	% (Hay demasiadas cosas raras con esta voz, algo debe estar mal transcrito.)
}

textocantus=\lyricmode{
Ab -- sol -- ve Do -- mi -- ne a -- ni -- _ mas __ _ e -- o -- _ _ rum,
ab o -- mni vin -- cu -- lo de -- li -- cto -- _ _ rum
ut in re -- sur -- re -- cti -- o -- nis glo -- _ _ _ _ ri -- _ a
in -- ter __ _ san -- ctos tu -- _ _ _ _ os
re -- su -- sci -- ta -- _ ti __ _ re -- spi -- _ _ _ _ rent.
}

textoaltus=\lyricmode{
Ab -- sol -- ve Do -- mi -- _ _ _ ne __ _ _ a -- ni -- _ mas e -- o -- rum,
ab o -- mni vin -- cu -- lo de -- li -- cto -- _ _ rum
ut in re -- sur -- _ _ re -- cti -- o -- nis __ _ glo -- _ _ _ _ ri -- a
in -- ter __ _ san -- ctos tu -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ os,
re -- su -- sci -- ta -- ti re -- spi -- _ _ _ _ _ _ _ _ rent.
}

textotenor=\lyricmode{
Ab -- sol -- ve Do -- mi -- _ ne __ _ a -- _ _ ni -- mas e -- o -- rum
ab o -- mni vin -- cu -- lo de -- li -- _ _ _ cto -- rum,
ut in re -- sur -- re -- cti -- o -- nis glo -- ri -- _ _ _ _ _ _ a
in -- ter __ _ san -- _ ctos tu -- _ _ _ _ os
re -- su -- sci -- ta -- ti re -- spi -- _ _ rent,
re -- su -- sci -- ta -- ti re -- spi -- rent.
}

textobassus=\lyricmode{
Ab -- sol -- ve Do -- mi -- ne,
ab -- _ _ _ _ sol -- _ ve a -- _ ni -- mas e -- o -- rum,
ab o -- mni vin -- cu -- lo de -- li -- _ _ cto -- rum,
ut in re -- sur -- re -- cti -- o -- nis glo -- ri -- a
in -- ter __ _ san -- ctos __ _ tu -- _ os __ _ _ _ 
re -- su -- sci -- ta -- _ _ ti
re -- su -- sci -- ta -- ti re -- spi -- _ _ rent,
re -- spi -- rent.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 2/2
                f'1
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 2/2
                c'1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 2/2
                a1
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f4"
		\key c \major
		\time 2/2
                f1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 8
	systems-per-page = 3
	ragged-last-bottom = ##f
	indent=3.6\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 10) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}