\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.4)
#(ly:set-option 'point-and-click #f)
%mobile -s16 -i3.4

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Ave Maris Stella: 1. Kyrie"
hcomposer="Victoria"

\header {
	title=\markup{\fontsize #3 "1. Kyrie"}
	subtitle=\markup{"de la misa Ave Maris Stella"}
	subsubtitle=\markup{\null \vspace #2 }
        composer=\markup{"Tomás Luis de Victoria (c.1548-1611)"}
        pdfauthor=\composer
	poet="1576,  1583a" % uso 1583a
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

global={\key f \major \time 2/2 \skip 1*22 \bar "||" \break
				\skip 1*22 \bar "||" \break 	
				\skip 1*21 \bar "|." 
}


cantus=\relative c'' {
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%5
	R1*4/4
	R1*4/4
	r2 g ~
	g \[d' ~
	d e ~ \]
%10
	e4 c d e
	fis2 g4. \ss f8
	e4 d2 cis4
	d1
	r4 a c a
%15
	bes2 a
	g1
	R1*4/4
	r4 a c a
	bes2 a ~
%20
	a4 fis g2 ~
	g4 fis8 e fis2
	g\breve*1/2
	r2 d' ~
	d4 d g,4. a8
%25
	bes c d4. c8 c4 ~
	c bes8 a bes4. c8
	d e f4. e8 d4
	c2 bes4 d ~
	d d g,4. a8
%30
	bes4 c d bes
	\[es2 d\]
	d1 ~
	d2 r
	bes1
%35
	a
	c
	d ~
	d
	g,
%40
	a
	bes
	a
	g
	\ss fis\breve*1/2
%45
	g2 d'
	e4 c d4. e8
	f2 e
	d r
	R1*4/4
%50
	g,2 \[d'
	e\] c4 d
	e f g4. f8
	e4 d4. c8 c4
	d bes c a
%55
	bes c4. bes8 bes4 ~
	bes a8 g a2
	bes4 g d' e
	f8 e d c bes4 d
	d d c8 bes a g
%60
	f4 f' f f
	e8 d c bes a g c4 ~
	c8 bes g a bes c d4
	a f g a
	bes4. a16 g a2
%65
	b\breve*1/2
}

altus=\relative c' {
	d1
	g2 a4 f
	g a bes c ~
	c bes a2
%5
	r4 d,2 e4
	c d e4. f8
	\[g2 g,\]
	d' r
	d g ~
%10
	g4 a f g
	\[a2 b\] % alteracion delante de la ligadura
	c4 a g e
	g f8 e f4 g
	c,2 r4 e
%15
	g d f e8 d
	e2 d
	r4 e g d
	f e8 d e4 c
	d d2 f4
%20
	c d g,8 a bes c
	d1
	d\breve*1/2
	R1*4/4
	R1*4/4
%25
	r2 g ~
	g4 g d4. e8
	f g a4. g8 g4 ~
	g fis g d
	d g,4. a8 bes c
%30
	d4 es d2
	r4 g2 g4
	d4.  e8[ f g] a4 ~
	a8 g g2 fis4
	g es d2 ~
%35
	d r4 a' ~
	a a g f % Angles pone \ss fis
	bes1
	a
	R1*4/4
%40
	r4 d,2 d4
	g,8 a bes c d c d e
	f4. e16 d c4. d8
	es4 d2 c4
	d\breve*1/2
%45
	r2 d
	a' bes4 g
	a bes c8 bes a g
	f4 g c, d
	e!8 d c bes a4 bes % mi super la
%50
	g2 r4 d'
	g2 a4 f
	g a bes4. a8
	g4 f g2 ~
	g c,
%55
	r4 c d bes
	c d c2
	bes4 bes' bes bes
	a8 g f e d4 g,
	d'8 e f d e4 f
%60
	d4. e8 f g a f
	g f e d c4 a8 bes
	c d e f g4 d8 e
	f[ g] a[ g16 a] bes4 a ~
	a8 g g2 fis4
%65
	g\breve*1/2
}

tenor=\relative c' {
	r2 g ~
	g d'
	e4 c d e
	f g2 fis8 e
%5
	\ss fis g a fis g4. \ss f8
	e4 d2 cis4
	d es d2
	g,4 bes2 a8 g
	a4 b c4. d8
%10
	e4 f d  c8 bes
	a4 d2 e4
	c d e2
	d r4 d
	f e8 d e4 c	
%15
	d2 r4 a
	c g bes2
	\[a g\]
	c r4 e
	g d f4. g8
%20
	a4 a, c g
	bes a8 g a2
	g\breve*1/2
	d'2. d4
	g,4. a8 bes4 c
%25
	d bes es2
	d r4 d ~
	d d a bes
	c2 d
	r4 d2 d4
%30
	g,4.  a8[ bes c] d4 ~
	d8 c c2 bes8 a
	\[bes2 a4.\] g8
	a4 bes c2
	d4 g2 g4
%35
	f d f2 ~
	f4 e8 d e4 c
	r g'2 g4
	f d f4. d8
	es4 d c g' ~
%40
	g fis8 e fis4 fis
	g2 r4 d ~
	d d a8 bes c a
	bes2 g
	a\breve*1/2
%45
	R1*4/4
	r2 g
	d' e4 c
	d4. e8 \[f2
	e\] d4. c8
%50
	d4 c2 b4
	c2 r
	r4 c d bes
	c d es2
	d4 g e f
%55
	d f2 e4
	f1
	d
	r2 bes ~
	bes a ~
%60
	a1
	c ~ 
	c2 d ~ % en 1576 parece que hay ligadura 
	d1
	d
%65
	d\breve*1/2
}

bassus=\relative c {
	R1*4/4
	R1*4/4
	R1*4/4
	r2 d ~
%5
	d g
	a4 f g a
	bes c2 bes8 a
	bes a g f g4 fis8 e % en 1576 no hay sostenido
	\ss fis4 g c,2
%10
	R1*4/4
	d2 g
	a4 f g a
	bes1
	a
%15
	g2 r
	r r4 g
	c a bes2
	a1
	g2 r4 d
%20
	f d es2
	d1
	g\breve*1/2
	R1*4/4
	R1*4/4
%25
	R1*4/4
	g2. g4
	d4. e8 f4 g
	a2 g4 bes
	g bes4. a8 g4 ~
%30
	g c, g'2
	c, g' ~
	g4 g d4. e8
	f4 g a2
	g1
%35
	r4 d d8 e f g
	a g a bes c4 a
	g1
	d4 d'2 d4
	c bes \[es2
%40
	d\] d,
	r4 g2 g4
	d4. e8 \[f2
	g\] es
	d\breve*1/2
%45
	R1*4/4
	R1*4/4
	d2 a'
	bes4 g a bes
	c8 bes a g f4 g ~
%50
	g8 f e4 d2
	c4 c' a d
	c a g2
	r r4 c,
	g'2 a4 f
%55
	g a bes g
	f1
	r4 g g g
	f2 g
	R1*4/4
%60
	d2 d4 d
	c2 f4. g8
	a bes c4 g8 a bes c
	d4 d, g \ss fis % no hay sostenido en 1576
	g4. f16 e d2
%65
	g\breve*1/2
}


textocantus=\lyricmode{
Ky -- _ ri -- _ _ _ e e -- _ _ lei -- _ _ _ _ son
\italicas 
Ky -- ri -- e e -- lei -- son
Ky -- ri -- e e -- lei -- _ _ _ _ _ _ _ son.
\rectas
Chri -- _ ste e -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- son,
\italicas
Chri -- _ ste e -- _ _ _ _ _ lei -- _ son _
\rectas
Chri -- ste e -- lei -- _ son,
\italicas Chri -- ste
e -- lei -- son.
\rectas
Ky -- ri -- e e -- _ _ _ lei -- son
\italicas
Ky -- ri -- _ e e -- lei -- _ _ _ _ _ _ _ son, 
Ky -- ri -- e e -- lei -- _ _ _ _ _ _ son,
Ky -- ri -- e~e -- lei -- _ _ _ son,
Ky -- ri -- e~e -- lei -- _ _ _ son,
% en 1576 no hay tantos ij, solo uno
\rectas
Ky -- ri -- e e -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- _ _ _ son.
}

textoaltus=\lyricmode{
Ky -- ri -- e e -- _ _ _ \italicas lei -- _ _ \rectas son % en 1583a una nota despues
\italicas
Ky -- ri -- e e -- lei -- _ _ _ son
Ky -- ri -- _ e e -- _ lei -- _ _ _ _ _ _ _ _ _ _ son
\rectas
Ky -- ri -- e e -- lei -- _ _ son
\italicas
Ky -- ri -- e e -- _ _ _ lei -- son, Ky -- ri -- e e -- lei -- _ _ _ _ son.
\rectas
\mt #.2 Chri -- _ ste e -- _ _ _ _ _ _ _ lei -- son, % en 1576 el lei es una nota antes
\italicas
Chri -- ste e -- _ _ _ _ lei -- son
Chri -- ste e -- _ _ _ _ _ _ _ _ _ lei -- son _
\rectas
\mt #.2 Chri -- _ ste e -- _ lei -- son
\italicas
Chri -- ste e -- _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- _ son.
\rectas
Ky -- ri -- e e -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- son
\italicas
Ky -- ri -- e e -- _ _ _ _ _ _ lei -- _ son
\rectas
Ky -- ri -- e e -- _ lei -- son,
\italicas
Ky -- ri -- e e -- _ _ _ _ lei -- son, __ _ _ _ _ 
Ky -- ri -- _ e __ _ _ _ _ _ _ _  _ e -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- son.
}

textotenor=\lyricmode{
Ky -- _ ri -- e e -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- son,
%Ky -- _ ri -- e e -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- son, % final como en 1576.
% (En 1576 pone lei va sobre la negra y son sobre blanca, el siguiente Kyrie empieza una nota antes)
\italicas
Ky -- ri _ e e -- lei -- _ _ _ \mt #.5 son, __ _ _ _
Ky -- ri -- e e -- lei -- son
Ky -- ri -- e~e -- _ \mt #.3 lei -- _ son
\rectas
Ky -- ri -- e e -- lei -- _ son
\italicas
Ky -- ri -- e~e -- lei -- _ son, 
Ky -- ri -- e~e -- \mt #.2 lei -- _ _ _ son. % 1576 solo pone una ij, en lugar de dos
\rectas
Chri -- ste e -- _ _ _ _ _ lei -- son
\italicas
\mt #.2 Chri -- _ ste e -- _ lei -- son
Chri -- ste e -- _ _ _ _ _ _ _ _ _ lei -- _ _ _ _ _ son,
\rectas
Chri -- ste e -- _ lei -- _ _ _ _ son
\italicas
Chri -- ste e -- _ lei -- _ _ _ son,
Chri -- _ \mt #.1 ste _ e -- lei -- son
% en 1576 solo hay un ij
\rectas
Chri -- _ ste e -- _ _ _  _ lei -- son.
Ky -- ri -- e e -- _ _ _ _ _ _ _ _ lei -- son % en 1576 parece que lei va una nota antes
\italicas
Ky -- ri -- e e -- _ lei -- son,
Ky -- ri -- e e -- _ _ lei -- son
\rectas
Ky -- _ ri -- _ e _ e -- _ lei -- son.

}

textobassus=\lyricmode{
Ky -- _ ri -- e e -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- son % en 1576 parece que lei esta una nota antes
\italicas
Ky -- ri -- e e -- _ _ _ lei -- son
\rectas
Ky -- ri -- e e -- lei -- son
\italicas
Ky -- ri -- e e -- lei -- son.
\rectas
Chri -- ste e -- _ _ _ lei -- son,
\italicas
Chri -- ste e -- _ _ _ _ lei -- son,
Chri -- _ ste e -- _ _ _ lei -- son
Chri -- ste __ _ _ _ _ _ _ _ _ e -- lei -- son,
\rectas
\mt #1 Chri -- ste e -- _ lei -- _ son
\italicas
Chri -- ste e -- _ _ _ lei -- son.
\rectas
Ky -- ri -- e e -- _ _ _ _ _ _ _ _ _ _ _ lei -- son,
\italicas
Ky -- ri -- e e -- lei -- son
Ky -- ri -- e e -- _ _ _ lei -- son
\rectas
Ky -- ri --  e~e -- lei -- son % Ky rie e
\italicas
Ky -- ri -- e e -- lei -- _ _ _ _ son, __ _ _ _ _ 
Ky -- ri -- e~e -- lei -- _ _ _ son.
}



incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus " % Superius
		\override NoteHead.style = #'neomensural
		\override Rest.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-g"
		\key f \major
		\time 2/2
		g'\breve 
		} 
	\layout {
		\context {\Voice
			\remove Ligature_bracket_engraver
			\consists Mensural_ligature_engraver
		}
		line-width=\incipitwidth
                indent=0
	}
	}
}


incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Rest.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key f \major
		\time 2/2
		d'\breve
		} 
	\layout {
		\context {\Voice
			\remove Ligature_bracket_engraver
			\consists Mensural_ligature_engraver
		}
		line-width=\incipitwidth
                indent=0
	}
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Rest.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key f \major
		\time 2/2
		g\breve
		} 
	\layout {
		\context {\Voice
			\remove Ligature_bracket_engraver
			\consists Mensural_ligature_engraver
		}
		line-width=\incipitwidth
                indent=0
	}
	}
}


incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural 
		\override Rest.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key f \major
		\time 2/2
		d\breve
		} 
	\layout {
		\context {\Voice
			\remove Ligature_bracket_engraver
			\consists Mensural_ligature_engraver
		}
		line-width=\incipitwidth
                indent=0
	}
	}
}





\score {\transpose c' g{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	
	\new Staff << \global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "G_8"
		\altus}
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>

	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>
	

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass" 
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus}
	>>
	
>>

}%transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 8
	ragged-last-bottom = ##f
	indent=3.5\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))

}