\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.4)
#(ly:set-option 'point-and-click #f)
%mobile -s15.0 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}

htitle="De Beata Maria - 5. Benedictus"
hcomposer="Victoria"

\header {
	title=\markup{\fontsize #3 "5. Benedictus"}
	subtitle="de la misa De Beata Maria"
	subsubtitle=\markup{\null \vspace #2 }
	composer="Tomás Luis de Victoria (c.1548-1611)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{"1576,  1583a"} % 1583a
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}


global={\key c \major \time 2/2  \skip 1*24 \bar "||" \break
        \once \override Score.TimeSignature.break-visibility = #'#(#f #f #t)
        \time 2/2 \skip 1*26 \bar "|."
}

cantus={
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%5
	c'1 |
	e' |
	\[d'2 g'\] |
	g' r |
	g' a'4 g' ~ |
%10
	g' fis'8 e' fis'2 |
	g'1 ~ |
	g' |
	R1*4/4 |
	R1*4/4 |
%15
	c'1 |
	e' |
	\[d'2 g'\] |
	g'1 |
	g'4. f'8 g'4 a' ~ |
%20
	a'8 g' g'2 fis'4 |
	g'1 ~ |
	g' ~ |
	g' ~ |
	g'\breve*1/2 |
%25
	c'1 |
	e' |
	fis'2 g' ~ |
	g'4 g' c'2 |
	f' r |
%30
	g'1 |
	a'2 b' |
	c''4. b'16 a' g'4 e' |
	a'2 d'4 g' |
	g' g' a' f' |
%35
	g'4. a'8 b'2 |
	c'' r4 c' |
	c' c' d'8 e' f' d' |
	e'4 c'2 c''4 ~ |
	c''8 b' a' g' f'2 |
%40
	g'1 |
	R1*4/4 |
	r4 d' d' d' |
	e' c' c''2 ~ |
	c''4  b'8[ a' b' c''] d''4 ~ |
%45
	d''8 c'' c''2 b'4 |
	c''2 r |
	r r4 g' |
	g' g' a' f' |
	a' g'4. f'8 f'4 ~ |
%50
	f' e'8 d' \mtempob e'\breve*1/4
}

altus={
	g1 |
	g2 a |
	g c' |
	a4 b c'8 b a g |
%5
	a4. f8 g4 a |
	g2 r4 c' |
	b a8[ b c' d'] e'[ c'] |
	d'4 e' f'2 ~ |
	f'4 e'8 d' e'4 d' |
%10
	e'8 d' c' b c'2 |
	d'4 c' b c' |
	d'2 e'4 c' |
	c' d' e' c' ~ |
	c' b a2 |
%15
	r4 g g a |
	b c'2 b4 |
	a2 r |
	r4 c' d' d' |
	e' d'4. e'8 f'4 ~ |
%20
	f' e' d'2 |
	r4 g c' c' |
	d'2 e' ~ |
	e'4 d'8 c' d'4 e' |
	d'\breve*1/2 |
%25
	R1*4/4 |
	c'1 |
	d' |
	e'2 f'4. e'16 d' |
	c'4 d' e' b |
%30
	e'2. d'4 |
	d'1 |
	g |
	a2 b |
	c'4. b8 a2 |
%35
	g r4 g |
	g g a f8 g |
	a b c'2 b4 |
	c' e' e' e' |
	f'2 c' |
%40
	d'4. c'8 d'4 e' |
	f'4 f' f'4. e'8 % 1576: f'2. e'4 |
	d'4 g d'8 c' b a |
	g f e d e4 c |
	d d' d' d' |
%45
	e' c' f'2 ~ |
	f'4 e'8 d' e'4 d' ~ |
	d'8 c' c'2 b4 |
	c'1 ~ |
	c' ~ |
%50
	c'\breve*1/2
}

tenor={
	R1*4/4 |
	R1*4/4 |
	c2. c4 |
	d2 c |
%5
	f e4 f |
	g8 f e d e c g4 ~ |
	g f e c |
	g c d2 |
	c4 c' a b |
%10
	c'2 r4 c' |
	b c' d' c' ~ |
	c' b c'2 |
	R1*4/4 |
	c2 c4 d |
%15
	e c e f |
	g a4. g8 g4 ~ |
	g fis g8 \ss f e d |
	c4 c g2 |
	R1*4/4 |
%20
	r4 c d d |
	e c8[ d e f g a] |
	b c' d' b c'2 ~ |
	c'4 b8 a g4 c |
	g\breve*1/2 |
%25
        % en 1576, esta voz es la quinta pars
        s4*0^\markup{\bold "Canon ad unisonum"}
	r2 g ~
	g a ~ |
	a
        \once \override TextScript.X-offset = #.5
         b^\markup{\smaller \smaller \musicglyph "scripts.segno"} |
	c'2. b4 |
	\[a2 g4.\] f8 |
%30
	e d e4. c8 g4 ~ |
	g \ss fis g2 |
	r c ~ |
	c d |
	e f ~ |
%35
	f4 e d2 |
	c1 |
	R1*4/4 |
	r4 g g g |
	a  f8[ g a b] c'4 ~ |
%40
	c' b8 a b2 |
	c'1 |
	r2 g |
	g4 g a f |
	g2. f4 |
%45
	\[e2 d\] |
        \once \override TextScript.X-offset = #1
	c4^\markup{\smaller \smaller \musicglyph "scripts.ufermata"} c' c'8 b a g |
	a4 g2 d4 |
	e8 f g e f g a4 |
	f g a2 |
%50
	g\breve*1/2
}

tenordos={
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%5
	R1*4/4 |
	c2. c4 |
	d2 c4 c' |
	b c' a b |
	c'2. b4 |
%10
	a1 |
	g ~ |
	g2 r4 c |
	e d g a ~ |
	a8 g g2 fis4 |
%15
	g2 r |
	r c |
	d4 d e c8 d |
	e[ f g a b c'] d'[ b] |
	c'4 b8 a g4 f |
%20
	c'4. b8 a4 a |
	g2 r4 c |
	g g e c8 d |
	e f g a b g c'4 ~ |
	c' b \mtempob b\breve*1/4 | % 1576: c'4 b8 a 
%25
        \mtempo
        \once \override TextScript.padding = #1
	s4*0^\markup{\bold "Resolutio"}
        R1*4/4 |
	R1*4/4 |
	r2 g ~
	g a ~ |
	a b |
%30
	c'2. b4 |
	\[a2 g4.\] f8 |
	e d e4. c8 g4 ~ |
	g \ss fis g2 |
	r c ~ |
%35
	c d |
	e f ~ |
	f4 e d2 |
	c1 |
	R1*4/4 |
%40
	r4 g g g |
	a  f8[ g a b] c'4 ~ |
	c' b8 a b2 |
	c'1 |
	r2 g |
%45
	g4 g a f |
	g2. f4 |
	\[e2 d\] |
	c1 ~ |
	c ~ |
%50
	c\breve*1/2 
}

bassus={
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%5
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%10
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%15
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%20
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%25
	s4*0^\markup{"Bassus"}
        r2 c ~ |
	c \[a, |
	d\] g, |
	c f ~ |
	f e4. d8 |
%30
	c b, c4. b,8 g,4 |
	d2 g, |
	c1 |
	a,2 g, |
	c \[f, |
%35
	c\] \[g, |
	c\] f, |
	f f4 f |
	g2 c |
	f4.  e8[ f g] a4 |
%40
	g2 r |
	f f4 f |
	g2 g, |
	c4.  b,8[ a, g,] a,4 |
	g,1 |
%45
	c2 r |
	r4 c c d |
	a, c g,2 |
	c f, ~ |
	f,4 e, f,2 |
%50
	c\breve*1/2
}

textocantus=\lyricmode{
Be -- ne -- di -- _ ctus
qui ve -- _ _ _ _ _ nit _
in no -- mi -- _ ne
Do -- _ _ _ _ _ _ mi -- ni. _ _ _ 
Ho -- san -- na in _ ex -- cel -- sis % Osanna
\italicas
ho -- san -- na in __ _ _ _ ex -- cel -- sis, 
ho -- san -- na in ex -- cel -- _ _ sis 
\rectas
ho -- san -- na in __ _ _ _ _ ex -- cel -- _ _ _ _ _ sis
\italicas
ho -- san -- na in ex -- cel -- _ _ _ _ _ _ _ _ _ _ sis 
\rectas
ho -- san -- na in ex -- cel -- _ _ _ _ _ _ sis. % 1583 sis. __ _ _ 
}

textoaltus=\lyricmode{
Be -- ne -- di -- ctus qui ve -- _ _ _ _ _ _ _ _ _ nit
qui ve -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ nit,
qui ve -- _ _ nit
in no -- mi -- ne Do -- _ mi -- ni
in no -- mi -- ne Do -- mi -- ni
in no -- mi -- ne Do -- _ _ _ mi -- ni % italicas
in no -- mi -- ne Do -- _ _ _ _ mi -- ni.
Ho -- san -- na in __ _ _ _ ex -- cel -- _ _ _ sis,
\italicas
ho -- san -- na in ex -- cel -- sis 
\rectas
ho -- san -- na in ex -- _ _ _ _ cel -- sis,
\italicas ho -- san -- na in ex -- cel -- _ _ _ sis, % falta ij en 1583a
ho san -- na in ex -- cel -- _ _ _ _ _ _ _ _ _ sis, % no hay ij en 1576
\rectas
ho -- san -- na in ex -- cel -- _ _ _ _ _ _ _ _ _ sis. _ _ 
}

textotenor=\lyricmode{
Be -- ne -- di -- ctus qui ve -- _ _ _ _ _ _ _ _ _ _ nit,
qui ve -- _ _ nit,
\italicas
qui ve -- _ nit 
\rectas
qui ve -- _ _ _ _ _ nit
in no -- mi -- ne Do -- _ _ _ _ _ _ _ _ _ _ _ _ _ mi -- ni
in no -- mi -- ne Do -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ mi -- ni.
Ho -- _ san -- _ na in ex -- cel -- _ _ _ _ _ _ _ _ _ sis
\italicas
ho -- _ san -- na in _ ex -- cel -- sis 
\rectas
ho -- san -- na in ex -- _ _ _ _ _ cel -- _ _ sis % 1576 cel -- _ _ _ _ sis
\italicas
ho -- san -- na in ex -- cel -- _ _ _ sis, 
\rectas
ho -- san -- _ _ _ _ na in ex -- _ _ _ _ _ _ cel -- _ _ sis.
}

textotenordos=\lyricmode{
Be -- ne -- di -- ctus qui ve -- _ _ _ _ _ _ nit _
in no -- mi -- ne Do -- _ _ _ mi -- ni
in no -- mi -- ne Do -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ mi -- ni
in no -- mi -- ne Do -- _ _ _ _ _ _ _ _ _ mi -- ni.
Ho -- _ san -- _ na in ex -- cel -- _ _ _ _ _ _ _ _ _ sis
\italicas
ho -- _ san -- na in _ ex -- cel -- sis 
\rectas
ho -- san -- na in ex -- _ _ _ _ _ cel -- _ _ sis % 1576 cel -- _ _ _ _ sis
\italicas
ho -- san -- na in ex -- cel -- _ _ _ sis. _ _  
}

textobassus=\lyricmode{
Ho -- _ san -- _ na in ex -- _ cel -- _ _ _ _ _ _ _ sis,
\italicas
ho -- san -- na in ex -- _ cel -- _ sis, 
\rectas
ho -- san -- na in ex -- cel -- _ _ _ _ sis
\italicas
ho -- san -- na in ex -- cel -- _ _ _ _ _ sis 
\rectas
ho -- san -- na in ex -- cel -- sis,
in _ ex -- cel -- sis. 
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus  "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-g"
		\key f \major
		\time 2/2
                f'\breve
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus     "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key f \major
		\time 2/2
                c'\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor I  "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key f \major
		\time 2/2
                f1.
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipittenordos=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor II "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key f \major
		\time 2/2
                f1.
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}


incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus   "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f3"
		\key f \major
		\time 2/2
                f\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v5" {
		\set Staff.instrumentName=\incipittenordos
		\clef "G_8"
		\tenordos }
	\new Lyrics \lyricsto "v5" {\textotenordos }
	>>

	\new Staff \with{\remove Ambitus_engraver} <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                \RemoveEmptyStaves
                \override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 8
        systems-per-page = #3
	ragged-last-bottom = ##f
	indent=3.5\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 9) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5

first-page-number=26
oddHeaderMarkup=\markup \fill-line {\hcomposer \htitle \fromproperty #'page:page-number-string }
evenHeaderMarkup=\markup \fill-line {\on-the-fly #not-first-page \fromproperty #'page:page-number-string \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \hcomposer }

first-page-number=26
oddHeaderMarkup=\markup \fill-line {\hcomposer \htitle \fromproperty #'page:page-number-string }
evenHeaderMarkup=\markup \fill-line {\on-the-fly #not-first-page \fromproperty #'page:page-number-string \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \hcomposer }
}