\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.6)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.2 -m6

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="8bis. Aleph. Quomodo obscuratum"
hcomposer="Victoria"

\header {
	title=\markup{\fontsize #3 "8. Aleph. Quomodo obscuratum"}
	subtitle="Tertia die. Lectio secunda"
	subsubtitle=\markup{"[Preliminary version]" }
	composer="Tomás Luis de Victoria (c.1548-1611)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{"Sistine Chapel, Ms. 186"}
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}




%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

global={\key c \major \time 2/2  \skip 1*13 \bar "||"
			\skip 1*27 \bar "||" \break
			\skip 1*13 \bar "||" 
			\skip 1*33 \bar "||" \break
			\skip 1*17 \bar "||"
			\skip 1*25 \bar "|."
}

cantus=\relative c'' {
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%5
	R1*4/4
	R1*4/4
	\[b1
	c2.\] b4
	a g a2 ~ % Rubio \ss gis
%10
	a4 \ss gis8 \ss fis \[gis2
	a4.\] \ss g8 a4 b % Rubio \ss gis8
	c1
	b\breve*1/2
	R1*4/4 % sucio
%15
	r2 a ~
	a4 \ss gis8 fis gis4 gis
	a2 r4 a ~
	a a a2
	d, e4 e ~
%20
	e d8 c d2
	e1 ~
	e
	R1*4/4
	r2 r4 a
%25
	a \ss gis a c ~
	c a b c
	b2 a
	r r4 c
	d b c2
%30
	r4 c2 c4
	c2 r4 c ~
	c b a2 ~
	a4 g a2 ~
	a r4 e
%35
	a2. a4
	a c2 c4
	c2 r4 c ~
	c b8 a b4 b
	a1
%40
	gis\breve*1/2
	\[a1
	b
	c\]
	b
%45
	r2 a ~
	a4 \ss gis8 fis gis2
	a1
	d,2 r
	\[a'1
%50
	b
	c ~ \]
	c
	b\breve*1/2
	R1*4/4
%55
	R1*4/4
	a2. a4
	a2 g4 e
	f e2 d4
	e1
%60
	r4 a2 a4 % sucio
	a2 b
	c2. d4
	b c4. b8 a4 ~
	a \ss gis8 fis gis2
%65
	a1
	r4 a2 f4
	f2 r4 a
	g c2 b4
	a1 ~
%70
	a2 r
	r4 e f g
	a2. g4
	f e2 d4
	e1
%75
	r4 a a b
	c2. b4
	a2 g
	g r4 c ~
	c c c2 ~
%80
	c4 b a4. b8
	c4 b4. a8 a4 ~
	a \ss gis a2
	r4 a2 a4
	a2. gis4
%85
	a c4. b8 a4 ~
	a \ss gis8 fis \mtempob gis\breve*1/4 \mtempo
	R1*4/4
	R1*4/4
	R1*4/4
%90
	r2 g ~
	g a ~
	a b
	c1
	R1*4/4
%95
	R1*4/4
	R1*4/4
	g1
	a
	b
%100
	c4 a c4. b8
	a g f e d4 e
	f2. f4
	e1
	e
%105
	g
	a
	g
	R1*4/4
	R1*4/4
%110
	e1
	g
	a
	g
	b
%115
	c2. a4
	b2 r
	r e, ~
	e g ~
	g4 g g2
%120
	R1*4/4
	R1*4/4
	b1
	c2. c4
	c1
%125
	r2 c ~
	c b
	a1
	\ss gis\breve*1/2
}

cantusdos=\relative c' {
	R1*4/4
	R1*4/4
	R1*4/4
	\[e1
%5
	f2.\] e4
	f g a2 ~
	a4 \ss gis8 fis gis2
	a r
	R1*4/4
%10
	\[b1
	c2.\] b4
	a g a2 ~
	a4 \ss gis8 fis \mtempob gis\breve*1/4 \mtempo
	r2 e ~
%15
	e4 d8 c d4 d
	e2 r4 e ~
	e e e2 ~
	e f % fis en OHS
	g1
%20
	a
	\ss gis2 r
	R1*4/4
	R1*4/4
	r2 a
%25
	c4 b a2
	c b4 a ~
	a gis a2
	r r4 a
	f g a2 % fis en OHS
%30
	r4 a2 a4
	a2 g ~
	g4 g f e ~
	e8 d d2 cis4
	d a' c2 ~
%35
	c4 c c2 ~
	c a ~
	a4 a a2
	g d4 e ~
	e d8 c d2
%40
	e\breve*1/2
	r2 a ~
	a4 \ss gis8 fis \[gis2
	a\] e ~
	e r
%45
	\[a1
	b
	c\]
	b
	e,2 r4 a ~
%50
	a \ss gis8 fis gis2
	a4 e4. f8 g4
	a2 r4 a ~
	a \ss gis8 fis \mtempob gis\breve*1/4 \mtempo
	a2. a4
%55
	a2 g4 e
	f4.  g8[ a b] c4 ~
	c a b2
	a4 g f f
	e1
%60
	r4 e2 e4
	e2 g
	a1
	g2 a4. b8
	c4 b8 a b2
%65
	a r4 a ~
	a f f a ~
	a8 g a b c2 ~
	c4 c, g'2
	e1
%70
	f2 r
	r4 a a b
	c2. b4
	a4. g8 f4 f
	e2 r
%75
	r4 e f g
	a2. g4
	f2 d
	e g ~
	g4 g g2 ~
%80
	g4 g e f ~
	f8 e e2 d4
	e1
	r4 c'2 c4
	c c b2
%85
	a4. b8 c4 c
	b\breve*1/2
	R1*4/4
	R1*4/4
	R1*4/4
%90
	R1*4/4
	e,1
	f2 g ~
	g c,
	R1*4/4
%95
	g'1
	a
	b
	c2 r4 a ~
	a \ss gis8 \ss fis gis4 gis
%100
	a1 ~
	a ~
	a ~
	a
	R1*4/4
%105
	R1*4/4
	R1*4/4
	e1
	g
	a
%110
	g
	b
	c2. a4
	b1
	R1*4/4
%115
	R1*4/4
	b1
	c2. c4
	c1
	r2 c ~
%120
	c b
	a1
	g
	r2 e ~
	e g ~
%125
	g4 g g2
	a b
	c1
	b\breve*1/2
}

altus=\relative c' {
	\[b1
	c2.\] b4
	a g a b
	c2. b4
%5
	c d a4. b8
	c d e2 d4
	e1 ~
	e
	r4 e2 d4
%10
	e1 ~
	e ~
	e ~
	e\breve*1/2
	c1
%15
	a
	b
	c2. c4
	c1
	b2. c4
%20
	a1
	b2 r4 a
	a \ss gis a c ~
	c a b c
	b2 a
%25
	R1*4/4
	R1*4/4
	r2 r4 c
	d b c2
	r r4 f ~
%30
	f f f2
	r4 f2 e4
	d2. cis4
	d2 e
	d4 f e2 ~
%35
	e4 e e2 ~
	e f ~
	f4 f f2
	d2. g,4
	a1
%40
	b\breve*1/2
	R1*4/4
	R1*4/4
	\[a1
	b
%45
	c\]
	\[b2 e ~ \]
	e4 f e a, ~
	a \ss gis8 fis gis2
	a1
%50
	\[d
	e
	f2.\] e8 d
	e\breve*1/2
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	r2 c ~
%60
	c4 c c2 ~
	c d
	f1
	e4 e4. d8 d4
	e2 r4 e ~
%65
	e c c2
	r4 c2 a4
	a d e f ~
	f e8 d e4 d ~
	d cis8 b cis4 cis
%70
	d a a b
	c2. b4
	a8 b c d e4 e
	a,2 r
	r4 a a b
%75
	c2. b4
	a8 b c d e4. d8 % varias notas parecen corregidas tachando las plicas
	c b c2 b4
	c e2 e4
	e2. e4
%80
	d2 c
	a4 b c a
	b b a8 b c d
	e1 ~
	e ~
%85
	e ~
	e\breve*1/2
	b1
	c
	d
%90
	e
	c
	d
	e
	f
%95
	r2 e ~
	e4 d8 c d4 c
	\[e2 d
	f2.\] e4
	e1 ~
%100
	e2 r4 e
	f2. e4
	d a d2 ~
	d4 cis8 b cis2
	R1*4/4
%105
	b1
	c2. a4
	b1
	R1*4/4
	R1*4/4
%110
	r2 e ~
	e g
	f1
	e ~
	e ~
%115
	e
	r4 b e2 ~
	e4 e e2
	r4 c e2 ~
	e4 e e2
%120
	e e4 e ~
	e d8 c d2
	e4 b e2 ~
	e4 e e2
	r4 c e2 ~
%125
	e4 e e2
	e2. e4
	e1
	e\breve*1/2
}

tenor=\relative c {
	r2 \[e ~
	e f ~ \]
	f4 e f g
	a2. g4
%5
	f  d8[ e f g] a4 ~
	a g f2
	e1
	a2. g4
	f e f2
%10
	e1
	a2. g4 % Rubio  \ss gis4
	a c4. b8 a4
	e\breve*1/2
	a1
%15
	f
	e
	a2. a4
	a1
	g2 e
%20
	f1
	e2 a
	c4 b a2
	c b4 a ~
	a \ss gis a2
%25
	r r4 a ~
	a a gis a
	e2 r4 a
	f g a2 % Rubio \ss fis
	r r4 f ~
%30
	f f f2 ~
	f c'
	g a
	bes a
	r4 d, a'2 ~
%35
	a4 a a2 ~
	a f ~
	f4 f f2
	g2. e4
	f1
%40
	e\breve*1/2
	R1*4/4
	R1*4/4
	r2 a ~
	a4 \ss gis8 fis gis2
%45
	a1
	e
	\[a
	b
	c\]
%50
	b
	a4. b8 \[c2
	f,4.\] g8 a2
	e\breve*1/2
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	r2 a ~
%60
	a4 a a2 ~
	a g
	f2. d4
	\[e2 f\]
	e1
%65
	a2. f4
	f1
	d2 a'
	c2. g4
	a1
%70
	r4 d, f g
	a2. g4
	f f e2
	r4 a a b
	c4. b8 a4 g % Rubio gis
%75
	a2. g4
	\[f2 e\]
	f g
	c,4 c'2 c4
	c2. c4
%80
	g2 a ~
	a4 g f f
	e2 r4 a ~
	a a a2 ~
	a4 a e2
%85
	a2. a4
	e\breve*1/2
	r2 g ~
	g a ~
	a b
%90
	c1
	R1*4/4
	r2 g ~
	g a ~
	a b ~
%95
	b c
	r r4 a
	g4. a8 \[b2
	a4.\] b8 c2
	b1
%100
	a ~
	a ~
	a ~
	a
	r2 e ~
%105
	e g
	f1
	e2 r
	b'1
	c2. a4
%110
	b1 ~
	b1
	R1*4/4
	e,1
	g
%115
	a
	g
	a
	g2. g4
	g1
%120
	a2. g4
	a1
	b
	a
	g2. g4
%125
	g2 \[e
	a2.\] \ss gis4
	a1
	b\breve*1/2
}

bassus=\relative c {
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%5
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%10
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%15
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%20
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%25
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%30
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%35
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%40
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%45
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%50
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%60
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%65
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%70
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%75
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%80
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%85
	R1*4/4
	R1*4/4
	s4*0^\markup{\hspace #-2 "Bassus"} % No pone nada
	r2 e ~
	e f ~
	f g
%90
	c,1
	r4 c a2
	d g,
	c1
	d
%95
	e
	f
	e2 \[g
	f4.\] g8 a2
	e1
%100
	a,2 r4 a
	d2. cis4
	d2. d4
	a1
	R1*4/4
%105
	R1*4/4
	R1*4/4
	r2 e' ~
	e g
	f1
%110
	e ~
	e
	R1*4/4
	r2 e ~
	e e
%115
	a,1
	e'
	a,
	c2. c4
	c1
%120
	a2 e'
	f1
	e
	a,
	c2. c4
%125
	c1
	a2 e'
	a,1
	e'\breve*1/2
}

textocantus=\lyricmode{
A -- _ _ _ _ _ _ _ _ _ _ _ _ _ \mt #1 leph.
Quo -- _ _ _ mo -- do ob -- scu -- ra -- tum est au -- _ _ _ rum
mu -- ta -- tus est co -- lor o -- _ pti -- mus
di -- sper -- si sunt
la -- pi -- des \mt #1.2 san -- ctu -- a -- ri -- i in ca -- pi -- te o -- mni -- um \mt #1 pla -- _ _ _ te -- a -- rum.
Beth __ _ _ _ 
\italicas
beth __ _ _ _ _ _  beth. __ _ _ _ 
\rectas
Fi -- li -- i Si -- on in -- _ cli -- ti
et a -- mi -- cti au -- ro \mt #.3 pri -- _ _ _ _ _ _ mo:
quo -- mo -- do re -- pu -- ta -- ti sunt in va -- sa te -- _ _ _ ste -- a
in va -- sa te -- _ _ ste -- a
o -- pus ma -- nu -- um __ _ _ fi -- _ _ gu -- li % manum
o -- pus ma -- nu -- um fi -- _ _ gu -- _ li? % parece "gu" debajo de fis
Ie -- ru -- sa -- lem
\italicas
Ie -- ru -- sa -- lem,
\rectas
Ie -- ru -- _ _ _ _ _ _ _ _ sa -- lem:
con -- ver -- te -- re
\italicas
con -- ver -- te -- re, 
con -- ver -- te -- re
\rectas
ad Do -- mi -- num
ad Do -- mi -- num De -- um tu -- um.
}

textocantusdos=\lyricmode{
A -- _ _ _ _ _ _ _ _ leph
\italicas
a -- _ _ _ _ _ _ _ \mt #1 leph.
\rectas
Quo -- _ _ _ mo -- do
ob -- scu -- ra -- tum
est au -- rum
mu -- ta -- tus est co -- lor o -- pti -- mus
di -- sper -- si sunt la -- pi -- des san -- ctu -- a -- _ _ _ ri -- i,
in ca -- pi -- te o -- mni -- um pla -- te -- a -- _ _ _ rum.
Beth __ _ _ _ _ _ 
\italicas
beth __ _ _ _ _ 
\rectas
\mt #1.5 beth __ _ _ _ _ _ _ _ _ 
beth. __ _ _ _ 
Fi -- li -- i Si -- on in -- _ _ _ _ _ _ _ _ _ cli -- ti
et a -- mi -- cti au -- ro \mt #.3 pri -- _ _ _ _ _ mo:
\mt #1 quo -- mo -- do re -- _ _ _ _ pu -- ta -- ti % reputatum est
sunt
in va -- sa te -- _ _ _ _ ste -- a
in va -- sa te -- _ _ ste -- a, 
o -- pus ma -- nu -- um fi -- _ _ gu -- li
o -- pus ma -- nu -- um fi -- _ _ gu -- li?
Ie -- ru -- sa -- lem
\italicas
Ie -- ru -- sa -- lem
Ie -- ru -- _ _ sa -- lem:
\rectas
con -- ver -- te -- re,
\italicas
con -- ver -- te -- re
\rectas
ad Do -- mi -- num De -- um tu -- um
ad Do -- mi -- num De -- um tu -- um.
}

textoaltus=\lyricmode{
A -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ leph \italicas
a -- _ leph. 
\rectas
\mt #.9 Quo -- mo -- do ob -- scu -- ra -- tum est au -- rum
mu -- ta -- tus est co -- lor o -- _ pti -- mus
di -- sper -- si sunt
la -- pi -- des san -- ctu -- a -- _ _ ri -- i, in ca -- pi -- te o -- mni -- um pla -- te -- a -- rum.
Beth, __ _ _ _ _ _ _ 
\italicas
beth, __ _ _ _ _ beth. __ _ _ _ _ _ 
\rectas
et a -- mi -- cti au -- ro \mt #.3 pri -- _ _ mo:
quo -- mo -- do
quo -- mo -- do re -- pu -- ta -- _ _ _ _ _ _ _ ti sunt,
in va -- sa te -- _ _ _ _ _ _ ste -- a
in va -- sa te -- _ _ _ _ _ _ _ _ _ _ ste -- a,
o -- pus ma -- nu -- um fi -- _ _ _ _ _ gu -- li? __ _ _ _ _ 
Ie -- ru -- sa -- lem,
\italicas
Ie -- ru -- sa -- lem
Ie -- _ _ _ ru -- sa -- _ _ _ lem
Ie -- ru -- _ _ sa -- lem: __ _ _ _ 
\rectas
con -- ver -- te -- re
\italicas con -- ver -- te -- re \rectas
ad Do -- mi -- num
ad Do -- mi -- num De -- um tu -- _ _ _ um,
ad Do -- mi -- num
ad Do -- mi -- num De -- um tu -- um.
}

textotenor=\lyricmode{
A -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ \mt #1 leph,
\italicas
a -- _ _ _ _ leph, 
\rectas
a -- _ _ _ _ _ \mt #1 leph.
\mt #.9 Quo -- mo -- do ob -- scu -- ra -- tum est
au -- rum,
mu -- ta -- tus est
co -- lor o -- pti -- mus
co -- lor o -- pti -- mus
di -- sper -- si sunt
la -- pi -- des san -- ctu -- a -- ri -- i
in ca -- pi -- te o -- mni -- um pla -- te -- a -- rum.
Beth, __ _ _ _ _ _ 
\italicas
beth, __ _ _ _ 
\rectas
beth. __ _ _ _ _ _ _ 
et a -- mi -- cti au -- ro \mt #.3 pri -- _ mo:
quo -- mo -- do
re -- pu -- ta -- ti sunt
in va -- sa te -- _ _ ste -- a
in va -- sa te -- _ _ _ _ _ _ _ _ ste -- a,
o -- pus ma -- nu -- um fi -- _ _ gu -- li
o -- pus ma -- nu -- um fi -- gu -- li?
Ie -- ru -- sa -- lem
\italicas
Ie -- ru -- sa -- lem
Ie -- ru -- _ _ _ _ _ sa -- lem:
\rectas
con -- ver -- te -- re
\italicas
con -- ver -- te -- re
con -- ver -- te -- re,
\rectas
ad Do -- mi -- num De -- um tu -- um,
ad Do -- mi -- num De -- _ um tu -- um.
}

textobassus=\lyricmode{
Ie -- ru -- sa -- lem
\italicas
Ie -- ru -- sa -- lem,
Ie -- ru -- sa -- lem,
Ie -- ru -- _ _ _ sa -- lem
Ie -- ru -- _ _ sa -- lem:
\rectas
\mt #.5 con -- ver -- te -- re \italicas
con -- ver -- te -- re,
\rectas
ad Do -- mi -- num De -- um tu -- um,
ad Do -- mi -- num De -- um tu -- um.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus I  "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c1"
		\key c \major
		\time 2/2
                \[b'\breve \override NoteHead.style = #'blackpetrucci c''\]
		} 

	\layout {
       \context {\Voice
               \remove Ligature_bracket_engraver
               \consists Mensural_ligature_engraver
       }
       line-width=\incipitwidth
       indent = 0
}
	}
}


incipitcantusdos=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus II "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c1"
		\key c \major
		\time 2/2
                \[e'\breve \override NoteHead.style = #'blackpetrucci f'\]
		} 

	\layout {
       \context {\Voice
               \remove Ligature_bracket_engraver
               \consists Mensural_ligature_engraver
       }
       line-width=\incipitwidth
       indent = 0
}
	}
}


incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus      "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 2/2
                \[b\breve \override NoteHead.style = #'blackpetrucci c'\]
		} 
	\layout {
       \context {\Voice
               \remove Ligature_bracket_engraver
               \consists Mensural_ligature_engraver
       }
       line-width=\incipitwidth
       indent = 0
}
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor     "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 2/2
                \[e\breve \override NoteHead.style = #'blackpetrucci f\]
		} 
	\layout {
       \context {\Voice
               \remove Ligature_bracket_engraver
               \consists Mensural_ligature_engraver
       }
       line-width=\incipitwidth
       indent = 0
}
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f4"
		\key c \major
		\time 2/2
                e\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
        \set Staff.shortInstrumentName=\markup{\fontsize #-2 "C1"}
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>
	
	\new Staff <<\global
	\new Voice="v5" {
		\set Staff.instrumentName=\incipitcantusdos
        \set Staff.shortInstrumentName=\markup{\fontsize #-2 "C2"}
		\clef "treble"
		\cantusdos }
	\new Lyrics \lyricsto "v5" {\textocantusdos }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
        \set Staff.shortInstrumentName=\markup{"A"}
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
        \set Staff.shortInstrumentName=\markup{"T"}
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff\with{\remove "Ambitus_engraver"} <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
        \set Staff.shortInstrumentName=\markup{"B"}
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                \RemoveEmptyStaves
                \override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	page-count = 5
	ragged-last-bottom = ##f
	indent=3.6\cm
	system-system-spacing =
	#'((basic-distance . 21) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 9) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #2.0
}