\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.4)
#(ly:set-option 'point-and-click #f)
%mobile -s14.3 -i3.0 -m7

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100 }
mtempob={\tempo 4 = 50 }
mtempoc={\tempo 4 = 150 }
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Magnificat tertii toni - pares"
hcomposer="Victoria"

\header {
	title=\markup{\fontsize #3 "Magnificat tertii toni"}
	subtitle="versos pares"
	%subsubtitle=\markup{\null \vspace #1 }
	composer="Tomás Luis de Victoria (c.1548-1611)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{"1581b"}
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

\markup{\null \vspace #.4 }

\score {\transpose c c {
<<
         \new Voice = "canto" {
         	 %\set Staff.instrumentName=""
                 \override Staff.TimeSignature.transparent = ##t
                 \override Stem.transparent = ##t
                 \set Score.timing = ##f
                 \override NoteHead.style = #'neomensural         
                 \clef "G_8" 
                 \key c \major
                 g4 \[a c'\] c' c' \bar "|"
                 c' c' c' a c' b \parenthesize b a
                 % no coincide con ninguna entonación que yo conozca, antigua o moderna, pero es la del cantus firmus
                 \bar "||"
         }
         \new Lyrics \lyricsto "canto" { 
                \set stanza = "1." Mag -- ní -- _ fi -- cat  
                            á -- ni -- ma \markup{\underline "mé"} -- a Dó -- mi -- num.
         }
>>
        }%transpose

\layout {
        \override LigatureBracket.padding = #1
        line-width=16\cm 
        indent=2.8\cm
        ragged-right = ##f
                %tablet line-width=13.5\cm
                %tablet indent=3.0\cm
}
}

%tablet \pageBreak




global={
  \override Score.RehearsalMark.self-alignment-X=#left
  \override Score.RehearsalMark.padding=#5
  \override Score.TimeSignature.break-visibility=#end-of-line-invisible
  \key c \major \time 2/2 
        \skip 1*20 \bar "||" %\break
	\skip 1*22 \bar "||" \break
	\skip 1*27 \bar "||" \break
	\skip 1*27 \bar "||" \break
	\skip 1*23 \bar "||" \break
	\skip 1*33  \bar "|."
}

cantus=\relative c'' {
	g2 \[a
	c2.\] c4
	c4. a8 b4 c ~
	c b c a
%5
	a g a g8 f
	g4 a g c ~
	c b c c,8 d
	e f g a b c d4 ~
	d8 c c2 b4
%10
	c g a4. a8
	a4 a f8 g a b
	c2 a4 c ~
	c8 b a2 gis4
	a2 r4 c
%15
	c4. c8 c4 c
	a g a f
	g a2 gis4
	a c4. b8 a g
	a g f e f d d'4 ~
%20
	d cis8 b \mtempob cis\breve*1/4 \mtempo 
	\mark \markup{\concat {\bold "3." " Quia respéxit humilitátem ancíllæ " \bold "sú" "æ: ecce enim ex hoc beátam me dícent ómnes gene" \underline "ra" "tiónes."}}
	R1*4/4
	g2 a
	c2. b4
	c a g2
%25
	f r4 f
	a c2 b4
	c2 b4 a ~
	a g r2
	c1
%30
	\[b2 c\]
	d4 c2 b4
	c1 ~
	c
	R1*4/4
%35
	r4 c c c
	a c b2
	a1
	R1*4/4
	r2 r4 c
%40
	c c a c
	b a2 gis4
	a\breve*1/2
	R1*4/4
	R1*4/4
%45
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%50
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%60
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%65
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%70
	\set Staff.shortInstrumentName="C1"
	\mark \markup{\concat {\bold "7." " Depósuit poténtes de " \bold "sé" "de: et exal" \underline "tá" "vit húmiles."}}
        R1*4/4
	g1
	\[a2 c ~ \]
	c4 b d2
	g,4 g2 e4
%75
	a2 g4. f16 g
	a4 g r2
	g f4 e
	g4.  a8[ b c] d4 ~
	d8 c c2 b4
%80
	c2 r4 g
	g g g2
	r4 g g2
	e4 g2 fis4
	g a2 gis4 % progresion con 2 sostenidos ! 
%85
	a1 ~
	a2 r4 c
	c2 a
	c b
	a4 c c2
%90
	a4 c4. b8 a g
	a4 g2 fis4
	g a2 gis4
	a c c2
	a4 c d d,8 e
%95
	f g a4. d,8 d'4 ~
	d cis8 b \mtempob cis\breve*1/4 \mtempo
	\set Staff.shortInstrumentName="C "
	\mark \markup{\concat {\bold "9." " Suscépit Israel púerum " \bold "sú" "um: recordátus misericór" \underline "di" "æ súæ."}}
        g2 f4 d
	e4. f8 g2 ~
	g4 e d4. e8
%100
	f g a f g4 c
	c8 b a g a4 c
	c2 r4 c
	b c a4. b8
	\[c2 d\]
%105
	e c ~
	c4 b8 a b2
	c4 g2 g4
	g2 r4 g
	g2 g4 g
%110
	g2 e4 g
	a8 e a2 gis4
	a2 r4 e
	a gis a c ~
	c8 b a g a2
%115
	g4 c, c'8 b a g
	a \parenthesize e a2 gis4 % pone d
	a1 ~
	a ~
	a\breve*1/2
%120
	\set Staff.shortInstrumentName="C1"
	\mark \markup{\concat {\bold "11." " Glória Pátri et " \bold "Fí" "lio: et Spirí" \underline "tu" "i Sáncto."}}	
	R1*4/4
	R1*4/4
	R1*4/4
	g1^\markup{"Canon"}
	s4*0^\markup{\hspace #.7 \fontsize #-2 \musicglyph "scripts.usignumcongruentiae"}
	a1
%125
	c
	c
	R1*4/4
	r2 c ~
	c4 c c c
%130
	c2 r
	c1
	b2 c
	d1
	c
%135
	R1*4/4
	c2. c4
	c c c2 ~
	c r
	r r4 c ~
%140
	c c a c
	b1
	a
	R1*4/4
	r2 r4 c ~
%145
	c c a c
	b1
	s4*0^\markup{\hspace #.7 \fontsize #-2 \musicglyph "scripts.usignumcongruentiae"}
	a2 r
	r4 b2 b4
	c2 a4 c ~
%150
	c8 b a g a e a4 ~
	a gis8 \ss fis gis2
	a\breve*1/2
}

cantusdos=\relative c'' {
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%5
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%10
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%15
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%20
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%25
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%30
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%35
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%40
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%45
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%50
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%60
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%65
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%70
	R1*4/4
	R1*4/4
	r2 g ~
	g \[a
	c2.\] c4
%75
	c1
	c2 r
	r c
	b1
	c2 d
%80
	c1
	r4 c c c
	c2 r4 c
	c2 a
	c b
%85
	a4 c c2
	a4 c4. b8 a g
	a4 g2 fis4
	g a2 gis4
	a1 ~
%90
	a2 r4 c
	c2 a
	c b
	a1 ~
	a ~
%95
	a ~
	a\breve*1/2
	R1*4/4
	R1*4/4
	R1*4/4
%100
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%105
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%110
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%115
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%120
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	d,1^\markup{"Resolutio"}
%125
	e
	g
	g
	R1*4/4
	r2 g ~
%130
	g4 g g g
	g2 r
	g1
	fis2 g
	a1
%135
	g
	R1*4/4
	g2. g4
	g g g2 ~
	g r
%140
	r r4 g ~
	g g e g
	f1
	e
	R1*4/4
%145
	r2 r4 g ~
	g g e g
	f1
	e ~
	e ~
%150
	e ~
	e ~
	e\breve*1/2
}

altus=\relative c'' {
	r4 g2 f4 ~
	f e f e8 d
	e4 f d e
	d2 c
%5
	R1*4/4
	r4 f2 e4
	f g4. e8 a4
	g4. f16 e d4 g
	e f g2
%10
	e r4 c
	f4. f8 f4 f
	e c f e8 d
	c2 d4 b
	cis a e'4. e8
%15
	e4 e f e
	f g c, d
	e1
	e2 r4 f ~
	f8 e d c d2
%20
	e\breve*1/2
	g,2 a4 c ~
	c b c d
	e  c8[ d e f] g4 ~
	g8 f f2 e4
%25
	f d c2 ~
	c r
	r4 c d f ~
	f e f d
	e4. d8 c4 a
%30
	d2 e
	r4 g f d
	e2 r4 c
	c c a2
	f4 a2 gis4
%35
	a1 ~
	a2 r
	r4 c c c
	a c b2
	a r4 e'
%40
	e e f2 ~
	f4 f e2
	e\breve*1/2
	\mark \markup{\concat {\bold "5." " Et misericórdia éius a progénie in pro" \bold "gé" "nies: timén" \underline "ti" "bus éum."}}
	R1*4/4
	R1*4/4
%45
	r4 g f d
	e f2 e4
	f g c,2
	r4 c d e
	f2 e4 d ~
%50
	d8 c c2 b4
	c1
	r4 c f2
	e4 f d c
	d2 g,4 d'
%55
	e2 d4 e % hay una mancha que parece un puntillo borrado
	e8 d e f g4. e8
	f4 e2 d4
	e1
	r4 e2 e4
%60
	d b d c ~
	c8 d e f g d g4 ~
	g8 f e2 d4
	e c2 c4
	a b c a8 b
%65
	c d e4. d8 c4 ~
	c8 b a2 gis4
	a f'2 f4
	d e f d ~
	d cis8 b \mtempob cis\breve*1/4 \mtempo
%70
	\set Staff.shortInstrumentName="A1"
	c2 a4 d
	c4.  d8[ e f] g4 ~
	g8 f f2 e8 d
	c4 e d2
	c r4 c
%75
	a f c'2
	f,4 c' b a
	c4.  b8[ a g] a4
	g2 r4 g'
	f e g2
%80
	c,4 e e e
	e2 r4 c
	c8 d e f g4 c, ~
	c e4. d8 d4
	e1
%85
	e2 r4 f
	f2 e4 f ~
	f8 e c4 d2
	c4 a e' e,
	a2 r4 f
%90
	f8 g a b c4 f,
	f' e4. d8 d4
	e1
	e2 r
	r4 f f2
%95
	d4 e f2
	e\breve*1/2
	
	
	\set Staff.shortInstrumentName="A "
	r2 d
	c4 a b c
	d c2 b4
%100
	c f e a
	g f8 e f4 g
	c, f e f
	d e f2
	r r4 f
%105
	e8 f g e f4 e
	g1
	e2 r4 e ~
	e e e2
	r4 e e2
%110
	e4 e e2
	c4 e d d
	e2 r
	r4 b c a
	e' f c f
%115
	e f2 e8 d
	e2. b4
	c8 b a g f4 f' ~
	f e4. d8 d4 ~
	d cis8 b \mtempob cis\breve*1/4 \mtempo
%120
	\set Staff.shortInstrumentName="A1"
	R1*4/4
	R1*4/4
	d1
	e2 g ~
	g4 fis8 e fis2
%125
	g r4 g
	c, e4. f8 g4
	c, g'4. f8 e4 ~
	e d e8 d c b
	c4 a g2 ~
%130
	g1
	r4 g f e
	g8 a b g c4 g
	r d' d d
	e8 d c b a g c4 ~
%135
	c b8 a b2
	c r4 c ~
	c c c2
	c b4. c8
	d2 r4 e ~
%140
	e e f e ~
	e b b2
	R1*4/4
	r4 b2 b4
	c2 a
%145
	c d4 c8 d
	e f g4. f8 e d
	c b a g f e a4 ~
	a gis8 \ss fis gis2
	a r4 c ~
%150
	c c a2
	b4 e4. d16 c b4
	cis\breve*1/2
}

altusdos=\relative c' {
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%5
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%10
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%15
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%20
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%25
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%30
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%35
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%40
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%45
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%50
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%60
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%65
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%70
	R1*4/4
	r2 c
	a4 d c4. d8
	e f g4. f8 f4 ~
	f e8 d c4. d8
%75
	e4 f e g
	f e g f ~
	f e8 d c2
	d4 d b g
	a2 g
%80
	r4 c c c
	c1
	r4 c c8 d e f
	g4 c, d2
	c4. d8 e4 e,
%85
	a2 r4 f
	f8 g a b c4 f,
	f' e4. d8 d4
	e1
	e2 r4 f
%90
	f2 e4 f ~
	f8 e c4 d2
	c4 a e' e,
	a4. g8 f4 f'
	f2 d4 f ~
%95
	f8 e16 d cis4 d2
	a\breve*1/2
	R1*4/4
	R1*4/4
	R1*4/4
%100
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%105
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%110
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%115
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%120
	g'1
	c,4. d8 e2
	\[d g,\]
	g1
	r2 r4 d'
%125
	g,2 c4. d8
	e f g4 c, e ~
	e d e8 d c b
	c4 d c g' ~
	g f2 e4 ~
%130
	e8 d c b c4 d
	e c c c
	d2 e
	R1*4/4
	r4 e f f
%135
	e d8 c d2
	e1
	r4 e2 e4
	e e d b ~
	b b c a
%140
	c2 d4 c8 d
	e f g4. f8 e d
	c b a g f e a4 ~
	a gis8 \ss fis gis2
	a r4 e' ~
%145
	e e f e ~
	e b b2
	R1*4/4
	R1*4/4
	r4 c2 c4
%150
	a2 c
	b1
	a\breve*1/2
}

tenor=\relative c' {
	R1*4/4
	R1*4/4
	r2 g ~
	g \[a
%5
	c2.\] c4
	c2 c
	r c ~
	c b
	c d
%10
	c1 ~
	c2 r4 c
	c4. c8 c4 c
	a c b2
	a1
%15
	r4 c c4. c8
	c4 c a2
	c b
	a1 ~
	a ~
%20
	a\breve*1/2
	R1*4/4
	R1*4/4
	r2 r4 g
	a2 c ~
%25
	c4 b a f
	c'8 d e c d2
	c r
	c2. b4
	a g2 fis4
%30
	g2 c,4 c'
	b c d d
	c8 b a g a2
	r4 c c c
	a c b2
%35
	a r4 f
	f f d e
	f4.  g8[ a b] c4 ~
	c8 b a2 gis4
	a c c c
%40
	a2 c
	d4. c8 b2
	a\breve*1/2
	g1
	\[a2 c\]
%45
	c4 c2 b4
	c a g2
	r4 g a4. b8
	c4 a b c ~
	c b c d
%50
	e4. d16 c d2
	c4 g a2
	g4 a f8 g a b
	c4. a8 b4 c ~
	c b8 a b2
%55
	c r4 g
	c2 b4 c
	a g a2
	g4 c2 c4
	a c b2 ~
%60
	b a
	r4 g2 g4
	e g f2
	e1
	R1*4/4
%65
	r4 c'2 c4
	a c b2
	a1 ~
	a ~
	a\breve*1/2
%70
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%75
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%80
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%85
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%90
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%95
	R1*4/4
	R1*4/4
	\set Staff.shortInstrumentName="T1"
	R1*4/4
	R1*4/4
	r2 r4 g
%100
	f d e4. f8
	g4 a2 g4
	a f g a
	g2 f4 a
	g a f2
%105
	g4 c a c
	g1
	g4 c b c
	c,8 d e f g2 ~
	g r
%110
	R1*4/4
	r4 a d2 ~
	d4 cis d e
	a, e' e8 d c b
	c4 c a f
%115
	c'8 b a g a2 ~
	a4 a b e
	e8 d c b a g f e
	d4 e f f
	e\breve*1/2
%120
	\set Staff.shortInstrumentName="T "
	g1
	a2 c ~
	c4 b8 a b2
	c4 c b2
	d a
%125
	r4 c g c ~
	c c, r c' ~
	c b c c,
	g'1
	r4 c2 c4
%130
	c,8 d e f g2 ~
	g4 e a2
	r4 g g g
	\[a2 b\]
	c1
%135
	r2 r4 g ~
	g g g g
	e4. f8 g2
	r r4 g ~
	g g e2
%140
	a r
	r4 e'2 e4
	a, c d2
	b r4 e ~
	e e c2
%145
	a r
	r4 e'2 e4
	a,4 c d2
	b1
	r4 a2 a4
%150
	a8 b c d e4 e,
	e1
	e\breve*1/2
}

tenordos=\relative c' {
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%5
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%10
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%15
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%20
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%25
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%30
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%35
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%40
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%45
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%50
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%60
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%65
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%70
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%75
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%80
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%85
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%90
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%95
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	g1
%100
	\[a2 c ~ \]
	c4 c c c
	c1
	r2 c ~
	c b
%105
	c1
	d
	c2 r4 c ~
	c c c2
	r4 c c2
%110
	c4 c c2
	a4 c b b
	a1
	R1*4/4
	r4 c c2
%115
	c4 c c2
	a4 c b b
	a1 ~
	a ~
	a\breve*1/2
%120
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%125
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%130
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%135
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%140
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%145
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%150
	R1*4/4
	R1*4/4
	R1*4/4
}

bassus=\relative c' {
	R1*4/4
	R1*4/4
	R1*4/4
	r4 g2 f4 ~
%5
	f e f e8 d
	e4 f c2
	r4 g' e f
	c8 d e f \[g2
	a\] g
%10
	r4 c, f4. f8
	f4 f d8 e f g
	a2 f4 a ~
	a8 g f e d4 e
	a,2 r4 a
%15
	a'4. a8 a4 a
	f e f4. e16 d
	c4 a e'2
	a,4 a'4. g8 f e
	d1
%20
	a\breve*1/2
	R1*4/4
	R1*4/4
	R1*4/4
	r2 r4 c
%25
	d2 f ~
	f4 e f g
	a8 g f e d2
	c4 c d2
	c4. b8 a2
%30
	g4 g' e a
	g e f g
	c, c' c c
	a f r f
	f f d e
%35
	f4.  g8[ a b] c4 ~
	c8 b a2 gis4
	a2 r4 f
	f f d e
	f4.  g8[ a b] c4 ~
%40
	c8 b a g f4. e8
	\[d2 e\]
	a,\breve*1/2
	r2 r4 g'
	f d e f ~
%45
	f e f g
	c,2 r4 c
	d e f a ~
	a8 g f e d4 c
	d2 c4 b
%50
	a2 g
	r4 c f2
	e4 f d8 e f g
	a4 f g a
	g2 r4 g,
%55
	c2 b4 c
	a8 b c d e4 c
	d e f2
	c4. b8 a4 a' ~
	a a g e
%60
	g2 f4. e16 d
	c2 r4 c ~
	c c a b
	c a8 b c d e c
	d2 e4 f
%65
	c2 r4 f ~
	f f d e
	f4.  e8[ d c] d4 ~
	d cis d2
	a\breve*1/2
%70
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%75
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%80
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%85
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%90
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%95
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%100
	r4 d c a
	e' f2 e4
	f4. e16 d c4 f
	g c, r f
	e f d2
%105
	c r
	r4 g g g
	c8 d e f g4 c,
	r c2 c4
	c1 ~
%110
	c
	R1*4/4
	r4 a d cis
	d e a, a'
	a8 g f e f4 f
%115
	c f f8 g a b
	c4 a e2
	r4 a, d2 ~
	d4 cis d d
	a\breve*1/2
%120
	R1*4/4
	R1*4/4
	g'1
	c,4. d8 e2
	d1
%125
	c ~
	c
	r2 r4 c ~
	c b c4. d8
	e4 f c2
%130
	r4 c2 b4
	c2 a
	g4 g' c, e
	d2 g
	r4 a f f
%135
	g1
	c, ~
	c
	r2 g4. g8
	g4 g a2 ~
%140
	a r
	r4 e'2 e4
	f2 d
	e1
	a, ~
%145
	a2 r
	r4 e'2 e4
	f2 d
	e1
	a,4 a2 a4
%150
	a2 a
	e1
	a\breve*1/2
}

textocantus=\lyricmode{
\set stanza = "2." 
\mt #0 Et ex -- _ sul -- ta -- _ _ _ _ _ vit,
et ex -- sul -- ta -- _ _ _ _ vit
\mt #.5 spi -- _ ri -- tus me -- _ _ _ _ _ _ _ _ _ _ _ _ us:
in De -- o sa -- lu -- ta -- _ _ _ _ ri me -- _ _ _ _ o
in De -- o sa -- lu -- ta -- ri \mt #.5 me -- _ _ _ _ o,
me -- _ _ _ _ _ _ _ _ _ _ _ _ _ o.
\set stanza = "4." 
Qui -- a fe -- cit mi -- hi ma -- gna
\italicas
qui -- a fe -- cit mi -- hi ma -- _ gna
\rectas
qui po -- _ _ _ tens est: _
et \mt #2 san -- ctum no -- men e -- ius
et san -- ctum no -- men e -- _ _ ius.
\set stanza = "8." 
E -- su -- _ _ ri -- en -- tes,
\italicas
e -- su -- ri -- en -- _ _ _ tes
\rectas
im -- ple -- vit bo -- _ _ _ _ _ _ _ _ nis:
et di -- vi -- tes di -- mi -- sit i -- _ \mt #.3 na -- _ _ nes _
\italicas
di -- mi -- sit i -- na -- nes,
\rectas
di -- mi -- sit i -- _ _ _ _ na -- _ _ _ _ nes,
\italicas
di -- mi -- sit
i -- na -- _ _ _ _ _ _ _ _ _ _ \mt #1 nes.
\rectas
\set stanza = "10." 
\mt #0 Sic -- ut lo -- cu -- _ _ _ tus est, __ _ _ _ _ _ _ lo -- cu -- _ _ _ _ tus est
ad pa -- tres no -- _ _ _ stros,
no -- _ _ _ _ stros:
A -- bra -- ham
et se -- mi -- ni e -- ius in \mt #.3 sæ -- _ _ cu -- la
et se -- mi -- ni e -- _ _ _ _ _ ius in sæ -- _ _ _ _ _ _ cu -- la. _ _ 
\set stanza = "12." 
Sic -- ut e -- rat
in _ prin -- ci -- pi -- o
et nunc et sem -- per:
et in sæ -- cu -- la _
sæ -- _ cu -- lo -- rum. 
A -- men
\italicas
\mt #1 sæ -- _ cu -- lo -- rum.
A -- men
\rectas
sæ -- cu -- lo -- rum. 
A -- _ _ _ _ _ _ _ _ _ _ _ \mt #1.2 men.
}

textocantusdos=\lyricmode{
\set stanza = "8." 
E -- _ su -- _ ri -- en -- tes
im -- ple -- vit bo -- nis:
et di -- vi -- tes di -- mi -- sit i -- na -- nes,
\italicas
di -- mi -- sit i -- _ _ _ _ \mt #.2 na -- _ _ _ _ nes _
\rectas
di -- mi -- sit i -- na -- nes. _ _ _ 
\set stanza = "12." 
Sic -- ut e -- rat
in _ prin -- ci -- pi -- o
et nunc et sem -- per:
et in sæ -- cu -- la _
sæ -- _ cu -- lo -- rum.
A -- men
\italicas
sæ -- _ cu -- lo -- \mt #1 rum.
A -- men. _ _ _ _ 
}

textoaltus=\lyricmode{
\set stanza = "2." 
Et ex -- _ sul -- ta -- _ _ _ _ _ _ _ vit
spi -- ri -- tus \mt #.2 me -- _ _ us, __ _ _ _ 
\italicas
spi -- ri -- tus me -- us:
\rectas
in De -- o sa -- lu -- ta -- ri \mt #.2 me -- _ _ _ _ _ o,
in De -- o sa -- lu -- ta -- ri \mt #.5 me -- _ _ _ _ o
me -- _ _ _ _ _ o.
\set stanza = "4." 
\mt #0 Qui -- a fe -- _ cit mi -- hi \mt #.3 ma -- _ _ _ _ _ _ _ _ _ _ _ gna _
\italicas
qui -- a fe -- _ cit mi -- hi \mt #.6 ma -- _ _ _ _ gna
\rectas
qui po -- tens est:
et \mt #2 san -- \mt #2 ctum no -- men e -- _ ius _
\italicas
et san -- ctum no -- men e -- ius
\rectas
et san -- ctum no -- _ men e -- ius.
\set stanza = "6." 
Fe -- cit po -- \mt #.5 ten -- _ _ _ ti -- am
in bra -- chi -- o \mt #.2 su -- _ _ _ _ _ o:
di -- sper -- sit su -- \mt #.5 per -- _ _ bos,
\italicas
di -- sper -- sit su -- per -- _ _ _ _ _ _ _ _ bos
\rectas
men -- te cor -- dis \mt #.2 su -- _ _ _ _ _ _ _ _ _ _ _ _ i,
\italicas
men -- te cor -- dis \mt #.2 su -- _ _ _ _ _ _ _ _ _ _ _ i,
\rectas
men -- te cor -- dis \mt #.2 su -- _ _ _ _ i.
\set stanza = "8." 
\mt #0 E -- su -- ri -- en -- _ _ _ _ _ _ _ _ _ _ _ _ tes
\italicas
e -- su -- ri -- en -- tes
\rectas
im -- ple -- vit bo -- _ _ _ _ nis
\italicas
im -- ple -- vit bo -- nis:
\rectas
et di -- vi -- tes di -- mi -- _ _ _ _ sit _
i -- _ _ na -- nes
di -- mi -- sit i -- _ _ _ _ \mt #.3 na -- _ _ _ nes
\italicas
di -- mi -- _ _ _ _ sit i -- \mt #.2 na -- _ _ _ nes
\rectas
di -- mi -- sit i -- na -- \mt #1 nes.
\set stanza = "10." 
Sic -- ut lo -- \mt #.4 cu -- _ _ _ tus est,
\italicas
sic -- ut lo -- cu -- _ _ _ tus est
\rectas
ad pa -- tres \mt #.2 no -- _ stros
\italicas
ad pa -- _ _ _ _ tres no -- stros:
\rectas
A -- _ bra -- ham
et se -- mi -- ni e -- ius in sæ -- cu -- la
et se -- mi -- ni e -- ius in \mt #.2 sæ -- _ _ _ _ cu -- la, __ _ _ _ _ 
in _ \mt #.2 sæ -- _ _ _ \mt #.1 cu -- _ la.
\set stanza = "12." 
Sic -- ut e -- _ _ _ _ rat
\italicas
sic -- ut e -- _ _ rat
\rectas
in __ _ _ _ prin -- ci -- _ _ _ _ pi -- o _
et nunc et sem -- _ _ _ _ per:
\italicas
et nunc et sem -- _ _ _ _ _ _ _ _ _ _ per:
\rectas
et _ in sæ -- cu -- la __ _ _ 
sæ -- _ cu -- lo -- rum. _
A -- men
\italicas
sæ -- cu -- lo -- rum.
A -- men,
\rectas
a -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ men
sæ -- _ cu -- lo -- rum.
A -- _ _ _ \mt #1.2 men.
}

textoaltusdos=\lyricmode{
\set stanza = "8." 
E -- su -- ri -- en -- _ _ _ _ _ _ _ _ _ _ _ _ _ tes
im -- ple -- vit bo -- _ _ _ _ _ nis,
im -- ple -- vit bo -- nis:
et di -- vi -- tes
di -- mi -- _ _ _ _ sit i -- \mt #.3 na -- _ _ _ nes
\italicas
di -- mi -- _ _ _ _ sit i -- \mt #.2 na -- _ _ _ nes
\rectas
di -- mi -- sit i -- _ _ _ _ \mt #.3 na -- _ _ _ \mt #.2 nes, __ _ _ 
\italicas
di -- mi -- sit i -- _ _ _ _ na -- \mt #1 nes.
\rectas
\set stanza = "12." 
\mt #0 Sic -- \mt #.2 ut __ _ _ e -- _ rat
\italicas
sic -- ut e -- _ _ _ _ rat
\rectas
in _ prin -- ci -- _ _ _ _ pi -- o,
in _ prin -- ci -- _ _ _ _ _ pi -- o, 
et nunc et sem -- per
\italicas
et nunc et \mt #.5 sem -- _ _ _ per:
\rectas
et in sæ -- cu -- la,
sæ -- _ cu -- lo -- \mt #1 rum.
A -- men,
a -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ men
\mt #1 sæ -- _ cu -- lo -- rum. _ A -- men
\italicas
sæ -- cu -- lo -- rum.
A -- \mt #1.2 men.
}

textotenor=\lyricmode{
\set stanza = "2." 
Et _ ex -- _ sul -- ta -- vit
spi -- _ ri -- tus me -- us: _
in De -- o sa -- lu -- ta -- ri me -- o
in De -- o sa -- lu -- ta -- ri me -- o. _ _ 
\set stanza = "4." 
Qui -- a fe -- _ cit mi -- hi ma -- _ _ _ _ gna
mi -- hi \mt #.6 ma -- _ _ _ gna
qui po -- _ _ tens est: __ _ _ _ _ 
et san -- ctum no -- men e -- ius
\italicas
et san -- ctum no -- men e -- _ _ _ _ _ _ _ _ ius,
\rectas
et san -- ctum no -- men e -- _ _ ius.
\set stanza = "6." 
\mt #0 Fe -- cit __ _ po -- ten -- _ _ ti -- am
in bra -- _ _ chi -- o su -- _ _ _ _ _ _ _ _ o:
di -- sper -- sit su -- per -- _ _ _ _ _ _ _ _ _ _ _ bos
\italicas
di -- sper -- sit su -- \mt #.6 per -- _ _ bos
\rectas
men -- te cor -- dis su -- _ i
\italicas
men -- te cor -- dis su -- i
\rectas
men -- te cor -- dis su -- i. _ _ 
\set stanza = "10." 
Sic -- ut lo -- cu -- _ _ _ tus est
ad pa -- tres no -- stros,
\italicas
ad pa -- tres no -- stros,
\rectas
ad pa -- tres no -- stros:
A -- bra -- _ ham __ _ _ _ _ _ 
et se -- _ mi -- ni e -- ius in sæ -- _ _ _ _ cu -- la,
in sæ -- _ _ _ _ _ cu -- la,
in sæ -- _ _ _ _ _ _ _ _ _ _ cu -- la.
\set stanza = "12." 
\mt #0 Sic -- ut e -- _ _ _ _ rat,
\italicas
sic -- ut e -- rat
\rectas
sic -- ut e -- _ rat
in _ prin -- ci -- pi -- o
\italicas
in prin -- ci -- _ _ _ _ _ pi -- o
\rectas
et nunc et \mt #.5 sem -- _ per:
et _ in sæ -- cu -- la __ _ _ 
sæ -- _ cu -- lo -- rum
sæ -- cu -- lo -- rum.
A -- men
sæ -- _ cu -- lo -- rum
sæ -- cu -- lo -- rum.
A -- men
\italicas
sæ -- cu -- lo -- _ _ _ _ rum.
A -- \mt #1.2 men.
}

textotenordos=\lyricmode{
\set stanza = "10." 
Sic -- ut __ _ _ lo -- cu -- tus est
ad _ pa -- tres
no -- stros:
A -- _ bra -- ham
et se -- mi -- ni e -- ius in sæ -- cu -- la
et se -- mi -- ni e -- ius in sæ -- cu -- la. _ _ 
}

textobassus=\lyricmode{
\set stanza = "2." 
Et ex -- _ sul -- ta -- _ _ _ _ vit
spi -- ri -- tus me -- _ _ _ _ _ us:
in De -- o sa -- lu -- ta -- _ _ _ _ ri me -- _ _ _ _ _ _ o
in De -- o sa -- lu -- ta -- ri \mt #.2 me -- _ _ _ _ _ o,
\mt #.2 me -- _ _ _ _ o.
\set stanza = "4." 
Qui -- a fe -- _ cit mi -- hi ma -- _ _ _ _ gna,
mi -- hi \mt #.6 ma -- _ _ gna qui po -- tens est,
\italicas
qui po -- tens est:
\rectas
et san -- ctum no -- men
et san -- ctum
no -- men 
e -- _ _ _ _ _ _ _ _ ius
\italicas
et san -- ctum
no -- men e -- _ _ _ _ _ _ _ _ _ _ _ _ ius.
\rectas
\set stanza = "6." 
Fe -- cit po -- \mt #.3 ten -- _ _ _ _ ti -- am
in bra -- chi -- o su -- _ _ _ _ _ _ _ _ _ _ o:
di -- sper -- sit su -- per -- _ _ _ _ _ _ _ bos
\italicas
di -- sper -- sit su -- per -- _ _ _ _ _ _ _ _ \mt #.3 bos __ _ _ 
\rectas
men -- _ te cor -- dis su -- i __ _ _ _ 
\italicas
men -- _ te cor -- dis \mt #.3 su -- _ _ _ _ _ _ _ _ _ i
\rectas
\mt #.2 men -- _ te cor -- dis su -- _ _ _ _ _ _ _ i.
Sic -- ut lo -- cu -- _ tus \mt #.2 est __ _ _ _ 
ad pa -- tres
ad pa -- tres no -- stros
\italicas
ad pa -- tres no -- _ _ _ _ stros:
\rectas
A -- bra -- ham _
et se -- mi -- ni e -- ius in sæ -- _ _ _ _ cu -- la,
in sæ -- _ _ _ _ cu -- la
in sæ -- _ _ _ cu -- la.
\set stanza = "12." 
Sic -- \mt #.2 ut __ _ _ 
e -- rat _
in _ prin -- ci -- _ _ pi -- o
\italicas
in prin -- ci -- pi -- o,
\rectas
et nunc et sem -- per:
\italicas
et nunc et sem -- per _
\rectas
et in sæ -- cu -- la _
sæ -- cu -- lo -- rum.
A -- men _
sæ -- cu -- lo -- rum.
A -- men,
\italicas
sæ -- cu -- lo -- rum.
A -- \mt #1.2 men.
}




incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c1"
		\key c \major
		\time 2/2
                g'1
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 2/2
                g'1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 2/2
                g\breve*1/2
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f4"
		\key c \major
		\time 2/2
                g1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\set Staff.shortInstrumentName="C "
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>
	
	\new Staff \with{ \remove Ambitus_engraver } <<\global
	\new Voice="v5" {
		%\set Staff.instrumentName=\incipitcantusdos
		\set Staff.shortInstrumentName="C2"
		\clef "treble"
		\cantusdos }
	\new Lyrics \lyricsto "v5" {\textocantusdos }
	>>

        \new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\set Staff.shortInstrumentName="A "
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff  \with {\remove Ambitus_engraver} <<\global
	\new Voice="v6" {
		%\set Staff.instrumentName=\incipitaltusdos
		\set Staff.shortInstrumentName="A2"
		\clef "G_8"
		\altusdos }
	\new Lyrics \lyricsto "v6" {\textoaltusdos }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\set Staff.shortInstrumentName="T "
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff \with {\remove Ambitus_engraver} <<\global
	\new Voice="v7" {
		%\set Staff.instrumentName=\incipittenordos
		\set Staff.shortInstrumentName="T2"
		\clef "G_8"
		\tenordos }
	\new Lyrics \lyricsto "v7" {\textotenordos }
	>>
	
	
	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\set Staff.shortInstrumentName="B "
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . .8))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #1
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                \RemoveEmptyStaves
                \override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}

\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 8
	ragged-last-bottom = ##f
	indent=3.5\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 3))
	top-system-spacing = % header
	#'((basic-distance . 14) (minimum-distance . 0) (padding . 2))
	last-bottom-spacing = % footer
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 3))
	markup-system-spacing.padding = #1.5
	score-markup-spacing = 
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 5))
	score-system-spacing.basic-distance = #8
}