\version "2.18.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.3) #(ly:set-option 'point-and-click #f) %mobile -s13.5 -i3.2 -ball italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 20 htitle="Officium Defunctorum: 8. Communio" hcomposer="Victoria" \header { title=\markup{\fontsize #4 "8. Communio"} subtitle="del Officium Defunctorum" subsubtitle=" " composer="Tomás Luis de Victoria (c.1548-1611)" pdfauthor=\composer %opus="(-)" poet="1605" copyright=\markup{ \fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } \markup{\null \vspace #1 } \score {\transpose c c { << \new Voice = "canto" { \set Staff.instrumentName=" Cantus II" \override Staff.TimeSignature.stencil = #'() \override Stem.transparent = ##t \set Score.timing = ##f \override NoteHead.style = #'neomensural \clef "G" \key a \minor a'4 \[g' f'\] \[g' a'\] \[a' g'\] \bar "|" } \new Lyrics \lyricsto "canto" { Lux æ -- _ ter -- _ na __ _ } >> }%transpose \layout { \override LigatureBracket.padding = #1 line-width=14.0\cm indent=4.8\cm ragged-right = ##f } } %tablet \pageBreak global={\key c \major \time 2/2 \skip 1*27 \bar "||" } cantus={ R1*4/4 | R1*4/4 | r4 a' g' e' | g'2 a'4 g' | %5 f' e' f' f' | d' e' d' d'' ~ | d'' cis'' d''2 ~ | d'' r | r4 d' a'2 | \break %10 \once \override TextScript.X-offset = #1 \once \override TextScript.padding = #1.5 s4*0^\markup {\musicglyph #"scripts.segno"} gis'4 a'2 gis'4 | a'1 | R1*4/4 | r2 r4 a' | d'' d'' c''2 | %15 c''4 c''2 b'4 | %\pageBreak a'1 | b' | \break r2 a' ~ | a' a' | %20 \[c''1 | d''2.\] d''4 | cis''2 a' ~ | a' b' | c'' c'' | %25 c''4 c''2 b'4 | a' g' a' a' | b'!\breve*1/2 | \override Score.RehearsalMark.self-alignment-X = #right \override Score.RehearsalMark.break-visibility = #begin-of-line-invisible \override Score.RehearsalMark.padding = #2 \mark \markup{"Fine"} } cantusdos={ a'1 ~ | a' | c'' | b'2 c'' ~ | %5 c'' a' ~ | a' \[a' | g'2.\] fis'4 | g'2 a' ~ | a' c'' | %10 b'1 | c''2 a'4 a' ~ | a' bes' a'2 ~ | a' g'4 a' | g' g' g'2 | %15 a'4 a' g' g' ~ | g' fis'8 e' fis'2 | g'1 | r2 e' ~ | e' fis' | %20 \[g' a' ~ \] | a'4 g'8 f' g'4 g' | a'2 fis' ~ | fis' g' | a' a' | %25 g'4 g'2 d'4 | fis' g'2 fis'4 | g'\breve*1/2 | } altus={ d'2 f' | e'4 e'2 fis'4 | %! sostenido bajo la nota g' c'8[ d' e' f'] g'4 ~ | g'8 f' d'4 f' g' | %5 c'2 r | r r4 d' | b g d' d' | d'2. e'4 | d'8 e' f' d' e'2 | %10 R1*4/4 | e'2 f' | e'1 | f'2 d' ~ | d' e' | %15 \[f' d'\] | d'1 | d' | r2 cis' ~ | cis' d' | %20 \[e' f' ~ \] | f'4 e' d' d' | e'2 d' ~ | d'1 | f'2 f' ~ | %25 f'4 e' d'2 ~ | d' d' | d'\breve*1/2 | } tenor={ R1*4/4 | R1*4/4 | R1*4/4 | R1*4/4 | %5 r4 g f d | fis g2 fis4 | g2 a | g4 d f e | f2 e4 a | %10 e' d' e'2 | a r | r r4 a ~ | a d' b c' ~ | c' b c' c' ~ | %15 c' c g4. f16 g | a1 | g | r2 e ~ | e d | %20 \[g f4.\] e8 | d2. d4 | a2 r | R1*4/4 | r4 f4. g8 a b | %! Mapamundi sugiere bemol %25 c'4 c d2 ~ | d d | d\breve*1/2 | } tenordos={ r2 r4 d' | c' a cis' d' | %! Mapamundi omite el sostenido e'2. c'4 | d'4. c'16 b a4 c' ~ | %5 c' e' a2 | R1*4/4 | r2 r4 a | bes2 a | a a | %10 R1*4/4 | r4 a2 d'4 | cis' d'2 cis'4 | d'2 r | r4 g g g | %15 f a d d | d1 | d | r2 a ~ | a a | %20 r4 c'2 a4 | d'2 r | r a ~ | a g | c'4. b8 a4 f | %! Mapamundi sugiere bemol %25 g g2 g4 | a bes a2 | g\breve*1/2 | } bassus={ R1*4/4 | r2 r4 d | c a, c2 | g,4 g f e | %5 f c d2 ~ | d4 \ss cis \[d2 | e\] d | g,4 g, d cis | d2 a, | %10 R1*4/4 | r2 d | a4 g a2 | d4 d g f | g2 c4 c | %15 \[f,2 g,\] | d,1 | g, | r2 a, ~ | a, d | %20 \[c f, | \ss bes,2.\] bes,4 | a,2 d ~ | d g | f f, | %25 c4 c g,2 | d d, | g,\breve*1/2 | } textocantus=\lyricmode{ Lu -- ce -- at e -- is, lu -- ce -- at e -- is Do -- mi -- ne, Do -- _ mi -- ne _ cum san -- ctis tu -- _ is cum san -- ctis tu -- is in æ -- ter -- num qui -- _ a pi -- _ us es, %\italicas qui -- _ a pi -- us es, %! la primera vez se indica repetición del texto, la segunda aparece escrito %\rectas qui -- a pi -- _ _ us es. } textocantusdos=\lyricmode{ Lu -- _ ce -- at e -- _ is _ Do -- _ mi -- ne, cum _ san -- ctis tu -- is in _ æ -- ter -- _ num, cum san -- ctis tu -- is in æ -- ter -- _ _ _ _ num qui -- _ a pi -- _ _ _ _ _ us es, qui -- _ a pi -- us es, qui -- a pi -- _ us es. } textoaltus=\lyricmode{ Lu -- ce -- at e -- _ is Do -- _ _ _ _ _ _ _ _ mi -- ne lu -- ce -- at e -- is Do -- mi -- ne __ _ _ _ _ cum san -- ctis tu -- is _ in æ -- _ ter -- num qui -- _ a pi -- _ _ _ _ us es, qui -- _ a pi -- _ _ _ _ us es. } textotenor=\lyricmode{ Lu -- ce -- at e -- _ is Do -- mi -- ne, cum san -- ctis tu -- is, cum san -- ctis tu -- is cum _ san -- ctis tu -- _ _ is in _ æ -- ter -- _ _ _ num qui -- _ a pi -- _ _ _ us es qui -- _ _ _ _ a pi -- _ us es. } textotenordos=\lyricmode{ Lu -- ce -- at e -- is Do -- mi -- ne, __ _ _ _ Do -- _ mi -- ne cum san -- ctis tu -- is cum san -- ctis tu -- _ is %! la segunda vez, "is" está mal colocado cum san -- ctis tu -- is %! la segunda vez, se indica repetición del texto in æ -- ter -- num qui -- _ a pi -- us es qui -- _ a pi -- _ _ us es, qui -- a pi -- _ us es. } textobassus=\lyricmode{ Lu -- ce -- at e -- is, \italicas lu -- ce -- at e -- is \rectas Do -- _ _ _ _ mi -- ne, cum san -- ctis tu -- is cum san -- ctis tu -- is, \italicas cum san -- ctis tu -- is \rectas in æ -- _ ter -- num %! la primera vez no aparece la sílaba "ter" qui -- _ a pi -- _ _ us es, \italicas qui -- _ a pi -- us es, \rectas qui -- a pi -- us es. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus I " \override NoteHead.style = #'neomensural \override Rest.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c1" \key c \major \time 2/2 a'2 } \layout { \context {\Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } line-width=\incipitwidth indent = 0 } } } incipitcantusdos=\markup{ \score{ { \set Staff.instrumentName="Cantus II " \override NoteHead.style = #'neomensural \override Rest.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c1" \key c \major \time 2/2 a'\longa } \layout { \context {\Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Altus " \override NoteHead.style = #'neomensural \override Rest.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 d'1 } \layout { \context {\Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor I " \override NoteHead.style = #'neomensural \override Rest.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 2/2 g2 } \layout { \context {\Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } line-width=\incipitwidth indent=0 } } } incipittenordos=\markup{ \score{ { \set Staff.instrumentName="Tenor II " \override NoteHead.style = #'neomensural \override Rest.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 2/2 d'2 } \layout { \context {\Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Rest.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-f4" \key c \major \time 2/2 d2 } \layout { \context {\Voice \remove Ligature_bracket_engraver \consists Mensural_ligature_engraver } line-width=\incipitwidth indent = 0 } } } \score {\transpose c' c'{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v5" { \set Staff.instrumentName=\incipitcantusdos \clef "treble" \cantusdos } \new Lyrics \lyricsto "v5" {\textocantusdos } >> \new Staff << \global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "treble" \altus} \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v6" { \set Staff.instrumentName=\incipittenordos \clef "G_8" \tenordos } \new Lyrics \lyricsto "v6" {\textotenordos } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> }%transpose \layout{ indent = 3.6\cm \context {\Lyrics \override VerticalAxisGroup.minimum-Y-extent = #'(-0.0 . 0.0) %\override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.51 } \context {\Score \override BarNumber.padding = #2 } \context {\Voice melismaBusyProperties = #'() } %\context { \Staff \RemoveEmptyStaves } \context {\Staff \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi {} } \pageBreak %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% \markup{\null \vspace #2 } %notablet \score {\transpose c c { << \new Voice = "canto" { \set Staff.instrumentName=" Cantus II" \override Staff.TimeSignature.stencil = #'() \override Stem.transparent = ##t \set Score.timing = ##f \override NoteHead.style = #'neomensural \clef "G" \key a \minor g'4 a' c'' c'' c'' c'' \bar "|" c'' c'' c'' c'' \[d'' d''\] c'' c'' \bar "||" } \new Lyrics \lyricsto "canto" { Re -- qui -- em æ -- ter -- nam do -- na e -- is Do -- _ mi -- ne: } >> }%transpose \layout { \override LigatureBracket.padding = #1.5 line-width=16\cm indent=3.5\cm ragged-right = ##f } } %tablet \pageBreak global={\key c \major \time 2/2 \skip 1*9 \bar "||" } cantus={ \set Score.currentBarNumber = #28 \bar "" f'2 a'4. g'8 | f'4 e' f' g' | %30 c' f' f' f' | g'2 r4 e' | e' a' a' gis' | a' c'' c'' a' | d''1 | %\pageBreak %35 d''2 r | r4 d' a'2 | %\break \override Score.RehearsalMark.self-alignment-X = #right \override Score.RehearsalMark.break-visibility = #begin-of-line-invisible \override Score.RehearsalMark.padding = #1 \mark \markup{\smaller \right-column{"D.S." "(bar 10)"}} } cantusdos={ a'2 c''4 c'' | c''2. c''4 | %30 c''1 ~ | c''2 r | c'' b' | c'' \[a' | g'2.\] fis'4 | %35 g'2 a' ~ | a' c'' | } altus={ R1*4/4 | R1*4/4 | %30 r2 r4 c' | e'4. d'8 c'4 b | a2 r | \[e' f'\] | d'4 d' d'2 | %35 d'4 d' f' e' | f'2 e' | } tenor={ R1*4/4 | r2 r4 g | %30 a4. g8 f4 f | e c' e'4. d'8 | c'4 a b e' ~ | e' c'2 c'4 | \[b2 a\] | %35 g r | r r4 a | } tenordos={ r2 a | c'4 c' c'2 ~ | %30 c'4 c' c'2 ~ | c' r | r4 e' e' e' | c' a a2 | r r4 a | %35 bes2 a | a a | } bassus={ r2 f | a4. g8 f4 e | %30 f2 f, | c4. b,8 a,4 gis, | a,2 \[e | a\] f | g d | %35 g,4 g, d cis | d2 a, | } textocantus=\lyricmode{ Et lux per -- pe -- tu -- a, \italicas et lux per -- pe -- tu -- a et lux per -- pe -- tu -- a \rectas lu -- ce -- at e -- is cum san- } textocantusdos=\lyricmode{ Et lux per -- pe -- tu -- a _ lu -- ce -- at e -- _ _ is, cum _ san- } textoaltus=\lyricmode{ Et lux per -- pe -- tu -- a lu -- _ ce -- at e -- is, cum san -- ctis tu -- is } textotenor=\lyricmode{ Et lux per -- pe -- tu -- a, \italicas et lux per -- pe -- tu -- a \rectas lu -- _ ce -- at e -- _ is cum } textotenordos=\lyricmode{ Et lux per -- pe -- _ tu -- a _ lu -- ce -- at \italicas e -- _ \rectas is %! _ e cum san -- ctis tu -- is } textobassus=\lyricmode{ Et lux per -- pe -- tu -- a, \italicas et lux per -- pe -- tu -- a \rectas lu -- _ ce -- at e -- is, cum san -- ctis tu -- is } \score {\transpose c' c'{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName="Cantus I " \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v5" { \set Staff.instrumentName="Cantus II " \clef "treble" \cantusdos } \new Lyrics \lyricsto "v5" {\textocantusdos } >> \new Staff << \global \new Voice="v2" { \set Staff.instrumentName="Altus " \clef "treble" \altus} \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName="Tenor I " \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v6" { \set Staff.instrumentName="Tenor II " \clef "G_8" \tenordos } \new Lyrics \lyricsto "v6" {\textotenordos } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName="Bassus " \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> }%transpose \layout{ indent = 1.8\cm \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff %\RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 ragged-last-bottom = ##f system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 8) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 12) (minimum-distance . 0) (padding . 0)) first-page-number=23 }