\version "2.18.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.4)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20

htitle="Ut re mi fa sol la - 4bis. Benedictus"
hcomposer="Morales"

\header {
	title=\markup{\fontsize #3 "4bis. Benedictus"}
	subtitle="de la misa Ut re mi fa sol la"
	subsubtitle=\markup{\column{" " " "}}
	composer="Cristóbal de Morales (c.1500-1553)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{\fontsize #0 "Versión del Ms. de Tarazona"}
	% Tarazona: libros de polifonia 5
	% El manuscrito de Tarazona intercambia los "Hosanna" del Sanctus y del Benedictus.
	% El bassus tiene variaciones y el altus es completamente distinto
	% También hay diferencias en el Agnus Dei pero se no se conservan todas las voces.
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

global={\key c \major \time 2/2 \skip 1*22 \bar "||" \break 
	\override Score.TimeSignature.break-visibility = #'#(#f #t #t)
			\time 2/2 \skip 1*17 \bar "|."
}


cantus=\relative c''{
	R1*2
	g2 g4 a
	b c d2
	e4 g2 f4
	e d2 c8 b
	c4 e e e
	a, e'2 d4
	c4 b8 a b4 e
	e d f e ~
	e d8 c b4 a8 b
	c d e2 d4
	e4. d8 c4 b
	a g8 f g2
	r4 a a g
	a c2 b4
	c8 b a g a2
	r4 d d c
	d f2 e4
	f8 e d c
	d2 ~
	d4 \ss cis8 b cis2 ~
	cis\breve*1/2
	g4 a8[ b c d] e4
	d c2 b4
	a f'e d
	c2 r4 g
	a8 b c d e4 f ~
	f8 e c4 d e
	d4 c2 b4
	a2 r4 b
	c8 d e f g4 c,
	c2. b8 a
	g4 e' f d ~
	d c b a8 b
	c d e4 d c ~
	c b a2
	g4 b4. a8 a4
	g4 a2 \ss gis4
	a\breve*1/2
}

altus=\relative c'{
	R1*4
	c2 c4 d
	e f g2
	a4 c4. b8 a g
	f4 e f2
	e4 a2 g4
	a2 r4 c ~
	c8 b a4 g a ~
	a g f2
	e1 ~
	e2 r4 d
	d c d e
	f e8[ d e f] g4
	e4 f f e
	f a a g
	f8 g a f g4 c
	b a2 g4
	a4. g8 f4 e8 d
	e\breve*1/2
	r2 r4 c
	d8 e f g a4 g
	e f g f ~
	f e g2
	r2 c,4 d8 e
	f g a4 g e
	f2 e
	r2 r4 g ~
	g c4. b8 a4 ~
	a g \[f2
	e\] d
	r4 c d8[ e] f[ g]
	a4 g2 f4
	e2 r
	r4 g4. f8 e[ d]
	e1
	e\breve*1/2
}

tenor=\relative c'{
	g2 g4 a
	b c d2
	e2. d8 c
	d4 e f g ~
	g8 f e d e4 d
	c d b2
	a1 ~
	a2 r
	r4 e' e e
	a, d2 c8 b
	c4 d e f ~
	f c d2
	r4 a a g
	a c2 b4
	a2 r
	r4 a a g
	a d d c
	d f2 e4
	d2 c
	d b 
	a1 ~
	a\breve*1/2
	R1
	g4 a8[ b c d] e4
	c d c a ~
	a8 b c2 b4
	c f e d ~
	d8 c a4 b c
	a2 r4 g
	a8 b c d e2
	r2 g,4 a8 b
	c d e2 d4
	e g f2
	e4 a, b d
	a c b a
	r4 g a8 b c d
	e4 d2 c4 ~
	c b8 a b2
	a\breve*1/2
}

bassus=\relative c{
	R1*22
	R1*2
	r2 c4 d8 e
	f g a4 g2
	f2 r
	r2 r4 c
	d8 e f g a4 e
	f2 e
	c4. d8 e4 f8 g
	a b c4 a b
	c4 c, d8 e f g
	a2 r
	r4 c, d8 e f g
	a4 e f8[ g] a[ b]
	c4 g2 a4
	e1
	a,\breve*1/2
}

textocantus=\lyricmode{
Be -- ne -- di -- ctus qui ve -- _ _ _ _ _ _ _ nit
in no -- mi -- ne Do -- _ _ mi -- _ ni,
\italicas 
in no -- mi -- ne Do -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ mi -- _ ni
\rectas 
in no -- mi -- ne Do -- mi -- ni __ _ _ _ _ 
\italicas 
in no -- mi -- ne \rectas 
Do -- _ _ _ _ _ _ mi -- _ ni.
Ho -- san -- _ _ _ _ _ _ _ na
in ex -- cel -- sis
\italicas 
ho -- san -- _ _ _ _ _ _ na in ex -- cel -- _ _ sis
\rectas 
ho -- san -- _ _ _ _ na \italicas 
in ex -- _ cel -- _ _ _ _ sis,
ho -- _ san -- _ _ _ _ _ _ na
\rectas 
in __ _ ex -- cel -- _ _ sis.
}

textoaltus=\lyricmode{
Be -- ne -- di -- ctus qui ve -- nit,
\italicas 
be -- _ _ _ _ ne -- di -- ctus qui ve -- nit
\rectas 
in __ _ no -- mi -- ne Do -- mi -- ni
\italicas 
in no -- mi -- ne Do -- _ _ _ _ _ mi -- ni,
\rectas 
in no -- mi -- ne,
\italicas 
in no -- mi -- ne __ _ _ _ _ 
\rectas Do -- _ _ _ _ _ _ mi -- _ ni.
Ho -- san -- _ _ _ _ na in ex -- cel -- _ _ sis
\italicas 
ho -- san -- _ _ _ na in ex -- cel -- sis
\rectas 
ho -- san -- na in ex -- cel -- _ sis
\italicas 
ho -- san -- _ na _ in ex -- cel -- sis
\rectas 
in __ _ ex -- _ cel -- sis.
}

textotenor=\lyricmode{
Be -- ne -- di -- ctus qui ve -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ nit
in no -- mi -- ne Do -- _ _ _ _ _ _ mi -- ni
\italicas 
in no -- mi -- ne Do -- mi -- ni
\rectas 
in no -- mi -- ne,
\italicas 
in no -- mi -- ne 
\rectas 
Do -- mi -- ni,
Do -- _ mi -- ni.
Ho -- san -- _ _ _ _ _ _ _ _ _ _ _ na,
ho -- san -- _ _ _ _ _ na
\italicas 
ho -- san -- _ _ _ na
\rectas 
ho -- san -- _ _ _ na in ex -- _ cel -- _ _ _ _ _ _ _ sis
in ex -- _ _ _ _ cel -- _ _ _ _ sis.
}

textobassus=\lyricmode{
Ho -- san -- _ _ _ _ _ na
\italicas 
ho -- san -- _ _ _ _ _ _ na,
\rectas 
ho -- _ san -- _ _ _ _ na in ex -- cel -- _ _ _ _ _ sis
\italicas 
ho -- san -- _ _ _ na
in ex -- _ cel -- _ sis,
\rectas 
in ex -- cel -- sis.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-g"
		\key c \major
		\time 2/2
		g'1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus     "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 2/2
		c'1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 2/2
		g1
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus  "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f3"
		\key c \major
		\time 2/2
		c2
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "treble"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff \with{\remove Ambitus_engraver} <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context { \Staff \RemoveEmptyStaves 
		\override VerticalAxisGroup.remove-first = ##t
	}
	\context {\Staff 
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi {}

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	system-count=7
	ragged-last-bottom = ##f
	indent=3.3\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	%top-markup-spacing #'basic-distance = 0
	markup-system-spacing #'basic-distance = 20


first-page-number=19
}