\version "2.18.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.6) #(ly:set-option 'point-and-click #f) %mobile -s13.5 -i3.2 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 17 mtempo={\tempo 4 = 120} mtempob={\tempo 4 = 60} htitle="Mal se cura muyto mal" hcomposer="Anónimo" \header { title=\markup{\fontsize #3 "9. Mal se cura muyto mal"} subtitle="Cancionero de Uppsala" subsubtitle=\markup{\null \vspace #2 } composer="Anónimo" pdfauthor=\composer %opus="(-)" poet=\markup{"Venecia 1556"} copyright=\markup{ \fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} } tagline="" } global={\key c \major \time 3/4 \skip 1*3/4*19 \bar ".|:-||" \break \skip 1*3/4*7 \bar ":|." } cantus=\relative c'{ R1*3/4*2 a2 c4 b4 g a c d4. d8 c2 r4 r4 e d b4 a c4 ~ % 2 compases ennegrecidas c d2 e2 d4 r4 e f g2 f4 e4. c8 d4 b e f g2 f4 e4. c8 d4 b4 e d c4 b2 a\breve*3/8 \override Score.RehearsalMark.self-alignment-X=#right \override Score.RehearsalMark.break-visibility = #'#(#t #t #f) \mark \markup{"Fin"} c4 c d e4. c8 d4 e2 d4 e4 a, d b c4. b8 a2 \ss gis4 a\breve*3/8 \mark \markup{"D.C."} } altus=\relative c'{ a2 c4 b4 g a ~ a8 b c d e4 ~ e d4. c8 c2 b4 c4 e d b a % cambia de clave a do en segunda \[b d4.\] c8 a b c2 b4 c e f g4 c, d e4. c8 d4 r4 e f g c, d e4. c8 d4 % cambia a do en tercera g,4 a b g c4. b8 a2 \ss gis4 a\breve*3/8 r4 f f g a4. f8 g4 a b c2 b4 \[d4 e\] a, c4 b2 % ennegrecidas a\breve*3/8 } textocantus=\lyricmode{ Mal se cu -- ra __ _ muy -- _ to mal mas en po -- co can -- do tu -- ra % dura muy -- to más pe -- or se cu -- ra, \italicas muy -- to más pe -- or se cu -- ra, \rectas pe -- or se cu -- ra. En muy -- to mal can -- do ven non po -- de muy -- to tu -- _ _ _ rar, } textocantusb=\lyricmode{ A -- ca -- bar es __ _ gran -- _ de beyn poys en po -- co can -- do tu -- ra " " _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ por -- que te -- nen d'a -- ca -- bar muy -- to pres -- to a queyn __ _ _ lo teyn. } textoaltus=\lyricmode{ Mal se cu -- ra __ _ _ _ _ _ muy -- _ _ to mal, mas en po -- co can -- _ do __ _ _ tu -- _ ra, muy -- to más, muy -- to más pe -- or muy -- to más, muy -- to más pe -- or, muy -- to más pe -- or se cu -- _ ra. En muy -- to mal can -- do ven % veñ non po -- de muy -- _ _ to tu -- rar, } textoaltusb=\lyricmode{ A -- ca -- bar es __ _ _ _ _ _ gran -- _ _ de beyn, poys en po -- co can -- _ do __ _ _ tu -- _ _ra, " " _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ por -- que te -- nen d'a -- ca -- bar muy -- to pres -- to __ _ a queyn lo teyn. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Tenor I " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 \once \override TextScript.extra-offset = #'(-2 . -3.35) s1^"3" a\breve } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Tenor II " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 \once \override TextScript.extra-offset = #'(-2 . -3.35) s1^"3" a\breve } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' c'{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "G_8" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } \new Lyrics \lyricsto "v1" {\textocantusb } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "G_8" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } \new Lyrics \lyricsto "v2" {\textoaltusb } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1.5)) %\override VerticalAxisGroup.nonstaff-nonstaff-spacing = % #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice %melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff %\RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 12) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } system-count=4 page-count = 1 ragged-last-bottom = ##f indent=3.4\cm system-system-spacing = #'((basic-distance . 19) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 8) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 17) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #2 }