\version "2.12.2"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.2)
%#(ly:set-option 'point-and-click #f)

ss=\once \set suggestAccidentals = ##t
cresc=\markup{\italic "cresc."}
dim=\markup{\italic "dim."}
rit=\markup{\italic "rit."}
dark=\markup{\italic \smaller "(dark)"}
warm=\markup{\italic \smaller "(warm)"}
lead=\markup{\italic \smaller "(lead)"}
solo=\markup{\italic \smaller "(Solo)"}
tutti=\markup{\italic \smaller "(Tutti)"}
italicas=\override LyricText #'font-shape = #'italic
rectas=\override LyricText #'font-shape = #'upright


htitle="Michelle"
hcomposer="Beatles"

\header {
	title=\markup{\column{" " \fontsize #4 "Michelle" }}
	composer="Lennon y McCartney"
	%opus=""
	poet="Arreglo: Grayston Ives"
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

global={\key bes \major \time 4/4 \skip 1*11 \bar "||"
				\key aes \major \skip 1*22 \bar "||"
				\key des \major \skip 1*31 \bar "|." }


cantus=\relative c''{
	\dynamicUp
        \once \override Score.MetronomeMark #'X-offset = #-8
        \tempo "Unhurried" 4 = 92
	R1*4
	r4 g^\p(\< bes d
	d2--^\f c
	c bes)\>
	r4\! f4(\<^\dark g aes
	f2.\> ~ f8\!) r8
	c4^\p( des2.^\rit\>
	c2.^\pp ~ c8) r8
	r4^\markup{\italic "a tempo"} 
	 des^\p( f bes
	aes2) des4( aes
	g2) c4( g
	f2) aes4( f)
	r2 r4 aes
	g1
	R1
	r2 aes4^\mp f
	g2 c4 g
	g2 f
	e2\< f\!
	c'4(^\mf^\warm bes aes\> g
	f1^\p)
	r4^\markup{\italic "moving on"}
	 c4\<( f aes)
	c4.^\f bes16 aes bes4 c
	<<f,2.^\rit {s4 s\> s}>> aes4^\mf
	g4^\markup{\italic "moving on"} e\< f g\!
	aes4( c2^\rit bes4)
	r4^\markup{\italic "a tempo"} c2^\p c4 ~
	c4 c2 c4
	r4 c4^\markup{\italic "poco rit."} bes aes
	g2^\markup{\italic "poco ten."}
	 \once \override BreathingSign #'text = \markup { \smaller "(" \hspace #-1 \musicglyph #"scripts.rcomma" \hspace #-1 \smaller ")" } \breathe
	 r2
	s4*0^\markup{"a tempo"}
	R1
	r4 ges^\markup{\dynamic p \italic " sost."}( bes des
	c4. bes8 aes2)
	r4 aes( des aes
	bes1)
	r4 ges( bes des
	c2.) r8 f,
	\times 2/3{bes4^\cresc aes f} \times 2/3{bes aes f}
	c'4^\markup{\italic "    moving on"} bes( c) des
	bes^\mf ges8[ aes] bes4\< aes
	\tupletUp
	des2\! \times 2/3{ces4(\>^\markup{\italic "poco rit."} bes) ges\!}
	f2^\markup{\dynamic p \italic " moving on"} g4\< a
	bes\!^\markup{\italic "allarg."} c--^\f des2--^\fermata
	bes^\p^\markup{\italic "a tempo"} 
	 <<a2 {s4 
	  \once \override Score.TextScript #'padding = #2.1
	  s^\markup{\italic "molto cresc."}}>>
	aes!2 g
	r4 des'--^\markup{\dynamic f \italic " (appass.)"} c-- bes--
	<<{a2--^\markup{\italic "molto rit."} r2} {s4 s s\! s}>>
	\break
	s4*0^\markup{\italic \larger "slightly slower than tempo"}
	R1
	\set autoBeaming = ##t
	r2 des4^\pp bes
	c2 aes4 c
	c4. bes16 aes bes4 g
	a2 g
	a2. r4
	r4 des2^\mp des4 ~
	des des2 des4
	\override Score.TextScript #'padding = #1.6
	r4 des^\markup{\italic "(sonorous)"} c bes
	<<{a2 r} {s4 s^\markup{\italic "molto rit."} s s}>>
	R1
	r4 ges4( bes des
	c bes) \breathe aes-- 
	 \once \override Score.TextScript #'X-offset = #-1.2
	 aes--^\markup{\italic "(ten.)"}
	f1
}

altus=\relative c''{
	\set autoBeaming = ##t
	\dynamicUp
	R1*4
	r4 g^\p(\< bes d
	bes2^\f-- g
	ees4 f d\> ees)
	r4\! des(^\mf^\dark ees\< f
	des2.\> ~ des8\!) r8
	<<c1^\p ~ {s4 s^\rit\> s s}>>
	c2.^\pp ~ c8 r
	r2^\markup{\italic "a tempo"} f2^\p ~
	f aes4( f
	ees2) g4( ees
	des2) f4( des)
	r4 e\<( f2)\>
	r4\! e( d) e
	f2.^\mp ees?4
	ees4. des16 c des2
	r4 c4\< ees g
	g4.--\! f16 ees d4\> d ~
	d\< c e\! d
	g^\mf(^\warm f ees!\> e)
	r4\! c^\p( f aes
	c2.)\< r4\!
	\set autoBeaming = ##f
	f,4^\f f8 f ges4 aes
	<<f2.^\rit {s4 s\> s}>> f^\mf
	e c\< d e\!
	f( aes^\rit f2)
	r4^\markup{\italic "a tempo"} aes2^\p aes4 ~
	aes aes2 aes4
	r4 f^\markup{\italic "poco rit."} f f
	f--(^\markup{\italic "poco ten."} e) 
	 \once \override BreathingSign #'text = \markup { \smaller "(" \hspace #-1 \musicglyph #"scripts.rcomma" \hspace #-1 \smaller ")" } \breathe
	 r2
	r4*0^\markup{"a tempo"}
	R1
	r4 ges2.^\p ~
	ges1
	\set autoBeaming = ##t
	r2 r4 aes4(^\markup{\italic "(sost)"} ~
	aes4. ges16 f ges2)
	r4 ges2.
	f2( ees4) f
	\times 2/3{f4^\cresc ees c} \times 2/3{f ees c}
	f4^\markup{\italic "   moving on"} f2 bes4
	\set autoBeaming = ##f
	ges4^\mf ees8[ f] ges4\< f
	\times 2/3{aes4\!( ges2)} \times 2/3{aes4(^\markup{\italic "poco rit."}\> ges) ees\!}
	f2^\markup{\dynamic p \italic " moving on"} f4\< f
	f\!^\markup{\italic "allarg."} aes^\f-- ges4.--^\fermata ees8^\mp
	f4^\markup{\italic "a tempo"} f f f^\markup{\italic "molto cresc."}
	f8 f4. f4 f
	f4--^\markup{\dynamic f \italic " (appass.)"} bes-- bes-- ges--
	f2\>^\markup{\italic "molto rit."} bes,4^\mf\> c
	d2^\pp r4 aes'
	\set autoBeaming = ##t 
	aes4. ges16 f ges2
	r4 f2 f4 ~
	f2 g4 g ~
	g f2 e4
	g f2 r4
	bes2^\mp a2
	aes! g
	<<ges! {s4 s^\markup{\italic "(sonorous)"}}>> ges4 ges
	<<f2 {s4 s^\markup{\italic "molto rit."}}>> r2
	R1
	r4 ges2.(
	aes4 ges) \breathe f4-- ges--^\markup{\italic "(ten.)"}
	d1
}

altusdos=\relative c'{
	\set autoBeaming = ##t
	\dynamicUp
	R1*4
	r4 \parenthesize g(^\p\< bes d
	f4.\!--^\lead ees16 d ees2
	ees4. d16 c bes2)
	r4 aes^\mf\<(^\dark bes c
	aes2.\> ~ aes8) r8
	<<c1^\p ~ {s4 s^\rit\> s s}>>
	c2.^\pp ~ c8 r
	r4^\markup{\italic "a tempo"} des2.^\p ~
	des2 f4( des
	c2) ees4( c 
	aes2) des4( aes)
	r4 c4\<( d2\>)
	r4\! c( bes) c
	a2^\mp a
	R1
	r4 c2 c4 ~
	c2 r2
	R1
	e4^\mf^\warm( des! c8) r r c^\mp
	\times 2/3{f4 ees! c} \times 2/3{f ees c}
	g'4 f2\< ~ f8\! r
	\set autoBeaming = ##f
	c4^\f des8 c des4 ees
	ees4^\rit( c\> <<des2) {s4 s\!}>>
	r4 c4\< c c\!
	c4( f^\rit des?2)
	f2^\p^\markup{\italic "a tempo"} e
	ees! d
	r4 des!^\markup{\italic "poco rit."} des des
	c2^\markup{\italic "poco ten."}
	 \once \override BreathingSign #'text = \markup { \smaller "(" \hspace #-1 \musicglyph #"scripts.rcomma" \hspace #-1 \smaller ")" } \breathe
	 r2
	s4*0^\markup{\italic "a tempo"}
	R1
	r4 ges'2.^\p ~
	ges1
	\set autoBeaming = ##t
	r2 r4 aes4(^\markup{\italic "(sost.)"} ~
	aes4. ges16 f ges2)
	r4 ges2.
	f2( ees4) f
	\set autoBeaming = ##f
	f2 f
	des4^\markup{\italic "   moving on"} des( ees) f ~
	f8^\mf f ges[ f] ges4\< f
	\times 2/3{aes4\!( ges des ~ }
	des4) r
	r8^\markup{\dynamic p \italic " moving on"} f8 f f bes4\< f
	des4\!^\markup{\italic "allarg."} ees--^\f
	des4.^\fermata ees8^\mp
	f4^\markup{\italic "a tempo"} f f f^\markup{\italic "molto cresc."}
	f8 f4. f4 f
	f4--^\markup{\dynamic f \italic " (appass.)"} ges-- ges-- ees--
	ees2--\>^\markup{\italic "molto rit."} bes4^\mf\> c
	d1^\pp
	R1
	r4 f2 f4 ~
	f2 g4 g ~
	g f2 e4
	g f2 r4
	r4 f2^\mp f4 ~
	f f2 f4
	r4 f^\markup{\italic "(sonorous)"} ees des
	<<c2 {s4 s^\markup{\italic "molto rit."}}>> r2
	R1
	r2 r4 ees4 ~
	ees2 \breathe ees4-- ees--^\markup{\italic "(ten.)"}
	d1
}

tenor=\relative c{
	\dynamicUp
	\set autoBeaming = ##t
	r4 d4^\solo^\markup{\dynamic p \italic " expr."}( g bes
	d4. c16 bes c2 ~
	c4) d,( fis a
	c4. bes16 a bes2 ~
	\once \override TextScript #'padding = #3.2
	\once \override TextScript #'X-offset = #-3.3
	bes8)^\tutti r8 g4(^\p\< bes d
	d2--^\f c
	\once \override TextScript #'X-offset = #2.5
	c^\lead bes4.\> aes16-- g-- 
	<<f2\mf {s4 s^\dark}>> g4\< aes
	f2.\> ~ f8\!) r
	r4 des^\mp^\rit\>( f bes
	g2.^\pp ~ g8) r8
	c2^\markup{\dynamic mp \italic " a tempo"}^\solo c ~
	c4 des4 aes2
	g4 c g g
	f aes ces aes
	g2 f4 aes
	g2. r4
	c2^\mp c ~
	c4 des aes2
	g4 c g g
	f aes ces aes
	g2 \times 2/3{f4 g aes}
	g2 r
	R1
	r4^\markup{\italic "moving on"} aes(^\tutti\< c f)
	\set autoBeaming = ##f
	r8\! c8^\f des c des4 aes
	<<aes1^\rit {s4 s\> s s}>>
	r8\!^\markup{\italic "moving on"} c8^\mf\< c c f4 c\!
	bes8( aes4.^\rit\> ~ aes4) aes8^\mp^\solo bes
	c4^\markup{\italic "a tempo"} c c c
	c c c4. c8
	<<c2 {s4 s^\markup{\italic "poco rit."}}>> bes4 aes
	g2^\markup{\italic "poco ten."}
	 \once \override BreathingSign #'text = \markup { \smaller "(" \hspace #-1 \musicglyph #"scripts.rcomma" \hspace #-1 \smaller ")" } \breathe
	 r2
	 \once \override TextScript #'X-offset = #-6
	 r4^\markup{"a tempo"}
	\set autoBeaming = ##t
	f4(^\markup{\dynamic p \italic " sost."}\>^\markup{\italic "(Tutii ecetto solo)"} bes des\!
	f4. ees16 des ees2 ~
	ees8) r8 aes,4(^\tutti c ees
	ges4. f16 ees f2)
	r4 ges,( bes des
	f4. ees16 des ees4. des8
	c2 bes4) c
	\tupletUp
	\times 2/3{des4^\cresc c aes} \times 2/3{des c aes}
	c4^\markup{\italic "   moving on"} bes4( f) bes
	\set autoBeaming = ##f
	des4^\mf ees8[ des] ees4\< des
	des2\! \times 2/3{des2\>^\markup{\italic "poco rit."} ees4\!}
	f4(^\markup{\dynamic p \italic " moving on"} ees) des\< c
	bes\!^\markup{\italic "allarg."} c--^\f bes2--^\fermata
	r4^\markup{\italic "a tempo"} des2^\p des4^\markup{\italic "molto cresc."} ~
	des des2 des4
	f2--^\markup{\dynamic f \italic " (appass.)"} ees4-- des--
	c2--\>^\markup{\italic "molto rit."} r2\!
	f2^\markup{\dynamic p \italic " (reflective)"} f ~
	f4 ges des2
	c4 f c c
	bes des fes des
	\tupletUp
	c2 \times 2/3{bes4 c des}
	c4. r8^\solo r8 f, bes^\mp c
	des4 bes ees c
	des bes ees4. c8
	<<des2 {s4 s^\markup{\italic "(sonorous)"}}>> c4 bes
	<<a2 {s4 s^\markup{\italic "molto rit."}}>> g4 a
	\set autoBeaming = ##t
	<<\voiceTwo \parenthesize bes1.*1/6 \new Voice{\voiceOne r4}>> 
	 \phrasingSlurUp
	 \once \override TextScript #'X-offset = #-2
	 f\(^\markup{\italic "(Tutti eccetto solo)"} bes des
	f4. ees16 des ees4.^\tutti( des8
	c4 des)\) \breathe c4^- c^-^\markup{\italic "(ten.)"}
	bes1
}

bassus=\relative c'{
	\dynamicUp
	R1*4
	r4 g^\p(\< bes d
	bes2--^\f c4 g
	ees f d\> ees)
	r4^\mf des2.^\dark(\<
	\once \override TextScript #'X-offset = #-1.8
	f4\!^\lead des aes\> bes
	<<c1^\p ~ {s4 s^\rit s s}>>
	c2.^\pp ~ c8) r
	s4*0^\markup{\italic "a tempo"}
	R1*4
	r4 g'4(\< aes2)\>
	r4\! g4( f) g
	r4 c,2.^\mp
	f2 f4 aes
	r2 ees4 g
	aes1
	g2\< aes\!
	g2(^\warm^\mf c4\> bes
	f2^\p) r
	r4^\markup{\italic "moving on"} aes2(\< c4)
	ges4^\f aes8 aes bes4 c
	<<aes2.^\rit {s4 s\> s}>> des^\mf
	c bes\< aes g^\mf
	f c'^\rit f,( g)
	c,2.^\p^\markup{\italic "a tempo"} e4
	f2. c4
	<<f2 {s4 s^\markup{\italic "poco rit."}}>> f4 f
	g2^\markup{\italic "poco ten."}
	 \once \override BreathingSign #'text = \markup { \smaller "(" \hspace #-1 \musicglyph #"scripts.rcomma" \hspace #-1 \smaller ")" } \breathe
	 \parenthesize f4^\p^\solo \parenthesize g
	 \once \override TextScript #'X-offset = #-6
	 s4*0^\markup{"a tempo"}
	 <<\parenthesize f1 {s4 s\> s s\!}>>
	bes1^\p
	aes2 c
	aes2. des4 ~
	des1
	bes
	bes4( a g) a
	\tupletUp
	r2 \times 2/3{r4 r c}
	\times 2/3{c bes f} \times 2/3{c' bes f}
	bes4^\mf des8[ bes] ces4\< ces
	ces\!( bes) aes\>^\markup{\italic "poco rit."} bes
	f2\!^\markup{\dynamic p \italic " moving on"} f4\< a
	f\!^\markup{\italic "allarg."} ees^\f des2--^\fermata
	f2.^\markup{\italic "a tempo"}^\p a4^\markup{\italic "molto cresc."}
	bes2. des4
	R1
	r4^\markup{\italic "molto rit."} a(^\mf\> g) a
	bes1^\pp ~
	bes2 bes4 des
	c2 aes4 c
	des2. des4
	c2 des
	c2. r4
	f,2.^\mp a4
	bes2. f4
	r4 ges4^\markup{\italic "(sonorous)"} ges ges
	r4 a(^\markup{\italic "molto rit."} bes) c
	bes1 ~
	bes
	c4( bes) \breathe aes-- bes--^\markup{\italic "(ten.)"}
	f1
}

bassusdos=\relative c{
	\dynamicUp
	R1*5
	c2.(^\f bes4
	aes2 g)
	r4^\mf aes2\<^\dark( aes4
	\once \override TextScript #'X-offset = #-1.8
	f'4\!^\lead des aes\> bes
	<<c1^\p ~ {s4 s^\rit s s}>>
	c2.^\pp ~ c8) r8
	s4*0^\markup{\italic "a tempo"}
	R1
	R1*3
	r4 c2.^\p
	r2 r4 c
	f,1^\mp
	bes
	ees
	d2 b
	c1
	c^\mf^\warm
	f^\p ~
	<<f^\markup{\italic "moving on"} {s4 s\< s s}>>
	aes,4^\f aes8 aes aes'4 aes
	<<des,1^\rit {s4 s\> s s\!}>>
	r2 r4 g^\mf
	f4( ees^\rit des2)
	c2.^\p^\markup{\italic "a tempo"} e4
	f2. c4
	<<f,2 {s4 s^\markup{\italic "poco rit."}}>> f4 f
	c'2^\markup{\italic "poco ten."}
	 \once \override BreathingSign #'text = \markup { \smaller "(" \hspace #-1 \musicglyph #"scripts.rcomma" \hspace #-1 \smaller ")" } \breathe
	 r2
	s4*0^\markup{\italic "a tempo"}
	R1
	ees1^\p
	aes
	des,
	ges
	c,
	f
	R1
	\tupletUp
	\times 2/3{r4 r f^\mp} \times 2/3{bes, c des}
	ees4.^\mf ees8 des4\< des
	ges2\! ges4\>^\markup{\italic "poco rit."} ges
	f2\!^\markup{\dynamic p \italic " moving on"} f4\< f
	bes,\!^\markup{\italic "allarg."} aes--^\f ges2--^\fermata
	R1*3
	r4^\markup{\italic "molto rit."} f'2^\mf\> f4
	bes2.^\pp r4
	ees,1
	aes
	g2 e
	f1 ~
	f2. r4
	f2.^\mp a4
	bes2. f4
	<<bes,2 {s4 s^\markup{\italic "(sonorous)"}}>> bes4 des
	r4 f2^\markup{\italic "molto rit."} f4
	bes2. r4
	ees,1 ~
	ees2 \breathe ees4-- ees--^\markup{\italic "(ten.)"}
	bes1
}


textocantus=\lyricmode{
Ah __ 
Ah __ 
Ah __ 
U __
U __
U __
U __
Mi -- chelle
du du du du du du du du du 
Ah __
Ah __
that's all I want to say.
Un -- til I find a way, __ 
dm dm dm dm
you'll un -- der -- stand,
Ah __
Ah __
Ah __
I want you, I want you, I want you, __
I think you __ know by now,
know __ that I'll get to you some -- how.
du du du du 
you'll un -- der -- stand,
du du du du du du du du du du du du du
dm dm dm dm
you'll un -- der -- stand,
Ah __ 
my Mi -- chelle.
}

textoaltus=\lyricmode{
Ah __ 
Ah __ 
Ah __
U __ 
U __
U __
U __
U __
my __ Mi -- chelle,
du du du du du
du du du du du du du du
du du du
Ah __ 
Ah __ 
that's all I want to say.
Un -- til I find a way, __
dm dm dm dm
you'll un -- der -- stand, __
Ah __ 
Ah __ 
Ah 
Ah __
I want you, I want you, I want you,
I think you __ know by now, __
know __ that I'll get to you some -- how.
Un -- til I do, I'm tell -- ing you,
so you'll,
you'll un -- der -- stand, my Mi -- chelle.
du du du du du du du du du du du du du 
du du du du 
you'll un -- der -- stand,
Ah __ 
my Mi -- chelle.
}

textoaltusdos=\lyricmode{
Ah __ 
Ah __ 
Ah __
U __ 
U __
U __
U __
U __
my __ Mi -- chelle,
du du du
Ah __ 
I love you, I love you, I love you,
that's all I want to say. __
I find a way, __
du du du du
you'll un -- der -- stand,
Ah 
Ah __ 
Ah 
Ah __
I want you, want you, __
I think you __ know by now, __
I'll get to you some -- how, some -- how.
Un -- til I do, I'm tell -- ing you,
so you'll,
you'll un -- der -- stand, my Mi -- chelle.
du du du du 
du du du du 
dm dm dm dm
you'll un -- der -- stand,
Ah 
my Mi -- chelle.
}

textotenor=\lyricmode{
Ah __ Ah __
Ah __ Ah __
Mi -- chelle, ma belle,
these are words that go to -- geth -- er well,
my Mi -- chelle.
Mi -- chelle, ma belle,
sont des mots qui vout très bien en -- semble,
trè bien en -- semble.
Ah __
that's all I want to say.
Un -- til I find a way, __ 
I will say the on -- ly words I know that you'll 
un -- der -- stand,
Ah __ Ah __
Ah __ 
I want you, I want you, I want you, __ 
I think you __ know by now,
know that I'll __ get to you some -- how.
dm dm dm 
so you'll un -- der -- stand,
Mi -- chelle, ma belle,
sont des mots qui vont très bien en -- semble,
trè bien en -- semble.
And I will say the on -- ly words I know that you'll un -- der -- stand,
my Mi -- "(chelle.)"
Ah __ _ _ _ _ _ "(Ah)" __
my Mi -- chelle.
}

textobassus=\lyricmode{
Ah __ Ah __
U __
my __ Mi-
du
du
du du
du du
du
du du
Ah __
Ah __
that's all I want to say.
Un -- til I find a way,
a way, __
dm dm dm 
that you'll un -- der -- stand,
"(my" Mi -- "chelle.)"
Ah
Ah Ah
Ah Ah
Ah Ah __ 
I
I want you,
I want you,
I think you __ know by now, __
know that I'll get to you some -- how.
dm dm dm dm 
my __ Mi -- chelle.
du du
du du du
du du du du du
dm dm dm dm 
you'll un -- der-
my __ Mi -- chelle.
Ah __
my Mi -- chelle.
}

textobassusdos=\lyricmode{
Ah __
Ah __ 
U __
du du du du du du du 
Ah Ah 
that's all I want to say.
a way, __
dm dm dm 
that you'll un -- der -- stand,
Ah Ah Ah Ah Ah Ah
I want you, I think you know by now,
know that I'll get to you some -- how.
my Mi -- chelle.
du
du du du du
dm dm dm dm
you'll un -- der-
my Mi -- chelle.
Ah
my Mi -- chelle.
}


\score {
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName="Soprano " 
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>
	
	\new Staff << \global
	\new Voice="v2" {
		\set Staff.instrumentName="Alto I  "
		\clef "treble" 
		\altus}
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>

	\new Staff << \global
	\new Voice="v5" {
		\set Staff.instrumentName="Alto II "
		\clef "treble" 
		\altusdos}
	\new Lyrics \lyricsto "v5" {\textoaltusdos }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName="Tenor  "
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>
	
	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName="Bajo I  "
		\clef "bass" 
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
	\new Staff <<\global
	\new Voice="v6" {
		\set Staff.instrumentName="Bajo II "
		\clef "bass" 
		\bassusdos }
	\new Lyrics \lyricsto "v6" {\textobassusdos }
	>>
>>

\layout{ 
	\context {\Lyrics \override VerticalAxisGroup #'minimum-Y-extent = #'(-0 . 0) }
	\context {\Score \override BarNumber #'padding = #2 }
	\context {\Lyrics 
		%\override LyricText #'font-size = #2 
		\override LyricHyphen #'minimum-distance = #0.33
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		autoBeaming = ##f
	}
	%\context { \RemoveEmptyStaffContext }
	\context {\Staff 
		\consists Ambitus_engraver 
		\override VerticalAxisGroup #'minimum-Y-extent = #'(-4 . 6.2)
	}
}

%\midi {}

}

\markup{
\bold "Nota: "
"Las indicaciones de «solo» son opcionales. En su caso puede ser cantado indistintamente por un tenor o barítono."}

\paper{
	page-limit-inter-system-space = ##t        %cuando hay 6 voces
	page-limit-inter-system-space-factor = 1.3 %cuando hay 6 voces
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=8
	line-width=19.0\cm
	between-system-padding = 0
	ragged-last-bottom = ##f
	foot-separation = 5\mm
}