\version "2.18.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.5)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mtempoc={\tempo 4 = 150}
incipitwidth = 20
mt=#(define-music-function (parser location offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})


htitle="Since neither tunes of joy"
hcomposer="Bennet"

\header {
	title=\markup{\fontsize #4 "14. Since neither tunes of joy"}
	subtitle="Madrigals to four voices"
	subsubtitle=\markup{\null \vspace #2 }
	composer="John Bennet (c.1575-c.1614)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{"London 1599"} % Madrigalls to foure voyces newly published by Iohn Bennet his first works (1599)
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

global={\key bes \major
        \time 3/4 \skip 1*3/4*3
        \time 2/2 
        \skip 1*15 \skip 2 \bar ".|:"
        \once \override Score.BarLine.break-visibility = #end-of-line-invisible
        \pageBreak
        \skip 2 \skip 1*17 \skip 2 \bar ":|."
}


cantus=\relative c''{
	% 3 compases con notas ennegrecidas, y con un 3 en cada uno, en todas las voces
	bes4 bes c
	\once \override TextScript.X-offset = #-1.8
	s4*0^\markup{"3"}
	d2 ees4
	\once \override TextScript.X-offset = #-1.8
	s4*0^\markup{"3"}
	c2.
	\mtempo
	\once \override TextScript.X-offset = #-3.6
	s4*0^\markup{\musicglyph #"timesig.mensural22" \hspace #1.7 \fontsize #3 \musicglyph #"noteheads.s0mensural" }
        a1
	bes ~
	bes2 bes
	c1
	d
	r4 bes4. bes8 bes4
	bes a g2
	fis2 r4 a
	bes8 c d ees f4 f,
	g8 a bes c d4 f
	ees2 d
	c bes4 g
	c4 bes2 a4
	bes4 bes a4. g8
	fis4 g a2
	d,2 d
	\once \override Score.BarNumber.break-visibility = #all-visible
	g4 a bes c
	d4 f2 ees8 d
	c4 bes a2 ~
	a4 a g4. g8
	f4 f2 e4
	f1
	r2 r4 f'
	f8 ees d8[ c bes a g f]
	ees[ f g a bes c] d4 ~
	d c2 bes4
	a4 bes2 a4
	bes2 bes4. bes8
	a4 g fis2
	g2 g4. g8
	f4 f e2
	f f4. f8
	ees4 d d2
        d2^\markup{\hspace #-1 \concat{"(" \musicglyph #"scripts.ufermata" ")"}}
}

altus=\relative c''{
	g4 g g
	bes2 bes4
	a2.
	r2 f ~
	f g ~
	g f
	ees c
	f1
	r4 g4. g8 g4
	d f bes, g
	a2 r4 f'
	g2 f
	ees4 ees d f,
	g8 a bes c d4 f
	ees2 d4 c ~
	c4 f f2
	f4 f f4. d8
	d4 d c2
	b2 \ss bes4 d ~
	d8 ees f4. g8 a4
	bes4 d2 c8 bes
	a4 g fis2 ~
	fis4 \ss f d4. ees8
	d4 c c2
	a4 c c8 bes a[ g]
	f8[ g a bes] c2 % Hopkins: la primera vez: f4 a
	f,4 bes4. c8 d4
	c8[ d] ees2 d8[ ees]
	f8[ g] a4 g f4 ~
	f8 ees d4 c2
	d f4. f8
	f4 d d2
	d d4. d8
	d4 c c2
	c d4. d8
	c4 bes a2
	b2
}

tenor=\relative c'{
	d4 d ees
	f2 g4
	f2 c4
	f2. ees4
	d c bes a
	g a bes2 ~
	bes a
	bes1
	r4 d4. d8 d4
	bes4 d2 c4
	d2 r4 d,
	g8 a bes c d4 d,
	ees8 f g a bes4 d
	g4. g8 f4 d
	g,8 f g a bes4 ees
	ees4 d c2
	d4 d c4. bes8
	a4 g2 fis4
	g2 r4 bes ~
	bes a8 g f4 ees
	f4 d f g
	a bes8[ c] d2 ~
	d4 d bes4. c8
	a4 a g2
	f4 a a8 bes c[ bes]
	a[ g] f4. g8 a4
	bes4 d d8 c bes8[ a]
	g8[ f ees f] g[ a bes c]
	d8[ ees] f4 ees d8[ ees]
	f1
	f2 d4. d8
	c4 bes a2
	b \ss bes4. bes8
	bes4 a g2
	a2 bes4. a8
	g4 g2^\markup{\fontsize #-5 {\note-by-number #2 #0 #UP \hspace #5 \note-by-number #1 #0 #UP }} fis4 % primera vez g4 g fis2
	g2
}

bassus=\relative c'{
	g4 g c
	bes2 ees,4
	f2.
	r2 d ~
	d ees ~
	ees d
	c f
	bes,1
	r4 g4. g8 g4
	g' f ees2
	d1
	R1
	r2 r4 d
	ees8 f g a bes4 bes,
	c8 d ees f g4 c
	a4 bes f2
	bes,4 bes f'4. g8
	d4 bes a2
	g r4 g' ~
	g f8 ees d4 c
	bes4. c8 d4 ees
	f g d2 ~
	d4 d g4. c,8
	d4 f c2
	f,2 f'4 f8 g
	a8[ bes c bes] a[ g f ees]
	d8[ c bes a] g2
	c2 r
	r4 f, g8 a bes[ c]
	d8[ c d ees] f2
	bes,2 bes'4. bes8
	f4 g d2
	g,2 g'4. g8
	d4 f c2
	f bes,4. bes8
	c4 g d'2
	g,2
}

textocantus=\lyricmode{
Since neith -- er tunes of joy, % ioy
nor notes of sad -- ness
cru -- el un -- kind can move thee
I will go run a -- way I will go run a -- way, % goe
for rage and mad -- ness,
for rage and mad -- ness,
be -- cause I will not love thee.
Oh come a -- gain, % againe
a -- gain,
\italicas oh come a -- gain, a -- gain, \rectas
thy fruit -- less la -- bour waste not: % wast
how \mt #2 will \mt #1.5 thou run __ _ _ (fool), % wilt  foole
how will \mt #.8 thou run (fool),
when thy heart thou hast not,
\italicas when thy heart thou hast not, \rectas
when thy heart thou hast not. % "not?"
}

textoaltus=\lyricmode{
Since neith -- er tunes of joy
nor notes of sad -- _ ness
cru -- el un -- kind can move __ _ thee
I will go run a -- way,
I will go run a -- way,
for rage,
for rage and mad -- ness,
be -- cause I will not love thee.
Oh come a -- gain,
a -- _ gain, 
\italicas oh come a -- gain, a -- gain, \rectas
thy fruit -- less la -- bour waste not:
how will thou run __ _ _ (fool), % rune
how __ _ _ will __ _ thou __ _ _ run,
how \mt #2.2 will \mt #.8 thou run (fool), % primera vez ij
when thy heart thou hast not,
\italicas when thy heart thou hast not, \rectas
when thy heart thou hast not.
}

textotenor=\lyricmode{
Since neith -- er tunes of joy,
nor notes of sad -- _ _ _ _ _ _ _ ness
cru -- el un -- kind can move thee
I will go run a -- way,
\italicas I will go run a -- way, \rectas
I will go run,
I will go run a -- way,
for rage and mad -- ness,
be -- cause I will not love thee.
Oh come a -- gain,
a -- gain,
\italicas oh come a -- gain, a -- gain, \rectas
thy fruit -- less la -- bour waste not:
how will thou run __ _ _ _ _ (fool),
how \mt #2.7 will \mt #1.8 thou run __ _ _ _ _ _ _ _ (fool),
when thy heart thou hast not,
\italicas when thy heart thou hast not, \rectas
when thy heart thou hast not.
}

textobassus=\lyricmode{
Since neith -- er tunes of joy
nor notes of \italicas sad -- _ \rectas ness % _ sad
cru -- el un -- kind can move thee
I will go run a -- way,
I will go run a -- way,
for rage and mad -- ness,
be -- cause I will not love thee.
Oh come a -- gain,
a -- gain,
\italicas oh come a -- gain, a -- gain, \rectas
thy fruit -- less la -- bour waste not:
how \mt #2 will \mt #1 thou run __ _ _ _ (fool)
how will thou run __ _ _ (fool),
when thy heart thou hast not,
\italicas when thy heart thou hast not, \rectas
when thy heart thou hast not.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'single-digit
		\cadenzaOn 
		\clef "petrucci-g"
		\key c \major
		\time 3/4
                c''4
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'single-digit
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 3/4
                a'4
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'single-digit
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 3/4
                e'4
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'single-digit
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 3/4
                a4
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}



\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		%\set Staff.instrumentName="Cantus "
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		%\set Staff.instrumentName="Alto "
		\clef "treble"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		%\set Staff.instrumentName="Tenor "
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		%\set Staff.instrumentName="Bass "
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . .3))
		\override LyricText.font-size = #1.1
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 10) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempoc }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	system-count=7
	page-count = 2
	%systems-per-page = 3
	ragged-last-bottom = ##f
	indent=3.1\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 14) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}