\version "2.18.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.25)
#(ly:set-option 'point-and-click #f)
%mobile -15.5 -i3.4

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mt=#(define-music-function (parser location offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Nuper rosarum flores"
hcomposer="Dufay"

\header {
	title=\markup{\fontsize #3 "Nuper rosarum flores"}
	subtitle="Isorhythmic motet"
	subsubtitle=\markup{\null \vspace #2 }
	composer="Guillaume Dufay (c.1400-1474)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{\smaller "For the consecration of the Cathedral of Santa Maria del Fiore"} % Florencia
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}


global={
 \override Score.TimeSignature.break-visibility=#end-of-line-invisible
 \time 3/2  \skip 1*3/2*56 \bar "||" \pageBreak
	\time 2/2 \skip 1*56 \bar "||" \break
	\skip 1*28 \bar "||" \pageBreak
	\time 6/4 \skip 1*6/4*28 \bar "||"
	\time 9/4 \skip 1*9/4*2
	\bar "|."
}

% Para la música ficta sigo la grabación de Huelgas Ensemble.
% En particular, renuncio a escribir el bemol el algunos fa super la

cantus={
	\key c \major
	g'1. |
	b'4 c'' d''2. c''4 |
	a' g' g'2 c'' |
	\[b' a'\] c''4 b' |
%5
	g'2 g'4 \ss fis'2 e'4 |
	g'1 r2 |
	e'2. d'4 \ss fis'2 |
	g'1 c''2 |
	c''1 b'4 a' |
%10
	c''1 b'2 |
	c'' d''1 |
	d''2 e''2. d''4 |
	d''2. d''4 \ss cis'' b' |
	d''1. |
%15
	r4 b' c'' d''2 g'4 |
	a' b' g'2 e'4 f' |
	g'4. f'8 e'4 d'2 g'4 |
	f' a'4. b'8 c''4. b'8 a' g' |
	g'4 d'' c''8 \ss bes'4 a'8 bes' g'4 f'8 |
%20
	a'2 r r |
	\[a' bes'2.\] a'4 |
	f'2 r4 a' b' c'' ~ |
	c'' b' a' g' e'2 |
	d'4 g'2 f'4 \ss bes'2 |
%25
	a'4 d'' b' g'2 \ss fis'4 | % la tercera nota tiene un signo en la plica que no entiendo
	g'2 r d'4 e' |
	d' g'4. f'8 d'4 c' d'8 e' |
	f'4 e' d' c' bes4. a8 |
	a2 r a' |
%30
	g' bes'2. a'4 |
	fis'1. | % no hay puntillo
	\ss fis'2. g'4 fis' e' |
	g'2 r r |
	a' a' a' ~ | % 2 compases ennegrecidos
%35
	a' f'1 |
	d'2 f'4 g' a'2 ~ |
	a'4 g' a' f' e'2 |
	r4 a'2 g'4 f'2 ~ |
	f'4 a' c'' b' a'2 |
%40
	f'4 f' f'4. e'8 c'2 |
	r4 c' d' c' f'2 |
	e'4 a'4. b'8 c''4. b'8 a' g' |
	b'4. g'8 g'2 r |
	g'1 g'4 f' |
%45
	\[d'2 bes'2.\] a'4 |
	g' f' f'2 \ss bes' |
	\ss bes'1 bes'2 |
	a' r r |
	d' d' d' |
%50
	r4 d''2 d'' d''4 |
	e''2 d''1 |
	d''4 d'' bes' bes' bes' bes' | % una especie de corchete une las 2 primeras notas
	a'1 c''4. b'8 |
	g'4 f' bes' a' g'2 |
%55
	r4 \ss fis' fis' g' fis'4. e'8 |
	g'1 r2 |
	s4*0^\markup{\hspace #-3.5 \musicglyph #"timesig.mensural22" \hspace #1.5 \musicglyph #"noteheads.sM1mensural"}
	b'2 c''4 d'' ~ |
	d'' \[c'' a'4.\] g'8 |
	b'2 r4 g' ~ |
%60
	g' \[a' g'\] \[c'' |
	b'\] g'2 \[g'4 |
	a'\] b' \[c'' d'' ~ \]
	d''8 c'' c''2 b'4 |
	c''2 r |
%65
	\[c''4 b'\] \[g' a' ~ \]
	a'8 g' e'4 g'8 f' d'8. c'16 |
	c'2 r4 g' ~ |
	g' \[a'2 g'4 ~ \]
	g' \[c'' b'\] \[c'' |
%70
	d''\] g'4. \ss fis'8 fis'[ e'] |
	g'1 |
	r2 \[g' ~ |
	g'4 a'2\] g'4 |
	\[b' c'' d''2 ~ \]
%75
	d''4 \[c'' a'4.\] g'8 |
	g'2 \[f'4 e' ~ \]
	e'8 d' d'2 \ss cis'4 |
	d'1 |
	r4 a'2 \[g'4 |
%80
	a' bes'2\] \[a'4 |
	g'4.\] f'8 f'2 |
	r4 c'' \ss \[bes' a' ~ \]
	a'8 g' \[g'4 e'\] f' |
	\[g' \ss bes'\] a'2 |
%85
	g' r4 \[d'' |
	c''\] bes'4. a'8 g'4 |
	f'2 r4 \ss fis' ~ |
	fis' \ss fis'2 fis'4 |
	g'2 r |
%90
	a'4.  g'8[ a' b'] c''4 |
	d''8 c'' a'4. f'8 g' f' |
	\[d'4 f'4.\] g'8 a'4 ~ |
	a'8 g' f' e' e'2 |
	r4 a'2 f'4 ~ |
%95
	f' c''2 c''4 |
	a'2 r4 \[f' |
	e'\] \[c' f'4.\] e'8 |
	\[e'4 a'4.\] b'8 c'' b' |
	\[b'4 g'\] r \[d'' |
%100
	b'\] g'4. f'8 e' d' |
	d'2 bes'4. a'8 |
	\[g'4 f'\] \ss bes'2 |
	a' a' |
	<<{\voiceOne a'1 d'2 d'}
	  \new Voice { % es un divisi, está notado con notación negra
	   \voiceTwo
	   \override Stem.stencil=##f
	   d'4*4 d''4*2 d''}
	>>
	\oneVoice
	
	r2 \[d'' |
	e'' d'' ~ \]
	d''4 c'' \ss bes'2 |
	a' r4 \[a' |
%110
	\ss bes' g'2\] \[g'4 |
	a'\] \ss fis'2 e'4 |
	g'2 r |
	a' \[b'4 g' |
	a'2\] f'4 g' ~ |
%115
	g' \[e' f' d' ~ |
	d' d''2\] \[b'4 |
	c''\] d''4. b'8 b'4 ~ |
	b'8 g' g'4 \[a' \ss bes' |
	g'2\] \[c''4 d''\] |
%120
	\[b' g'\] \[a' f' |
	d'2\] \[g'4 e' |
	f'2\] g'4 a' ~ |
	a' b' \[c'' a' ~ \]
	% a'8 g' g'4. \ss fis'8 fis' e' | % Huelgas Ensemble
	a'8 g' g'2 \ss fis'4
%125
	g'2 r |
	a' f'4 g' |
	a'2 g'4 d'' ~ |
	d'' \[c'' a'4.\] g'8 |
	<<{\voiceOne b'2 }
	   \new Voice {
	    \voiceTwo
	    \override Stem.stencil=##f
	    g'4*2
	}>>
	   \oneVoice
	   r4 a' ~ |
%130
	a' f' \[a' g'\] |
	e'2 d'4 a' ~ |
	a' \[b' c'' a' ~ \]
	a' \[d'' c''\] a' |
	\[b'2 g'\] |
%135
	r \[f' |
	bes' a'\]
	d' r4 d'' ~ |
	d'' c'' \ss \[bes'2 |
	a'\] g' |
%140
	fis'4. e'8 g'4 r |
	s4*0^\markup{\hspace #-3.5 \musicglyph #"timesig.mensural34" \hspace #1.5 \musicglyph #"noteheads.sM1mensural"}
	b'2 c''4 \[d'' b'4.\] g'8 |
	g'2 e'4 \[f' bes'4.\] a'8 |
	\[a'4 g'4.\] f'8 a'2. |
	r4 e'2 d'4 f'4. g'8 |
%145
	a'4. g'8 c''4 \[b' a'4.\] g'8 |
	g'2 \ss fis'4 g'2. |
	\break
	r a'4 b'8 d''4 c''8 |
	\[b'4 a'\] g'8 f' \[e'4 a'4.\] g'8 | % parece que hay un puntillo borrado despues de la ligadura
	\[g'4 f'\] e'8 d' c'2. |
%150
	r4 e' f'8 g' \ss \[bes'4 a' f' ~ \] % ligadura ennegrecida
	f' e'4. d'8 d'2. | % e'4. d'8 ennegrecidas, formando hemiolia con la ligadura
	r4 r a' \[g' c''4.\] a'8 |
	b'4 d''8 c'' a'4 r \[f' \ss bes'\] |
	\[a' d'4.\] e'8 g'4 fis'2 |
%155
	r4 a'4. g'8 g'4.  f'8[ d' e'] |
	f'4 g'8 a'4 \ss bes'8 a' \ss fis'4 g'8[ fis' e'] |
	g'2 r4 a'2 a'4 |
	a' f'4. d'8 \[d'4 f'\] g'8 a' ~ |
	% todas las transcripciones hacen d'4 f'8 g' a'4. sin ligadura. Hay otra fuente?
	a'8 g' e'4. d'8 d'4 r a' ~ |
%160
	a'8[  b' c'' d'' c'' a'] b' a'4  g'8[ a' f'] | % el ultimo fa parece un mi
	\[e'4 a'4.\] g'8 g'4 r8 c''4 a'8 |
	\[c''4 b'\] r g'2 g'4 |
	d' bes'4. a'8 g'4 f'2 |
	\ss bes'4 bes'2 a'4. f'8[ g' f'] |
%165
	d'2. r4 r d'' |
	e'' d''2 d''4. c''8 \ss bes'4 |
	a' r  c''8[ \ss bes'] g'4.  f'8[ d'] g' ~ |
	 g' \ss fis'[ g' a' fis'8. e'16] g'2 r4 |
	g'2 f'4 \[g' a'4.\] g'8 
%170
	g'4 fis'2^\fermata g'\breve*9/8
}

altus={
	\key f \major
	g1. ~ |
	g |
	c'1 c'2 |
	d'2. c'4 a g |
%5
	bes2 a1 | % 2 semibreves: alteracion
	g1. |
	r2 g a |
	g c'1 |
	e'2 f'4 e' d'2 |
%10
	c' r e' ~ |
	e' d' f' ~ |
	f'4 e' c'2 g' |
	\[f' g'\] e' |
	d'1 r2 |
%15
	g' e'4 f' g'2 |
	c'4 d' e' c'2 a4 |
	bes c'2 bes4 g2 |
	\[d' c'\] f' |
	e'4 d'2 c'4 bes2 |
%20
	a1 r2 |
	\[c' d'2.\] c'4 |
	d' c' a1 |
	f2 c'1 |
	bes2 c'4 d'2 g4 |
%25
	f g2 bes4 a2 |
	\[g1. |
	bes1\] a2 |
	\[f g1\] | % alteracion dentro de la ligadura
	<<{\voiceTwo d1.}
	  \new Voice {
	   \voiceOne
	   \once \override Stem.stencil=##f
	   f4*6 
	}>>
	\oneVoice
%30
	R1*3/2 |
	<<{\voiceOne
	d1 d2 |
	d \voiceTwo d1 |
	d' d'2 |
	a1 \voiceOne a2 }
	\new Voice {
	 \voiceTwo
	 \override Stem.stencil=##f
	 a4*4 a4*2 a4*2
	 \voiceOne
	 a4*4 bes4*4 bes4*2 c'4*4 \voiceTwo c'4*2 }
	>>
	\oneVoice
%35
	a1 a2 |
	bes a1 |
	a a2 |
	d'1 r2 |
	c' c'4 f'2 e'4 |
%40
	d' c' a1 |
	f2 f f4 g |
	a2 a a |
	g1. |
	R1*3/2 |
%45
	g'1 g'4 f' |
	d'1 d'2 |
	<<{\voiceTwo
	bes1 bes2
	f1.
	\voiceOne
	g2 g g4 g }
	\new Voice{ \voiceOne
	  \override Stem.stencil=##f
	  d'4*4 d'4*2
	  c'4*6
	  \voiceTwo
	  g'4*2 g' g'4 g'
	}>>
	\oneVoice
%50
	d' d' d'2 d'4 d' |
	c' c' 
	<<{\voiceOne
	g g g2 }
	\new Voice {
	 \voiceTwo
	 \override Stem.stencil=##f
	 d'4 d' d'4*2 
	}>>
	\oneVoice
	r2 d'1 |
	c'2 a1 |
	r2 g1 | % silencio y nota tambien es alteracion?
%55
	<<{\voiceTwo d \voiceOne d2 }
	  \new Voice{
	   \voiceOne
	   \override Stem.stencil=##f
	   d'4*4 \voiceTwo d'4*2
	}>>
	\oneVoice
	d'1. |
	g'1 |
	f' |
	g' |
%60
	c'2 \[e'4 f' |
	g'2\] e'4 c' ~ |
	c' \[g a\] \ss b |
	\[c' e' d'2\]
	c'1 |
%65
	r2 \[c' |
	a\] bes |
	c' e' ~ |
	e'4 \[d' f'\] e' |
	c'2 \[g4 a\] |
%70
	\[g bes a2\] |
	g r |
	c'1 ~ |
	c' |
	g |
%75
	f |
	g2 a |
	\[g4 f\] e2 |
	d r |
	d'4. c'8 d'4 \[e' |
%80
	f'\] g'4. f'8 d'4 |
	ees'2 d'4. c'8 |
	a2 \[g4 f\] |
	\[g bes\] \[a2 |
	g\] f |
%85
	g1 |
	R1*4/4 |
	<<{\voiceOne
	d2 d |
	\voiceTwo d1 |
	bes |
%90
        \voiceOne
	a2 a |
	a1 |
	bes2 a ~ a2
	  }
	\new Voice{
	 \voiceTwo
	 \override Stem.stencil=##f
	 a4*2 a
	 \voiceOne 
	 a4*4 d'
	 \voiceTwo 
	 c'4*2 c' s1 s2 f4*2 ~ f
	}>>
	\oneVoice
	a2 |
	d' d' |
%95
	c' \[f'4 e'\] |
	d'4. c'8 c'2 |
	r4 f2 g4 |
	\[a1 |
	g\] |
%100
	R1*4/4 |
	g'2. f'4 |
	d'1 |
	<<{
	 \voiceTwo
	 d' |
	d }
	  \new Voice{
	   \voiceOne
	   \override Stem.stencil=##f
	   d4*4
	   a
	}>>
	\oneVoice
%105
	g2 g |
	d' d' |
	c'4. bes8 g2 |
	r \[d' |
	c'\] a |
%110
	r g |
	<<{
	 \voiceOne
	 d d
	  }
	  \new Voice{
	   \voiceTwo
	   \override Stem.stencil=##f
	   d'4*2 d'
	}>>
	\oneVoice
	d'1 |
	d'2. \[e'4 |
	c' d'2\] bes4 |
%115
	c'2 \[a4 bes |
	g2 g'\] |
	\[e'4 f'\] g'4. e'8 |
	e'4. c'8 \[c'4 d'\] |
	e' c'2 \[f'4 |
%120
	g'\] \[e' c'\] \[d' |
	bes g2\] \[c'4 |
	a bes2\] c'4 |
	\[d'2 c'\] |
	\[g4 bes a2 |
%125
	g1\] |
	r4 d'2 e'4 |
	f'2 g' |
	f'1 |
	d'4. c'8 a2 ~ |
%130
	a a |
	a d' |
	c' a |
	\[f4 g\] a2 |
	g r |
%135
	g'4. f'8 d'2 |
	<<{\voiceOne
	bes f |
	g d' 
	g
	  }
	\new Voice{
	 \voiceTwo
	 \override Stem.stencil=##f
	 d'4*2 c' g' s d'
	}>>
	\oneVoice
	r4 d' 
	\[c' a\] \[bes a |
%140
	c'2 d'\] |
	g' e'4 f' g'2 |
	\[e'4 c'2 d' c'4 ~ |
	c' bes2\] a2. | % tres ultimas notas de la ligadura están ennegrecidas: hemiolia
	c'2 c'4 d'2. ~ | 
%145
	d'4 c'2 \[g4 f\] g | % d'4 c'2 ennegrecido
	bes a2 g2. ~ |
	g
	<<{\voiceOne
	d' ~ |
	d' \[c' |
	d' e' |
%150
	c'\] d'2 a4 |
	bes c'2 d'2. ~ |
	d' e'2 f'4 |
	g'2 f'4 e' d'2 |
	\[c'4 bes2\] a2. | % alteracion dentro de la ligadura
%155
	d
	  }
	\new Voice {
	 \voiceTwo
	 \override Stem.stencil=##f
	 d4*3 ~ d a  bes a a d4*2
	 d4 d a4*2 d4*3 ~ d4*3
	 c'4*2 a4 g4*2 d'4 a
	 bes4*2 f4 g4*2 d4*3
	 a4*3
	}>>
	
	\oneVoice
	r2.
	
	<<{\voiceOne
	d d |
	d' a |
	a2
	  }
	\new Voice {
	 \voiceTwo
	 \override Stem.stencil=##f
	 a4*3 a bes c' f4*2
	}>>
	
	\oneVoice
	a4 bes a2 ~ | % longa con puntillo divisionis
	a2. r4 d'2 |
%160
	\[c'4 f'4.\] e'8 \[d'4 c'\] a |
	r f2 \[g4 a2 | % alteracion dentro de la ligadura
	g2.\] r |
	g'2 g'4 d'2 d'4 |
	
	<<{\voiceOne 
	bes bes2 f2. |
%165
	g
	  }
	  \new Voice {
	   \voiceTwo
	   \override Stem.stencil=##f
	   d'4 d'4*2 c'4*3 g'
	}>>
	\oneVoice
	d'2 d'4 |
	c'
	<<{\voiceOne
	g2
	  }
	  \new Voice{
	   \voiceTwo
	   \override Stem.stencil=##f
	   d'4*2
	}>>
	\oneVoice
	r4 d'2 |
	c'4 a2 r4 g2 | % alteracion de silencio y nota
	<<{\voiceOne
	d2.
	  }
	  \new Voice {
	   \voiceTwo
	   \override Stem.stencil=##f
	   d'4*3
	}>>
	\oneVoice
	d'2 r4 |
	g2 d4 g f2 
%170
	g4 d2^\fermata d'\breve*9/8
}

% Renuncio a indicar las ligaduras, pero son siempre con el esquema:
% 1 3 3 1 1 5

tenor={
	\key f \major
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%5
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%10
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%15
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%20
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%25
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	d'1. ~ | % maxima !
%30
	d' ~ |
	d' ~ |
	d' |
	R1*3/2 |
	R1*3/2 |
%35
	d'1. ~ |
	d' |
	c' |
	a |
	R1*3/2 |
%40
	R1*3/2 |
	a1. |
	c' |
	d' ~ 
	d' ~ |
%45
	d' |
	R1*3/2 |
	f'1. |
	f' |
	R1*3/2 |
%50
	f'1. |
	g' |
	f' |
	e' |
	d' |
%55
	R1*3/2 |
	R1*3/2 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%60
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%65
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%70
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%75
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%80
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%85
	d'1 ~ |
	d' ~ |
	d' ~ |
	d' |
	R1*4/4 |
%90
	R1*4/4 |
	d'1 ~ |
	d' |
	c' |
	a |
%95
	R1*4/4 |
	R1*4/4 |
	a1 |
	c' |
	d' ~ |
%100
	d' ~ |
	d' |
	R1*4/4 |
	f'1 |
	f' |
%105
	r |
	f' |
	g' |
	f' |
	e' |
%110
	d' |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%115
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%120
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%125
	R1*4/4 |
	R1*4/4 |
	d'1 ~ |
	d' |
	R1*4/4 |
%130
	d'1 |
	c'2 a |
	R1*4/4 |
	a2 c' |
	d'1 ~ |
%135
	d'2 r |
	f' f' |
	r f' |
	g' f' |
	e' d' |
%140
	R1*4/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
%145
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
%150
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
%155
	d'1. ~ |
	d' |
	R1*6/4 |
	d'1. |
	c'2. a |
%160
	R1*6/4 |
	a2. c' |
	d'1. ~ |
	d'2. r |
	f' f' |
%165
	r f' |
	g' f' |
	e' d' |
	R1*6/4 |
	d'2 d'4 \[e' f'4.\] e'8 
%170
	d'2.^\fermata \[bes2 d'\breve*7/8\] % ligadura ennegrecida
}

% Se repite cada vez con una indicación de compás
% circulo, c, c partida, circulo partido
% no siempre coincide con el compás de las voces superiores

% Renuncio a indicar las ligaduras, pero son siempre con el esquema:
% 1 3 2 2 1 5

bassus={
	\key f \major
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%5
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%10
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%15
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%20
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%25
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
%30
	g1. |
	R1*3/2 |
	R1*3/2 |
	g1. |
	f |
%35
	d ~ |
	d |
	R1*3/2 |
	d1. |
	f ~ |
%40
	f |
	R1*3/2 |
	R1*3/2 |
	R1*3/2 |
	g1. ~ |
%45
	g |
	bes |
	R1*3/2 |
	R1*3/2 |
	bes1. ~ |
%50
	bes |
	R1*3/2 |
	bes1. |
	c' |
	bes |
%55
	a |
	g |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%60
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%65
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%70
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%75
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%80
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%85
	R1*4/4 |
	g1 |
	R1*4/4 |
	R1*4/4 |
	g1 |
%90
	f |
	d ~ |
	d |
	R1*4/4 |
	d1 |
%95
	f ~ |
	f |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%100
	g1 ~ |
	g |
	bes |
	R1*4/4 |
	R1*4/4 |
%105
	bes1 ~ |
	bes |
	R1 |
	bes |
	c' |
%110
	bes |
	a |
	g |
	R1*4/4 |
	R1*4/4 |
%115
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%120
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%125
	R1*4/4 |
	R1*4/4 |
	r2 g |
	R1*4/4 |
	g2 f |
%130
	d1 |
	r2 d |
	f1 |
	R1*4/4 |
	r2 g ~ |
%135
	g bes |
	R1*4/4 |
	bes1 |
	r2 bes |
	c' bes |
%140
	a g |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
%145
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
%150
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
	R1*6/4 |
%155
	r2. g |
	R1*6/4 |
	g2. f |
	d1. |
	r2. d |
%160
	f1. |
	R1*6/4 |
	r2. g ~ |
	g bes |
	R1*6/4 |
%165
	bes1. |
	r2. bes |
	c' bes |
	a g |
	bes2 a4 bes c'2 
%170
	bes4 a2^\fermata g\breve*9/8
}

cantusdos={
%	\override Stem   #'transparent = ##t
	\override NoteHead   #'font-size = #-4
	\override Stem   #'length =#5.5
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%5
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%10
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%15
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%20
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%25
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%30
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%35
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%40
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%45
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%50
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%55
	s1*3/2 |
	s1*3/2 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%60
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%65
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%70
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%75
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%80
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%85
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%90
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%95
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%100
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	d'1 |
%105
	d''2 d'' |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%110
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%115
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%120
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%125
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	g'2 s |
%130
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%135
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%140
	s1*4/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
%145
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
%150
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
%155
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
%160
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
%165
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 
%170
	s1*6/4
}

altusdos={
%	\override Stem   #'transparent = ##t
	\override NoteHead   #'font-size = #-4
	\override Stem   #'length =#5.5
	\stemDown
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%5
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%10
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%15
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%20
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%25
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	f1. |
%30
	s1*3/2 |
	a1 a2 |
	a a1 |
	\stemUp
	bes bes2 |
	\stemDown
	c'1 c'2 |
%35
	f1 s2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%40
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%45
	s1*3/2 |
	s1*3/2 |
	\stemUp
	d'1 d'2 |
	\stemDown
	c'1. |
	g'2 g' g'4 g' |
%50
	s1*3/2 |
	s2 d'4 d' d'2 |
	s1*3/2 |
	s1*3/2 |
	s1*3/2 |
%55
	d'1 d'2 |
	s1*3/2 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%60
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%65
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%70
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%75
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%80
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%85
	s1*4/4 |
	s1*4/4 |
	a2 a |
	a1 |
	d' |
%90
	c'2 c' |
	f1 |
	s2 f ~ |
	f s |
	s1*4/4 |
%95
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%100
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	d1 |
	a |
%105
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%110
	s1*4/4 |
	d'2 d' |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%115
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%120
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%125
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%130
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
	s1*4/4 |
%135
	s1*4/4 |
	\stemUp	
	d'2 \stemDown c' |
	g' s |
	d' s |
	s1*4/4 |
%140
	s1*4/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
%145
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	\stemUp
	s2. a |
	bes a |
%150
	a d2 d4 |
	d a2 d2. ~ |
	d c'2 a4 |
	g2 d'4 a bes2 |
	f4 g2 \stemDown d2. |
%155
	a s |
	a a |
	\stemUp
	bes s |
	\stemDown
	s1*6/4 |
	s1*6/4 |
%160
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	s1*6/4 |
	\stemUp
	d'4 d'2 \stemDown c'2. |
%165
	g' s |
	s4 d'2 s2. |
	s1*6/4 |
	d'2. s |
	s1*6/4 
%170
	s1*6/4
}

% En la colocación del texto sigo más o menos la grabación de Huelgas Ensemble,
% aunque el el original esté indicada claramente de otra manera.

textocantus=\lyricmode{
Nu -- _ _ _ _ _ _ per ro -- sa -- _ rum _ flo -- _ _ _ res
Ex __ _ do -- no pon -- ti -- fi -- _ cis 
Hi -- e -- me li -- cet hor -- ri -- _ _ _ da
Ti -- _ _ _ _ _ _ _ _ _ _ _ bi, 
vir -- _ go __ _ _ _ _ _ _ % En el original "go" va al final de la frase
cœ -- _ _ _ li -- _ _ ca, % ce -- li
Pi -- _ _ e et __ _ san -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ cte
de -- _ _ di -- _ _ _ _ _ _ _ _ _ tum __ _ _ 
Gran -- dis tem -- _ plum
ma -- _ chi -- _ næ
Con -- de -- co -- _ ra -- runt per -- _ pe -- _ _ _ _ tim.
Ho -- di -- e _ vi -- ca -- ri -- us Ie -- su Chri -- _ sti
et Pe -- _ _ _ _ _ _ _ _ _ _ _ tri
Suc -- _ _ ces -- _ _ _ _ sor
Eu -- ge -- ni -- us
Hoc i -- dem am -- plis -- si -- mum __ _
Sa -- cris tem -- plum ma -- ni -- bus
San -- _ _ _ ctis -- \mt #.8 que __ _ li -- quo -- _ ri -- _ bus
Con -- se -- cra -- _ _ _ _ re
di -- _ _ _ _ _ gna -- _ _ _ tus __ _ _ _ _ _ est.
I -- _ gi -- _ _ _ _ tur, __ _ _ _ _ 
al -- _ ma __ _ _ pa -- _ _ _ _ _ _ _ rens
Na -- _ _ ti tu -- _ _ _ i __ _ _ et fi -- _ _ _ _ li -- a,
Vir -- _ _ _ _ _ _ go
de -- _ _ _ _ _ _ cus vir -- _ gi -- num
Tu -- _ us __ _ _  te,
Flo -- _ ren -- ti -- æ
De -- _ _ _ _ _ _ _ _ _ _ _ _ _ vo -- _ _ _ _ tus
o -- _ _ _ _ rat
po -- _ pu -- _ _ _ _ _ _ _ \mt #.5 lus, __ _
Ut __ _ _ _ _ _ qui men -- _ te __ _ et cor -- po -- re
Mun -- do 
quic -- _ _ _ _ \mt #1 quam __ _
ex -- _ _ o -- _ ra -- _ rit,
O -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
ra -- ti -- o -- ne tu -- _ _ _ _ a, % distinto en Huelgas Ensamble
Cru -- _ ci -- a -- _ tus __ _ et _ me -- _ _ _ _ _ ri -- tis __ _
Tu -- _ _ i
se -- _ _ cun -- _ dum car -- _ nem
Na -- _ _ _ _ _ _ _ _ _ _ _ _ ti
Do -- mi -- _ _ _ _ _ _ _ _ _ _ ni
su -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 
_ _ _ _ _ _ _ _ _
i __
_ _ _ _ _ _ _ _ 
_ _ _ _ _ _ _ 
Gra -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ ta
be -- ne -- fi -- _ _ _ _ _ _ _ _ _ _ _ 
ci -- _ _ _ _ _ _ a __ _ _ _ _ _ _ _ _ 
_ _ _ _ 
Ve -- ni -- am -- _ _ _ que re -- a -- _ _ _ _ tum
Ac -- ci -- _ pe -- _ _ re
me -- _ re -- _ _ _ _ a -- _ _ _ _ \mt #.5 tur. % Huelgas Ensemble parece que hacen otra cosa
A -- _ _ _ _ _ _ men.
}

textoaltus=\lyricmode{
Nu -- _ per ro -- sa -- _ rum _ flo -- _ res
Ex do -- no pon -- ti -- fi -- _ _ cis
Hi -- _ e -- me _ _ li -- cet hor -- _ ri -- da
Ti -- _ _ _ _ _ _ _ _ _ _ _ bi,
vir -- _ go cœ  -- _ _ li -- ca,
Pi -- _ _ e __ _ et san -- _ _ _ _ _ cte __ _ _ _ 
de -- _ _ di -- _ tum
Gran -- dis tem -- plum ma -- chi -- næ
Con -- de -- co -- ra -- runt
per -- pe -- tim.
Ho -- di -- e vi -- ca -- ri -- us Ie -- su \mt #.5 Chri -- _ sti
et Pe -- tri
Suc -- ces -- _ sor
Eu -- ge -- ni -- us
Hoc i -- dem am -- plis -- si -- mum Sa -- cris tem -- plum ma -- ni -- bus
San -- ctis -- que
li -- quo -- ri -- bus
Con -- se -- cra -- re di -- _ _ gna -- _ _ _ _ _ tus __ _ _ est.
I -- _ gi -- tur,
al -- _ _ _ _ ma pa -- _ _ _ _ rens
Na -- _ ti tu -- i
et fi -- _ li -- a,
Vir -- _ _ _ _ _ _ _ _ _ _ go
de -- _ \mt #.5 cus __ _ vir -- _ gi -- num
Tu -- us te,
Flo -- ren -- ti -- æ
De -- vo -- _ tus o -- \mt #.5 rat __ _ _ _ _ _ _ 
po -- pu -- lus, __ _
Ut __ _ qui men -- te
et cor -- po -- re Mun -- _ do
quic -- _ quam 
ex -- o -- ra -- rit,
O -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 
ra -- ti -- o -- _ ne
tu -- _ a, _
Cru -- ci -- a -- tus et me -- _ ri -- tis
Tu -- _ i
se -- cun -- dum car -- 
\mt #.8 nem __ 
_ _ _ _ _ _ _ 
Na -- _ _ _ _ _ _ _ _ _ ti Do -- mi -- ni __ _ _ _ _ _ _ _ _ _ 
su -- _ _ _ _ _ _ _ _ _ i __ _ _ _ _ _ _ _ _ _ _ _ 
Gra -- ta be -- ne -- fi -- _ _ _ _ 
ci -- _ _ _ _ _ _ 
a __ _ _ _ 
Ve -- ni -- am -- que re -- a -- tum __ _ 
Ac -- ci -- pe -- re 
me -- re -- _ 
a -- _ \mt #.5 tur.
A -- _ _ _ _ _ men.
}

% el texto lo aplico según el introito gregoriano

textotenor=\lyricmode{
Te- _ _ _ rri -- _ bi -- lis est __ _ _ _ _ 
lo -- cus i -- _ _ ste. __ _
Te- _ _ _ rri -- _ bi -- lis est __ _ _ _ _ 
lo -- cus i -- _ _ ste. __ _
Te- _ rri -- bi -- lis est __ _ _ _ 
lo -- cus i -- _ _ ste. __ _
Te- _ rri -- bi -- lis est __ _ _ _ 
lo -- cus i -- _ _ ste. __ _
A -- _ _ _ _ _ 
\mt #1.5
men. __ _
}

textobassus=\lyricmode{
Te- rri -- bi -- lis _ 
e- __ _ _ \mt #1 -est _ 
lo- cus _ i -- _ _ ste. __ _
Te- rri -- bi -- lis _
e- __ _ _ \mt #1 -est _ 
lo- cus _ i -- _ _ ste. __ _
Te- rri -- bi -- lis
e- __ _ \mt #1 -est _ 
lo- cus i -- _ _ ste. __ _
Te- rri -- bi -- lis
e- __ _ \mt #1 -est _
lo- cus i -- _ _ ste. __ _
A -- _ _ _ _ _ men.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Triplum "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.stencil=##f
		\override Staff.TimeSignature.style = #'neomensural
		% no hay simbolo de compas pero deberia ser "circulo"
		% después si indica los símbolos de cambio de compás
		\cadenzaOn 
		\clef "petrucci-c1"
		\key c \major
		\time 3/2
                g'\breve. 
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Motetus "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.stencil=##f
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key f \major
		\time 3/2
                g\longa
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor II " % tenores cambiados de orden
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\override Staff.TimeSignature.stencil=##f
		\cadenzaOn 
		\clef "petrucci-c3"
		\key f \major
		\time 3/2
                s4*0^\markup{\hspace #-5.5 \fontsize #-4 \line{ \musicglyph #"timesig.mensural32" \musicglyph #"timesig.mensural44" \musicglyph #"timesig.mensural22" \musicglyph #"timesig.mensural34" }}
                d'\maxima
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		 \set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\override Staff.TimeSignature.stencil=##f
		\cadenzaOn 
		\clef "petrucci-c4"
		\key f \major
		\time 3/2
                s4*0^\markup{\hspace #-5.5 \fontsize #-4 \line{ \musicglyph #"timesig.mensural32" \musicglyph #"timesig.mensural44" \musicglyph #"timesig.mensural22" \musicglyph #"timesig.mensural34" }}
                g\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . .7))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                \RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=22
        page-count = 5
	ragged-last-bottom = ##f
	indent=3.6\cm
	system-system-spacing =
	#'((basic-distance . 19) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 9) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}