\version "2.18.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.4) #(ly:set-option 'point-and-click #f) %mobile -s15.4 -i3.2 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 18 mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} mt=#(define-music-function (parser location offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) htitle="Pange lingua - 5.Benedictus" hcomposer="Josquin" \header { title=\markup{\fontsize #3 "5. Benedictus"} subtitle="de la Missa Pange Lingua" subsubtitle=\markup{\null \vspace #1 } composer="Josquin des Prez (c.1455-1521)" pdfauthor=\composer %opus="(-)" poet=\markup{\smaller "Missæ tredecim quatuor vocum, VII, Nuremberg 1539"} % editor Hans Ott, paginas del pdf de bsb: 86, 271, 427, 576 copyright=\markup{ \fill-line {"Edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} } tagline="" } global={\key c \major \time 2/2 \skip 1*47 \bar "|." } tenor={ R1*4/4 | R1*4/4 | e4 f e a ~ | a g8 f e2 | %5 R1*4/4 | R1*4/4 | a4 b a d' ~ | d' c'8 b a2 | R1*4/4 | %10 R1*4/4 | b4 c' b e' ~ | e' d'8 c' b2 | r b ~ | b4 c' d'2 | %15 e' b4. c'8 | d'4 e' c'2 | b4 g4. a8 b c' | d'4 b a d' | c' a c'4. b8 | %20 g4 a2 \ss gis4 | a1 ~ | a | r4 a a a | c'2. b8 a | %25 b4 e e'2 | d'2. c'8 b | c'4 a b c' ~ | c' b8 a g4 a | e2 r4 e | %30 e e g2 ~ | g4 f8 e f4 g | d4. f8 e2 | d1 | r2 r4 a | %35 a a c'2 ~ | c'4 b8 a b4 c' | g4. b8 a2 | g1 ~ | g2 r4 b | %40 b b d'2 ~ | d'4 c'8 b c'4 d' | a4. c'8 b2 | a1 | r4 e e e | %45 g2. f8 e | f4 g d4. f8 e2 d\breve*1/4 \once \override Score.RehearsalMark.self-alignment-X=#RIGHT \mark \markup{"Hosanna ut supra"} } bassus={ a,4 b, a, d ~ | d c8 b, a,2 | R1*4/4 | R1*4/4 | %5 d4 e d g ~ | g f8 e d2 | R1*4/4 | R1*4/4 | e4 f e a ~ | %10 a g8 f e2 | r e ~ | e4 f g2 | a e4. f8 | g4 a f2 | %15 e r | r4 c4. d8 e f | g4 e g4. f8 | d4 g f d | f4. e8 c4 e ~ | %20 e8 d c4 b,2 | a,1 | r4 d d d | f2. e8 d | e4 a, a2 | %25 g2. f8 e | f4 g d2 | a4. f8 g4 a | e2 r4 a, | a, a, c2 ~ | %30 c4 b,8 a, b,4 c | g,8 a, b, c d4 e | f d2 \ss cis4 | d2 r4 d | d d f2 ~ | %35 f4 e8 d e4 f | c8 d e f g4 a | b g2 \ss fis4 | g2 r4 e | e e g2 ~ | %40 g4 f8 e f4 g | d8 e f g a4 b | c' a2 \ss gis4 | a2 r4 a, | a, a, c2 ~ | %45 c4 b,8 a, g, a, b, c | d4 e f d ~ | d \ss cis d\breve*1/4 } textotenor=\lyricmode{ Be -- _ ne -- di -- _ _ _ ctus be -- _ ne -- di -- _ _ _ \mt #1 ctus be -- _ ne -- di -- _ _ _ ctus qui __ _ _ _ _ ve -- _ _ _ _ nit, qui __ _ _ _ _ _ _ ve -- _ _ _ _ _ _ _ nit _ in no -- mi -- ne __ _ _ _ _ Do -- _ _ _ _ _ _ _ _ _ _ mi -- _ ni in no -- mi -- ne __ _ _ _ _ _ Do -- _ mi -- ni in no -- mi -- ne __ _ _ _ _ _ Do -- _ mi -- ni _ in no -- mi -- ne __ _ _ _ _ _ Do -- _ mi -- ni in no -- mi -- ne __ _ _ _ _ Do -- _ mi -- ni. } textobassus=\lyricmode{ Be -- _ ne -- di -- _ _ _ \mt #1 ctus be -- _ ne -- di -- _ _ _ ctus be -- _ ne -- di -- _ _ _ ctus qui __ _ _ _ _ ve -- _ _ _ _ nit qui __ _ _ _ _ _ ve -- _ _ _ _ _ _ _ _ _ _ _ _ _ nit in no -- mi -- ne __ _ _ _ _ Do -- _ _ _ _ _ _ _ _ mi -- _ ni in no -- mi -- ne __ _ _ _ _ _ Do -- _ _ _ _ _ _ mi -- _ ni in no -- mi -- ne __ _ _ _ _ _ Do -- _ _ _ _ _ _ mi -- _ ni in no -- mi -- ne __ _ _ _ _ _ _ _ _ _ _ _ _ Do -- mi -- ni in no -- mi -- ne __ _ _ _ _ _ _ _ _ _ _ Do -- _ mi -- ni. } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 2/2 e2 } \layout { line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-f4" \key c \major \time 2/2 a,2 } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' c'{ \new ChoirStaff<< \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score \override TimeSignature.break-visibility=#end-of-line-invisible tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff %\RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 ragged-last-bottom = ##f indent=3.3\cm system-system-spacing = #'((basic-distance . 17) (minimum-distance . 0) (padding . 0)) top-system-spacing = % header #'((basic-distance . 8) (minimum-distance . 0) (padding . 1)) last-bottom-spacing = % footer #'((basic-distance . 14) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #1.5 first-page-number=22 oddHeaderMarkup=\markup \fill-line {\hcomposer \htitle \fromproperty #'page:page-number-string } evenHeaderMarkup=\markup \fill-line {\on-the-fly #not-first-page \fromproperty #'page:page-number-string \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \hcomposer } }