\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.7)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Credidi - 8º tono"
hcomposer="Ceballos"

\header {
	title=\markup{\fontsize #3 "Credidi"}
	subtitle="Salmo 115"
	subsubtitle=\markup{"Tono 8º" \vspace #1 }
	composer="attr. Rodrigo de Ceballos (c.1525-1581)" % se basa en fabordones de Ceballos
        pdfauthor=\composer
	%opus="(-)"
%	poet=\markup{} % 4 manuscritos, 3 en España y 1 en América
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez upon a transcription by Robert J. Snow" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

global={\key c \major \time 2/2
        \skip 1*5 \bar "||" \break
        \skip 1*7 \bar "||" \break
        \skip 1*9 \bar "||"
        \skip 1*11 \bar "||" \break
        \skip 1*8 \bar "||"
	%\override Score.TimeSignature.break-visibility = #'#(#f #t #t)
	\bar "|."
}


cantus=\relative c''{
	c4 c c c
	c c c c
	b2 c4 r
	a a b g 
	\ss fis2 \mtempob g\breve*1/4 \mtempo
	c2 c4 c
	c c c c
	c b2 c4
	c2 a4 a
	a a a a
	b g \ss fis2
	g\breve*1/2
	\parenthesize r4 c4 c2
	c4 c c c
	c c c c
	b2 c4 \parenthesize r4 % no hay silencio en ninguna voz
	a4 a a a
	a a a a ~
	a a a a
	b g \ss fis2
	g\breve*1/2
	c4 c c c
	c c c c
	c c c c
	c c c c
	c c b2
	c4 r a a
	a a a a
	a2 a4 a
	a a2 a4
	a a b g
	\ss fis fis \mtempob g\breve*1/4 \mtempo
	c4 c c c
	c c c2
	c4 c \parenthesize r4 % No hay silencio en ninguna voz, Snow pone 2 negras ligadas
	 c4
	c c b2
	c4 \parenthesize r4 a a % no hay silencio en ninguna voz
	a2 a4 a
	a a b g
	\ss fis2 \mtempob g\breve*1/4
}

altus=\relative c''{
	g4 g g g
	g g g g
	g2 a4 r
	f f d e
	d2 d\breve*1/4
	g2 g4 g
	g g g g
	g g2 a4
	a2 f4 f
	f f f f
	d e d2
	d\breve*1/2
	\parenthesize r4 g g2
	g4 g g g
	g g g g
	g2 a4 \parenthesize r4 
	f4 f f f
	f f f f ~
	f f f f
	d e d2
	d\breve*1/2
	g4 g g g
	g g g g
	g g g g
	g g g g
	g g g2
	a4 r4 f f 
	f f f f
	f2 f4 f 
	f f2 f4
	f f d e
	d d d\breve*1/4
	g4 g g g
	g g g2
	g4 g \parenthesize r4  g
	g g g2
	a4 \parenthesize r4 f4 f
	f2 f4 f
	f f d e
	d2 d\breve*1/4
}

tenor=\relative c'{
	c4 c c c
	c c c c
	d2 a4 r
	c c b c
	a2 g\breve*1/4
	c2 c4 c
	c c c c
	c d2 a4
	a2 c4 c
	c c c c
	b c a2
	g\breve*1/2
	\parenthesize r4 c c2
	c4 c c c
	c c c c
	d2 a4 \parenthesize r4
	c c c c
	c4 c c c4 ~
	c4 c c c
	b c a2
	g\breve*1/2
	c4 c c c
	c4 c c c
	c4 c c c
	c4 c c c
	c c d2
	a4 r4 c c
	c c c c
	c2 c4 c
	c4 c2 c4
	c4 c b c
	a4 a g\breve*1/4
	c4 c c c
	c4 c c2
	c4 c4 \parenthesize r4 c4
	c4 c d2
	a4 \parenthesize r4 c4 c
	c2 c4 c
	c c b c
	a2 g\breve*1/4
}

bassus=\relative c{
	c4 c c c
	c c c c
	g'2 f4 r
	f f g c,
	d2 g\breve*1/4
	c,2 c4 c
	c c c c
	c4 g'2 f4
	f2 f4 f
	f f f f
	g c, d2
	g\breve*1/2
	\parenthesize r4 c, c2
	c4 c c c
	c c c c
	g'2 f4 \parenthesize r4 
	f f f f
	f f f f ~
	f f f f
	g c, d2
	g\breve*1/2
	c,4 c c c
	c c c c
	c c c c
	c c c c
	c c g'2
	f4 r4 f f
	f f f f
	f2 f4 f
	f f2 f4
	f f g c,
	d d g\breve*1/4
	c,4 c c c
	c c c2
	c4 c4 \parenthesize r4 c4
	c c g'2
	f4 \parenthesize r4 f f
	f2 f4 f
	f f g c,
	d2 g\breve*1/4
}

textocantus=\lyricmode{
\set stanza = "2."
E -- go di -- xi in ex -- ces -- su me -- o:
o -- mnis ho -- mo men -- dax.
\set stanza = "4."
\mt #-.5
Ca -- li -- cem sa -- lu -- ta -- ris ac -- ci -- pi -- am:
et no -- men Do -- mi -- ni in -- vo -- ca -- bo.
\set stanza = "6."
O Do -- mi -- ne qui -- a e -- go ser -- vus tu -- us:
e -- go ser -- vus tu -- us et fi -- li -- us an -- cil -- læ tu -- æ.
\set stanza = "8."
\mt #-.5
Vo -- ta me -- a Do -- mi -- no red -- dam
in con -- spe -- ctu o -- mni po -- pu -- li e -- ius:
in a -- tri -- is do -- mus Do -- mi -- ni,
in me -- di -- o tu -- i Ie -- ru -- sa -- lem.
\set stanza = "10."
\mt #-.5
Sic -- ut e -- rat in prin -- ci -- pi -- o
et nunc et sem -- per:
et in sæ -- cu -- la sæ -- cu -- lo -- rum.
A -- men.
}

textoaltus=\lyricmode{
\set stanza = "2."
E -- go di -- xi in ex -- ces -- su me -- o:
o -- mnis ho -- mo men -- dax.
\set stanza = "4."
\mt #-.5
Ca -- li -- cem sa -- lu -- ta -- ris ac -- ci -- pi -- am:
et no -- men Do -- mi -- ni in -- vo -- ca -- bo.
\set stanza = "6."
O Do -- mi -- ne qui -- a e -- go ser -- vus tu -- us:
e -- go ser -- vus tu -- us et fi -- li -- us an -- cil -- læ tu -- æ.
\set stanza = "8."
\mt #-.5
Vo -- ta me -- a Do -- mi -- no red -- dam
in con -- spe -- ctu o -- mni po -- pu -- li e -- ius:
in a -- tri -- is do -- mus Do -- mi -- ni,
in me -- di -- o tu -- i Ie -- ru -- sa -- lem.
\set stanza = "10."
\mt #-.5
Sic -- ut e -- rat in prin -- ci -- pi -- o
et nunc et sem -- per:
et in sæ -- cu -- la sæ -- cu -- lo -- rum.
A -- men.
}

textotenor=\lyricmode{
\set stanza = "2."
E -- go di -- xi in ex -- ces -- su me -- o:
o -- mnis ho -- mo men -- dax.
\set stanza = "4."
\mt #-.5
Ca -- li -- cem sa -- lu -- ta -- ris ac -- ci -- pi -- am:
et no -- men Do -- mi -- ni in -- vo -- ca -- bo.
\set stanza = "6."
O Do -- mi -- ne qui -- a e -- go ser -- vus tu -- us:
e -- go ser -- vus tu -- us et fi -- li -- us an -- cil -- læ tu -- æ.
\set stanza = "8."
\mt #-.5
Vo -- ta me -- a Do -- mi -- no red -- dam
in con -- spe -- ctu o -- mni po -- pu -- li e -- ius:
in a -- tri -- is do -- mus Do -- mi -- ni,
in me -- di -- o tu -- i Ie -- ru -- sa -- lem.
\set stanza = "10."
\mt #-.5
Sic -- ut e -- rat in prin -- ci -- pi -- o
et nunc et sem -- per:
et in sæ -- cu -- la sæ -- cu -- lo -- rum.
A -- men.
}

textobassus=\lyricmode{
\set stanza = "2."
E -- go di -- xi in ex -- ces -- su me -- o:
o -- mnis ho -- mo men -- dax.
\set stanza = "4."
\mt #-.5
Ca -- li -- cem sa -- lu -- ta -- ris ac -- ci -- pi -- am:
et no -- men Do -- mi -- ni in -- vo -- ca -- bo.
\set stanza = "6."
O Do -- mi -- ne qui -- a e -- go ser -- vus tu -- us:
e -- go ser -- vus tu -- us et fi -- li -- us an -- cil -- læ tu -- æ.
\set stanza = "8."
\mt #-.5
Vo -- ta me -- a Do -- mi -- no red -- dam
in con -- spe -- ctu o -- mni po -- pu -- li e -- ius:
in a -- tri -- is do -- mus Do -- mi -- ni,
in me -- di -- o tu -- i Ie -- ru -- sa -- lem.
\set stanza = "10."
\mt #-.5
Sic -- ut e -- rat in prin -- ci -- pi -- o
et nunc et sem -- per:
et in sæ -- cu -- la sæ -- cu -- lo -- rum.
A -- men.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c1"
		\key c \major
		\time 4/4
                c''2
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 4/4
                g'2 % Snow e'2
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 4/4
                c'2
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f3"
		\key c \major
		\time 4/4
                c2
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "treble"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 8
	systems-per-page = 3
	ragged-last-bottom = ##f
	indent=3.6\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}