\version "2.18.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.6)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mt=#(define-music-function (parser location offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Missa tertii toni: 1. Kyrie"
hcomposer="Ceballos"

\header {
	title=\markup{\fontsize #3 "1. Kyrie"}
	subtitle="de la missa tertii toni"
	subsubtitle=\markup{\null \vspace #2 }
	composer="Rodrigo de Ceballos (c.1525-1581)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{"Ms. B.7, catedral de Toledo"} % hay otra copia (sin texto?) en el ms 975 del archivo Manuel de Falla de Granada
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez upon a transcription by Robert J. Snow" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

global={\key c \major \time 2/2 \skip 1*9 \bar "||"
        \skip 1*9 \bar "||"
        \skip 1*13 \bar "|."
}


cantus=\relative c''{
	e2 f4 e
	c d e2
	r4 c d e
	f e4. d8 c4
	b8 a b c d4 e ~
	e d b2
	c4 e d c ~
	c8 a b4 a2 ~ % Snow \ss bes4
	a\breve*1/2
	R1*2
	r2 r4 e' ~
	e f e c
	d2 e ~
	e r
	r2 r4 e
	f e c d 
	e\breve*1/2
	r2 e
	f4 e c d ~
	d c8 b c2
	a4 b4. a8 a4 ~
	a \ss gis a2
	r4 c2 b4
	c4 a2 \ss gis4
	a2 r4 e'
	d c2 b4 % Snow \ss bes4
	a2 r4 c
	b b a b
	c4 a4. \ss gis8 gis4
	a\breve*1/2
}

altus=\relative c''{
	R1*2
	a2 \ss bes4 a
	% si solmisamos igual que cantus, debe ser bemol, pero la verdad es que no me gusta cómo suena, no obstante lo mantengo bemol en toda la misa
	f4 g a2
	r4 g a b
	c a4. \ss gis8 gis4
	a4 e g a4 ~
	a g8 f e2 ~
	e\breve*1/2
	R1*2
	a2 g4 c ~
	c8 b a4 g e
	f2 e4 a 
	g c b8 a g f
	e4 c' b a ~
	a \ss gis a2 ~
	a\breve*1/2
	a2. a4
	f g a f
	e2 r
	r2 r4 a,
	c b a8 b c d
	e4 c d2
	c4 d e2
	r4 a,8 b c d e f
	g4 a2 g4
	f e8 d e4 a ~
	a g a g ~
	g f e2
	e\breve*1/2
}

tenor=\relative c'{
	R1*4
	e2 f4 e
	c d e2
	r4 c d e
	f d2 \ss cis8 b
	\ss cis\breve*1/2
	r2 r4 e ~
	e f e c ~
	c d e2
	R1
	r4 d2 c4
	e4. f8 g4 e
	c8 d e f g4 c,
	d b a d ~
	d \ss cis8 b \mtempob cis\breve*1/4 \mtempo 
	R1*2
	r2 e
	f4 e c d
	e2 e
	R1
	r4 a, c b
	a8 b c d e4 c
	d e f d ~
	d c8 b c d e c
	d4 e a, e' ~
	e d8 c b2
	a\breve*1/2
}

bassus=\relative c'{
	R1*6
	a2 \ss bes4 a
	f g a2 ~
	a\breve*1/2
	a2 g4 c ~
	c8 b a4 g a
	f2 e4 a ~
	a f g a
	d,2 a'
	r4 a g c ~
	c8 b a4 g a
	d, e f d
	a'\breve*1/2
	R1*2
	a2. a4
	f4 g a f
	e2 r4 a ~
	a a f g
	a4 f e2
	r2 a
	\ss bes4 a f g
	a1
	r4 e f e 
	c d e2 
	a\breve*1/2
}

% cambiamos e~e -- _ por e e

textocantus=\lyricmode{
Ky -- ri -- e e -- lei -- son
Ky -- ri -- e e -- _ _ _ _ _ _ _ _ _ _ lei -- son,
Ky -- ri -- e~e -- _ lei -- son.
Chri -- _ ste e -- lei -- son
\mt #2 Chri -- _ ste e -- lei -- son.
Ky -- ri -- e e -- _ _ _ _ _ _ _ _ lei -- son
Ky -- ri -- e~e -- lei -- _ son
Ky -- ri -- e~e -- lei -- son
Ky -- ri -- e e -- _ _ _ _ lei -- son.
}

textoaltus=\lyricmode{
Ky -- ri -- e e -- lei -- son
Ky -- ri -- e e -- _ _ lei -- son,
Ky -- ri -- e~e -- lei -- _ son.
Chri -- ste e -- _ _ _ _ lei -- son, % Chri -- _ ste~e (varias veces)
Chri -- ste e -- lei -- _ _ _ son,
Chri -- ste e -- lei -- son.
Ky -- ri -- e e -- _ lei -- son
Ky -- ri -- e e -- _ _ _ _ _ _ _ lei -- son
Ky -- _ _ _ _ _ ri -- e e -- lei -- _ _ son, % distinto
Ky -- ri -- e e -- _ lei -- son.
}

textotenor=\lyricmode{
Ky -- ri -- e e -- lei -- son
Ky -- ri -- e e -- lei -- _ _ son.
Chri -- ste e -- \mt #.5 lei -- _ son
Chri -- ste e -- _ _ _ _ _ _ _ _ lei -- son,
Chri -- ste e -- lei -- _ son.
Ky -- ri -- e e -- _ lei -- son
Ky -- ri -- e e -- _ _ _ _ lei -- son,
Ky -- ri -- e e -- _ _ _ _ _ _ lei -- son,
e -- _ _ lei -- son.
}

textobassus=\lyricmode{
Ky -- ri -- e e -- lei -- son.
Chri -- ste e -- _ _ _ _ lei -- son,
Chri -- ste e -- _ lei -- son
Chri -- ste e -- _ _ _ _ _ _ _ lei -- son.
Ky -- ri -- e e -- _ lei -- son
Ky -- ri -- e e -- _ lei -- son
Ky -- ri -- e e -- lei -- son
Ky -- ri -- e e -- _ lei -- son.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-g"
		\key c \major
		\time 4/4
                e''1
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 4/4
               a'1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 4/4
                e'1
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 4/4
                a1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' g{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 1
	systems-per-page = 3
	ragged-last-bottom = ##f
	indent=3.6\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 13) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}