\version "2.18.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.4)
#(ly:set-option 'point-and-click #f)
%mobile -s13.7 -i2.5 -m7

% Revisados los magnificat de 1581b en verano de 2023 con ayuda de Akari

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mtempoc={\tempo 4 = 150}
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Magnificat octavi toni - pares"
hcomposer="Victoria"

\header {
	title=\markup{\fontsize #3 "Magnificat octavi toni"}
	subtitle="versos pares"
	%subsubtitle=\markup{\null \vspace #1 }
	composer="Tomás Luis de Victoria (c.1548-1611)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{"1576,  1581b"}
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}

\markup{\null \vspace #.4 }

\score {\transpose c' g {
<<
         \new Voice = "canto" {
         	 %\set Staff.instrumentName=""
                 \override Staff.TimeSignature.transparent = ##t
                 \override Stem.transparent = ##t
                 \set Score.timing = ##f
                 \override NoteHead.style = #'neomensural         
                 \clef "G_8" 
                 \key a \minor
                 g \[a c'\] c' c' \bar "|"
                 c' c' c' b c' a \parenthesize g g
                 \bar "||"
                 % g [a g] c c c c c d (c) c: c c c c c c b c a (g) g

         }
         \new Lyrics \lyricsto "canto" { 
                \set stanza = "1." Mag -- ní -- _  fi -- cat 
                á -- ni -- ma \markup{ \underline \italic "mé" } -- \markup{ \italic "a" } Dó -- mi -- num.
         }
>>
        }%transpose

\layout {
        \override LigatureBracket.padding = #1
        line-width=16\cm 
        indent=2.8\cm
        ragged-right = ##f
                %tablet line-width=13.5\cm
                %tablet indent=3.0\cm
}
}

%tablet \pageBreak



global={
  \override Score.RehearsalMark.self-alignment-X=#left
  \override Score.RehearsalMark.padding=#5
  \override Score.TimeSignature.break-visibility=#end-of-line-invisible
  \key c \major \time 2/2
               \skip 1*19 \bar "||" \break
		\skip 1*26 \bar "||" %\break
		\skip 1*23 \bar "||" \break
		\skip 1*31 \bar "||" \break
		\skip 1*22 \bar "||" \break
		\skip 1*40 \bar "|."
}

cantus=\relative c'' {
	R1*4/4
	r2 g ~
	g a
	g c ~
%5
	c4 b c2 ~
	c d
	r4 e4. e8 d4
	c b a4. g8
	a b c2 b4
%10
	c e e2
	e r4 e
	f4. f8 f4 f
	d e d2
	b4 d e2
%15
	d r4 c ~
	c c b2
	c2. a4 ~
	a8 g g2 fis4
	g\breve*1/2
%20
	\mark \markup{\hspace #-2 \concat {\bold "3." " Quia respéxit humilitátem ancíllæ " \bold "sú" "æ: ecce enim ex hoc beátam me dícent ómnes gene" \underline \italic "ra" \italic "ti" "ónes."}}
	%\override Score.RehearsalMark.padding = #2.5
	%\mark \markup{\column{\concat {\bold "3." " Quia respéxit humilitátem ancíllæ " \bold "sú" "æ:" } \raise #-1 \concat{ "ecce enim ex hoc beátam me dícent ómnes gene" \underline \italic "ra" \italic "ti" "ónes."}}}
	R1*4/4
	g1
	a2 \[g ~
	g c ~ \]
	c b4 d ~
%25
	d d d2
	e r
	r4 c2 c4
	c2 c4 c
	d2. d4
%30
	c2 r
	r4 c2 d4 ~
	d8 c c2 b4
	c e e e
	d e \[c2
%35
	d\] g,4 c
	c c b2
	c a
	g1
	r4 g' g g
%40
	fis2 g
	e1
	d4 a b c
	g4. a8 b4 g
	a g2 fis4
%45
	g\breve*1/2
	\mark \markup{\concat {\bold "5." " Et misericórdia éius a progénie in pro" \bold "gé" "nies: timén" \underline \italic "ti" \italic "bus" " éum."}}
	r2 d'
	c4 a b4. a8
	b c d4. c8 c4 ~
	c b c2
%50
	r r4 d
	d b c d
	g, c e e
	d2 f ~
	f4 e8 d e4. d8
%55
	e f e4. c8 d4
	c2 r
	r4 g c d
	e2 d
	c4 e2 e4
%60
	d e f d
	\[e2 a,\]
	bes a
	r4 d2 c4
	f2 e
%65
	d2. c8 b
	a4 bes a4. g8
	fis4 g2 fis4
	g\breve*1/2
	\mark \markup{\concat {\bold "7." " Depósuit poténtes de " \bold "sé" "de: et exal" \underline \italic "tá" \italic "vit" " húmiles."}}
	g2 c4 d
%70
	e2 d
	r4 c d e
	 f8[ e]  e[ d16 c] d2
	c4 e4. e8 d4
	c b a2
%75
	r4 g a b
	c4. b16 a b2
	a4 c d e
	f2. e8 d
	e f g2 fis4
%80
	g2 r4 g,
	c d e2
	d r4 c
	d e f2 ~
	f4 e8 d \[e2
%85
	c\] d
	c1 ~
	c
	r4 c c4. c8
	c4 c c2
%90
	b c ~
	c a
	g1 ~
	g
	r2 r4 c
%95
	c2 b
	c a
	g1 ~
	g ~
	g\breve*1/2
%100
	\mark \markup{\concat {\bold "9." " Suscépit Israel púerum " \bold "sú" "um: recordátus misericór" \underline \italic "di" \italic "æ" " súæ."}}
	R1*4/4
	R1*4/4
	r2 g ~
	g a ~
	a g ~
%105
	g c ~
	c4 c c2 ~
	c r4 c
	c2 c
	d1
%110
	c ~
	c
	r4 c2 c4
	c2 r4 c
	%\break
	c2 c4 c
%115
	c1
	b
	c
	a2. a4
	g1 ~
%120
	g ~
	g\breve*1/2
	\set Staff.shortInstrumentName="C1"
	\mark \markup{\concat {\bold "11." " Glória Pátri et " \bold "Fí" "lio: et Spirí" \underline \italic "tu" \italic "i" " Sáncto."}}
	R1*4/4
	c2 a4 c ~
	c b8 a b2
%125
	c1 ~
	c
	r4 g' d g ~
	g f e f ~
	f e8 d e2
%130
	e r4 f ~
	f f f f
	e1
	r4 e f f
	e8 d c b a g c4 ~
%135
	c b8 a b2
	c e
	f2. e4
	g1
	e
%140
	r4 c2 c4
	c c c2
	e2. e4
	f2. e8 d
	e2 f
%145
	d4 g4. g8 g4
	e g4. f8 e d
	c2 a
	r4 d2 d4
	e2 e
%150
	d1
	b2 c4. d8
	e f g4. f8 d e
	f2 e
	f1
%155
	e2 d
	e1
	d
	b4 d4. c8 b a
	g4 g'4. f8 e d
%160
	c1
	d\breve*1/2
}

cantusdos=\relative c'' {
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%5
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%10
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%15
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%20
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%25
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%30
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%35
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%40
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%45
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%50
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%60
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%65
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%70
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%75
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%80
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%85
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%90
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%95
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%100
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%105
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%110
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%115
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%120
	R1*4/4
	R1*4/4
	s4*0^\markup{"Resolutio"}
	R1*4/4
	R1*4/4
	R1*4/4
%125
	g1
	a
	\[g
	c\]
	c
%130
	R1*4/4
	r2 c ~
	c4 c c c
	c1 ~
	c
%135
	R1*4/4
	r2 c
	c c
	d1
	c
%140
	R1*4/4
	R1*4/4
	c2. c4
	c2 c
	c1
%145
	R1*4/4
	R1*4/4
	r4 c2 c4
	b1
	c
%150
	a
	g
	R1*4/4
	R1*4/4
	r2 r4 c ~
%155
	c c b2
	c1
	a
	g ~
	g ~
%160
	g ~
	g\breve*1/2
}

altus=\relative c' {
	r2 c
	d4 d e4. d8
	e f g2 fis4
	g d c8 d e f
%5
	g2. g4
	\[g2 a\]
	b4 c4. c8 b4
	a g f2 ~
	f g ~
%10
	g r4 g
	g4. g8 g4 g
	a2 f4 a ~
	a8 g g2 fis4
	g b c4. b8
%15
	a g a4 g c,
	g'4. g8 g4 g
	f e a8 g f e
	d4 e d2
	d\breve*1/2
%20
	R1*4/4
	r2 c ~
	c4 d e c8 d
	e f g2 fis8 e
	\ss fis2 g4 b ~
%25
	b a b2
	c4 g2 g4
	g2 a ~
	a4 g a8 b c a
	b4 a8 g a4 b
%30
	c g c4. b8
	a4 g a a
	g1 ~
	g2 r4 g
	g g f e
%35
	g4.  f8[ e d] e4
	c2 r4 g'
	g g f e ~
	e d4. c8 d e
	f4 d2 cis4
%40
	d4.  c8[ b a] b4
	g g' g g
	fis2 g
	\[e d4.\] e8
	f4 e d2
%45
	d\breve*1/2
	R1*4/4
	r2 d ~
	d e
	d g ~
%50
	g a
	b! r4 g
	g2. g4
	g2 a
	g1 ~
%55
	g ~
	g
	r2 g
	g g
	g g
%60
	g r4 g ~
	g g fis2
	g e
	d r
	R1*4/4
%65
	r4 g2 g4
	f g e2
	d1 ~
	d\breve*1/2
	R1*4/4
%70
	c2 f4 g
	a2 g
	r4 g a b
	c2. b4
	a g2 fis4
%75
	g c, f2
	e4 a2 gis4
	a2 r4 g
	a b c2 ~
	c4 b a2
%80
	g4 c, f g
	a2 g4 c ~
	c b8 a b4 a
	r g a b
	c4. b8 a4 g
%85
	a8 b c2 b4
	c2 r4 f,
	e a g f
	e a g a
	g e g a
%90
	g4. f8 g4 a ~
	a8 g g2 fis4
	g e e4. e8
	e4 e c8 d e f
	g4 d e g ~
%95
	g fis g8 \ss f e d
	c4 g' g fis
	g4. f8 e4 d
	e1
	d\breve*1/2
%100
	R1*4/4
	r2 g
	f4 d e e
	d2 r4 f
	f f e d
%105
	e4. f8 g4 a
	a a g2
	a4 g g g
	a2 g4 a ~
	a g8 f g2
%110
	a4 f2 e8 d
	e4 f c8 d e f
	g4 a2 g8 f
	g4 g a2
	r4 g a2
%115
	f4 g c,2
	d4 g4. f8 d4
	e  c8[ d e f] g4 ~
	g fis8 e fis4 fis
	g d g4. f8
%120
	e d c b c4 e
	d\breve*1/2
	g2 d4 g ~
	g fis8 e fis2
	g r4 g ~
%125
	g g e2
	c4 c' a c ~
	c b8 a b2
	a1
	g2 r4 c ~
%130
	c c c c
	a1
	r4 g2 g4
	g g a a
	g e f2
%135
	g r4 d
	g4. f8 g4 g
	a4.  g8[ a b] c4 ~
	c b8 a b2
	c4 g a c ~
%140
	c8 b a2 g8 f
	g4 g a2
	g2. g4
	a2. g8 f
	g2 a
%145
	g r4 g ~
	\set Staff.autoBeaming = ##f
	g8 g g4 e g ~
	\set Staff.autoBeaming = ##t
	g fis8 e fis2
	g1 ~
	g
%150
	r2 r4 d ~
	d d e4. f8
	g a g2 g4
	\[a2 g\]
	f4 d c2
%155
	g' r4 g ~
	g8 \noBeam g g4 e g ~
	g fis8 e fis2
	g4 d4. d8 d4
	e  c8[ d e f] g4 ~
%160
	g8 f e d e2
	d\breve*1/2
}

tenor=\relative c' {
	g2 a
	g c4. b8
	c d e4 d4. c8
	b a b4 a c
%5
	d d e4. d8
	e f g2 fis4
	g1
	r2 c,
	c4 c d2
%10
	c r4 c
	c2 c
	c2. c4
	b c a2
	g4 g'2 g4
%15
	fis2 g
	e d
	r4 c2 c4
	b c a2
	g\breve*1/2
%20
	c2. d4
	e  c8[ d e f] g4 ~
	g fis g8 \ss f e d
	c4 b a4. b8
	c2 d
%25
	r4 d2 g,4
	g'4. f8 e4 d
	e2 f4 c
	f e f a
	g fis8 e fis4 g ~
%30
	g8 f e d e4 a,8 b
	c d e4 c f
	e d8 c d4 d
	e c c c
	b c a2
%35
	g4 g' g g
	f e g8 f e d
	e4 c d c ~
	c b8 a b4. g8
	a4 b g2
%40
	a4 d d d
	c g c4. b8
	a g a4 g c
	c c b2
	c a
%45
	g\breve*1/2
	d'2 d4 b
	c d g,2
	r g'
	f4 d e4. d8
%50
	e f g2 fis4
	g d e d
	e2 c ~
	c4 b c2
	c r4 g
%55
	c2 c4 b
	e4. d8 e4 d ~
	d8 c c2 b4
	c2 g
	r4 c2 c4
%60
	b c a b ~
	b cis d2
	g,4 d'2 c4
	f2 e
	d4 c8 b c2
%65
	g r
	r4 d'2 cis4
	d b a2
	g\breve*1/2
	R1*4/4
%70
	R1*4/4
	R1*4/4
	r4 c f g
	a2 g
	r4 g, c d
%75
	e2 d
	r4 c d e
	f2. e4
	d2 c
	r4 g c d
%80
	e2 d4 e
	f4. e8 c d e f
	g4.  f8[ d e] f4 ~
	f e d2
	c r4 c
%85
	f a g2
	c,4 f e a
	g f e a
	g f e f
	c4. d8 e4 f
%90
	g8 f e d e4 f ~
	f8 e c4 d2
	g,4 c c4. c8
	c4 c c2
	b c
%95
	a g4 g'
	g c, d2
	e4. d8 c4 b
	c1
	g\breve*1/2
%100
	g2 a
	g4 c4. b8 g4
	a b c2 ~
	c4 b c d ~
	d8 c c2 b4
%105
	c e e f
	e f4. e16 d e4
	f e d e
	f e8 d e2
	d1
%110
	r4 a'2 g8 f
	g4 a2 g4 ~
	g8 f f2 e8 d
	e4 c f2
	f4 e f4. g8
%115
	a4 g2 fis4
	g2 d
	g2. e4
	d a d4. c8
	b a b4. g8 c4 ~
%120
	c8 d e4. d8 c4 ~
	c b8 a \mtempob b\breve*1/4 \mtempo 
	\set Staff.shortInstrumentName="T1"
	R1*4/4
	c1
	d
%125
	e4. f8 g4 e
	f2. e4
	d1
	c
	r4 g'2 g4
%130
	g g a2
	f1
	g4.  f8[ e d] e4 ~
	e g f2
	g r
%135
	r4 d g4. f8
	e d e2 c4
	f4.  e8[ f g] a4
	g1
	r4 c, a a' ~
%140
	a8 g f2 e8 d
	e4 e f2
	c2. c4
	f,4.  g8[ a b] c4 ~
	c c a2
%145
	d4. d8 d2
	c4 e4. d8 c b
	c1
	d2 r4 g ~
	\set Staff.autoBeaming = ##f
	g8 g g4 e g ~
	\set Staff.autoBeaming = ##t
%150
	g fis8 e fis2
	g4 g,2 g4
	c e d4. c8
	a b c4. b8 g4
	d'8 e f g a4 a,8 b
%155
	c d e c d2
	c4 c2 g4
	d'2 a4 d ~
	d8 c b a g4 g' ~
	g8 f e d c2
%160
	g1 ~
	g\breve*1/2 

}

tenordos=\relative c' {
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%5
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%10
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%15
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%20
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%25
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%30
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%35
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%40
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%45
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%50
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%55
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%60
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%65
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%70
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%75
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%80
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%85
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%90
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%95
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%100
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%105
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%110
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%115
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%120
	R1*4/4
	R1*4/4
	s4*0^\markup{"Canon in diapason" }
	g1
	a
	\[g
%125
	s4*0^\markup{\hspace #1 \fontsize #-2 \musicglyph "scripts.usignumcongruentiae"}
	c1\]
	c
	R1*4/4
	r2 c ~
	c4 c c c
%130
	c1 ~
	c
	R1*4/4
	r2 c
	c c
%135
	d1
	c
	R1*4/4
	R1*4/4
	c2. c4
%140
	c2 c
	c1
	R1*4/4
	R1*4/4
	r4 c2 c4
%145
	b1
	c
	a
	g
	R1*4/4
%150
	R1*4/4
	r2 r4 c ~
	c c b2
	c1
	a
%155
	s4*0^\markup{\hspace #1 \fontsize #-2 \musicglyph "scripts.usignumcongruentiae"} ~
	g1
	g
	r4 a4. a8 a4
	b g8 a b c d b
	c d e f g4. f8
%160
	e d c b c g c4 ~
	c b8 a \mtempob b\breve*1/4
}

bassus=\relative c' {
	R1*4/4
	R1*4/4
	R1*4/4
	g2 a
%5
	g c4. b8
	c d e4 d2
	r4 c4. c8 g4
	a e f4. e8
	f g a4 g2
%10
	c,4 c' c2
	c, r4 c
	f4. f8 f4 f
	g c, d2
	g4 g c2
%15
	d e4. d8
	c4 c, \[g'2
	a\] f
	g4 c, d2
	g\breve*1/2
%20
	R1*4/4
	R1*4/4
	r2 c ~
	c4 d e8 d c b
	a g a4 g g ~
%25
	g fis g2
	c,4 c'2 b4
	c2 f,
	R1*4/4
	r2 r4 g
%30
	c4.  b8[ a g] f4 ~
	f e \[f2
	g2.\] g4
	c,1
	r4 c' c c
%35
	b2 c
	a g
	R1*4/4
	r4 g g g
	f g e2
%40
	d g
	c, c
	d g4 c, ~
	c8 d e f g2
	f4 c d2
%45
	g\breve*1/2
	R1*4/4
	R1*4/4
	g2 g4 e
	f g c, c'
%50
	c b c d
	g, g c b
	c c,4. d8 e f
	\[g2 f\] 
	c1 ~
	c2 r4 g'
%55
	c2 c4 b
	e4. d8 e4 d ~
	d8 c c2 b4
	c c,4. d8 e f
	g4 c, f g
%60
	e2 d4 d' ~
	d g, a a
	bes4. a8 g4 a
	d,8 e f g a b c4 ~
	c b8 a b4 c
%65
	d g, a2
	\[d,1 % ligadura \[d1 g\] en 1581b
	g\breve*1/2\]
	R1*4/4
%70
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%75
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%80
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%85
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%90
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%95
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
	R1*4/4
%100
	r4 g f d
	e2. e4
	d2 r
	g f4 d
	f2 g
%105
	c,4 c' c f,
	a4. b8 c2
	f,4 c' b c
	f,8 g a b c4 a
	bes1
%110
	f2 r
	r4 f2 e8 d
	e4 f c2 ~
	c r
	r4 c f2
%115
	f4 e a2
	g g
	c,2. c4
	d2 r4 d
	g4. f8 e4. d8
%120
	c2. c4
	g'\breve*1/2
	R1*4/4
	R1*4/4
	R1*4/4
%125
	c,1
	f
	g
	a2 a4. b8
	c2 c, ~
%130
	c f ~
	f4 f f f
	c c'2 c4
	c c f,2
	c f4 a
%135
	g1
	c,
	R1*4/4
	r2 r4 g'
	a c4. b8 a g
%140
	f4. e16 d c2 ~
	c4 c f2
	R1*4/4
	r2 r4 c ~
	c c f f
%145
	g1
	c,
	R1*4/4
	r4 g'2 g4
	c2 c
%150
	d1
	g,2 c, ~
	c4 c g'2
	f c
	d4. e8 f2
%155
	c4. c8 g'2
	c,1
	d
	g
	c, ~
%160
	c
	g'\breve*1/2
}

textocantus=\lyricmode{
\set stanza = "2."
Et _ ex -- sul -- ta -- _ _ _ _ vit
spi -- ri -- tus \mt #.5 me -- _ _ _ _ _ _ _ us:
in De -- o
in De -- o sa -- lu -- ta -- ri me -- o,
in De -- o sa -- _ lu -- ta -- ri \mt #.2 me -- _ _ _ _ o.
\set stanza = "4."
Qui -- a fe -- _ _ _ cit mi -- _ hi ma -- gna
mi -- hi ma -- gna qui po -- tens est
qui po -- _ _ _ tens est:
et san -- ctum no -- men e -- _ ius,
%\italicas en 1581b
et san -- ctum no -- men e -- ius
et san -- ctum no -- men e -- ius,
%\rectas
et san -- ctum \mt #.2 no -- _ _ men e -- _ _ \mt #.8 ius.
\set stanza = "6."
Fe -- cit po -- \mt #.2 ten -- _ _ _ _ _ _ _ ti -- am
fe -- cit po -- ten -- ti -- am in bra -- chi -- o \mt #.2 su -- _ _ _ _ _ _ _ _ _ _ o:
di -- sper -- sit su -- per -- bos
men -- te cor -- dis \mt #.2 su -- _ _ _ _ i
men -- te cor -- dis su -- _ _ _ _ _ _ _ _ _ i.
\set stanza = "8."
\mt #0 E -- su -- ri -- en -- tes
im -- ple -- vit \mt #.1 bo -- _ _ _ _ _ nis,
e -- su -- ri -- \mt #.3 en -- _ tes
im -- ple -- vit
bo -- _ _ _ nis,
%\italicas en 1581b
im -- ple -- vit \mt #.1 bo -- _ _ _ _ _ _ nis
%\rectas
e -- su -- ri -- en -- tes
im -- ple -- vit bo -- _ _ _ _ _ _ nis: _
et di -- vi -- tes di -- mi -- sit i -- _ na -- \mt #.5 nes _
di -- mi -- sit i -- na -- \mt #.5 nes. _ _ 
\set stanza = "10."
Sic -- _ ut _ lo -- _ cu -- _ tus est _
ad pa -- tres no -- \mt #.5 stros: _
A -- bra -- ham et se -- mi -- ni e -- ius 
in sæ -- cu -- la. _ _ 
\set stanza = "12."
Sic -- ut e -- _ _ _ _ rat _
%\italicas 1581b
sic -- ut e -- _ _ _ _ _ _ _ _ rat
%\rectas
in _ prin -- ci -- pi -- o
et nunc et sem -- _ _ _ _ _ _ _ _ _ _ per,
%\italicas 1581b
et nunc et sem -- per:
%\rectas
et in sæ -- cu -- la,
et in \mt #.4 sæ -- _ _ _ cu -- la
sæ -- cu -- lo -- rum.
A -- _ _ _ _ men
%\italicas % 1581b
sæ -- cu -- lo -- rum. A -- men,
%\rectas
a -- _ _ _ _ _ _ _ _ men,
sæ -- cu -- lo -- rum.
A -- men,
a -- _ _ _ men, \italicas a -- _ _ _ _ \rectas \mt #1.5 men.
% en 1576 hay una repeticion menos
}

textocantusdos=\lyricmode{
\set stanza = "12."
Sic -- ut e -- _ rat
in _ prin -- ci -- pi -- o _
et nunc et sem -- per:
et in sæ -- cu -- la
sæ -- cu -- lo -- rum.
A -- men
sæ -- _ cu -- lo -- rum.
A -- \mt #.5 men. _ _ _ 
}

textoaltus=\lyricmode{
\set stanza = "2."
Et ex -- sul -- ta -- _ _ _ _ _ vit,
et ex -- _ _ _ _ sul -- ta -- _ vit
spi -- ri -- tus
\mt #.5 me -- _ _ _ us: _
in De -- o sa -- lu -- ta -- ri \mt #.5 me -- _ _ _ _ o,
in \mt #.2 De -- _ _ _ _ o,
in De -- o sa -- lu -- ta -- ri me -- _ _ _ _ _ _ o.
\set stanza = "4."
Qui -- _ a fe -- _ _ _ _ _ _ _ _ cit
\mt #.1 mi -- _ hi ma -- gna,
mi -- hi ma -- gna _
qui po -- _ _ _ _ _ _ _ tens est,
qui po -- _ _ _ _ tens est: _
et san -- ctum no -- men e -- _ _ _ _ ius
%\italicas 1581b
et san -- ctum no -- \mt #.2 men _
e -- _ _ _ _ _ _ _ _ _ _ _ ius,
%\rectas
et san -- ctum no -- men e -- _ _ _ _ _ \mt #.8 ius.
\set stanza = "6."
Fe -- _ cit po -- ten -- _ ti -- am
in bra -- chi -- o su -- o: _ _ 
di -- sper -- sit su -- per -- bos \mt #1.5 men -- _ te cor -- dis su -- i
men -- te cor -- dis su -- i. _
\set stanza = "8."
E -- su -- ri -- en -- tes im -- ple -- vit bo -- _ _ _ _ nis,
im -- ple -- vit bo -- _ nis
im -- ple -- vit bo -- _ _ _ nis,
e -- su -- ri -- en -- tes im -- _ \mt #.2 ple -- _ _ vit
im -- ple -- vit \mt #.2 bo -- _ _ _ _ _ _ _ nis:
et di -- vi -- tes,
%\italicas 1581b
et di -- vi -- tes
%\rectas
di -- mi -- sit i -- _ na -- _ _ _ _ _ _ _ nes,
et di -- vi -- tes di -- mi -- _ _ _ _ sit
i -- na -- _ _ nes, __ _ _ _ _ 
di -- mi -- sit i -- _ _ _ na -- \mt #1 nes. % en 1576 na -- _ nes
\set stanza = "10."
Sic -- ut lo -- cu -- tus est
sic -- ut lo -- cu -- tus \mt #.4 est __ _ _ 
ad pa -- tres no -- stros,
ad pa -- tres no -- _ _ _ _ _ _ stros:
A -- _ _ _ bra -- ham, __ _ _ _ _ 
A -- _ _ _ bra -- ham
et se -- mi -- ni e -- ius
\mt #.1 in __ _ _ \mt #.5 sæ -- _ _ _ _ _ _ _ _ _ cu -- la,
in \mt #.2 \mt #.5 sæ -- _ _ _ _ _ _ cu -- la.
\set stanza = "12."
\mt #-0.5 Sic -- ut e -- _ _ _ _ rat
\italicas
sic -- _ ut e -- rat, 
sic -- ut e -- _ _ _ _ _ rat
\rectas
in _ prin -- ci -- pi -- o
%\italicas 1581b
in prin -- ci -- pi -- o,
%\rectas
et nunc et sem -- per
%\italicas 1581b
et \mt #1.2 nunc __ _ _  et \mt #.5 sem -- _ _ _ _ _ _ _ _ per:
%\rectas
et in sæ -- _ _ _ _ _ _ cu -- la,
%\italicas % 1581b
et in sæ -- _ _ _ cu -- la
%\rectas
sæ -- _ cu -- lo -- rum.
A -- _ _ _ _ men _
sæ -- _ cu -- lo -- _ _ _ _ rum.
A -- _ _ _ _ men
% \italicas 1581b
\mt #.5 sæ -- _ cu -- lo -- rum. 
A -- _ _ _ _ men,
sæ -- cu -- lo -- rum.
A -- _ _ _ _ _ _ _ _ _ \mt #1.5 men.
}

textotenor=\lyricmode{
\set stanza = "2."
Et ex -- sul -- ta -- _ _ _ _ _ _ _ _ _ vit,
et ex -- sul -- ta -- _ _ _ _ _ vit
spi -- ri -- tus me -- us:
in De -- o sa -- lu -- ta -- ri me -- o,
sa -- lu -- ta -- ri me -- o
%\italicas 1581b
sa -- lu -- ta -- ri me -- o.
%\rectas
\set stanza = "4."
\mt #0 Qui -- a fe -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ cit
mi -- hi \mt #.2 ma -- _ _ _ _ gna
qui po -- tens est,
% asi esta en 1581b, en 1576 hay una repeticion menos
qui \mt #.2 po -- _ _ _ _ _ _ _ _ _ _ _ _ _
\italicas
tens est,
\rectas
qui po --  _ _ _ tens est:
et san -- ctum no -- men e -- ius,
%\italicas en 1581b
et san -- ctum no -- men e -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ius,
%\rectas
et san -- ctum no -- men e -- _ _ _ _ ius, % ij en 1576
%\italicas en 1581b
et san -- ctum no -- men e -- \mt #.8 ius.
%\rectas
\set stanza = "6."
\mt #0 Fe -- cit po -- ten -- ti -- am
%\italicas 1581b
fe -- cit po -- \mt #.1 ten -- _ _ _ _ ti -- am
%\rectas
in bra -- chi -- o su -- _ _ _ o:
di -- sper -- sit su -- \mt #.2 per -- _ _ _ _ _ _ _ _ bos
men -- te cor -- dis su -- _ _ _ _ i,
%\italicas 1581b
men -- te cor -- dis \mt #.2 su -- _ _ _ i
%\rectas
men -- te cor -- dis su -- i. % ij en 1576
\set stanza = "8."
E -- su -- ri -- en -- tes
\italicas
e -- su -- ri -- en -- tes 
\rectas
im -- ple -- vit bo -- _ _ nis
e -- su -- ri -- en -- tes im -- \mt #.2 ple -- _ _ _ _ _ _ _ _ _ _ _ vit bo -- nis
im -- ple -- vit bo -- nis:
et di -- vi -- tes,
%\italicas 1581b
et di -- vi -- tes
%\rectas
di -- mi -- sit i -- _ _ _ na -- _ _ _ _ _ _ _ _ _ nes,
et di -- vi -- tes di -- mi -- sit i -- na -- nes,
di -- mi -- sit i -- \mt #.2 na -- _ _ _ _ \mt #1 nes.
\set stanza = "10."
\mt #0 Sic -- cut lo -- cu -- _ _ _ _ _ _ _ _ _ _ _ _ tus est
ad pa -- tres \mt #.2 no -- _ _ _ _ stros,
%\italicas % 1581b
ad pa -- tres \mt #.1 no -- _ _ _ stros:
%\rectas
A -- _ _ _ bra -- ham __ _ _ _ _ _ _ et se -- mi -- ni e -- _ _ _ _ ius
in sæ -- cu -- la,
in \mt #.2 sæ -- _ _ _ _ _ _ _ _ _ _ _ _ \mt #.2 cu -- _ la.
\set stanza = "12."
Sic -- ut e -- _ _ _ _ _ _ rat
in prin -- ci -- pi -- o,
et \mt #1.2 nunc __ _ _ _ _ _ et sem -- per
et \mt #.5 \mt #1.2 nunc __ _ _ _ _ et \mt #.5 sem -- _ _ _ _ per:
et in sæ -- _ _ _ _ _ _ cu -- la,
et in \mt #.5 sæ -- _ _ _ _ _ cu -- la
sæ -- cu -- lo -- rum.
A -- _ _ _ _ men
%\italicas 1581b
sæ -- _ cu -- lo -- rum. A -- _ _ _ _ men,
%\rectas
sæ -- cu -- lo -- rum.
A -- _ _ _ _ _ _ men, __ _ _ _ _ 
a -- _ _ _ _ _ _ men,
sæ -- cu -- lo -- rum.
A -- _ _ _ _ men, a -- _ _ _ _ _ \mt #.5 men. _
% en 1581b hay un amen ij mas, igual que en la soprano, en 1576 hay una repeticion menos

}

textotenordos=\lyricmode{
\set stanza = "12."
\mt #-0.5 Sic -- ut e -- _ rat
in _ prin -- ci -- pi -- o _
et nunc et sem -- per:
et in sæ -- cu -- la
sæ -- cu -- lo -- rum.
A -- men
sæ -- _ cu -- lo -- rum.
A -- \mt #.5 men _
sæ -- cu -- lo -- rum. 
A -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ \mt #1.5 men.
% en 1576 men. __ _ _
}

textobassus=\lyricmode{
\set stanza = "2."
Et ex -- sul -- ta -- _ _ _ _ vit
spi -- ri -- tus \mt #.5 me -- _ _ _ _ _ _ _ us:
in De -- o
in De -- o sa -- lu -- ta -- ri me -- o,
in De -- o sa -- lu -- ta -- ri \mt #.2 me -- _ _ _ _ _ o.
\set stanza = "4."
Qui -- _ a fe -- _ _ _ _ _ _ cit
\mt #.2 mi -- _ hi ma -- gna,
mi -- hi ma -- gna
qui po -- _ _ _ _ _ _ _ _ tens
est:
et san -- ctum no -- men
e -- ius
%\italicas 1581b
et san -- ctum no -- men e -- ius,
%\rectas
et san -- ctum no -- men e -- _ _ _ _ _ _ _ _ \mt #.8 ius.
\set stanza = "6."
Fe -- cit po -- ten -- ti -- am,
%\italicas en 1581b
fe -- cit po -- ten -- ti -- am
%\rectas
in bra -- chi -- o \mt #.1 su -- _ _ _ _ _ o: _
di -- sper -- sit su -- \mt #.2 per -- _ _ _ _ _ _ _ bos
\mt #.3 men -- _ _ _ _ te cor -- dis su -- i,
\mt #.2 men -- _ te cor -- dis
\mt #.4 su -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ i. __ _
% en 1581b i. __ _ con ligadura
% en 1576 _ i. sin ligadura
\set stanza = "10."
Sic -- ut lo -- cu -- tus est
%\italicas 1581b
sic -- ut lo -- cu -- tus est
%\rectas
ad pa -- tres no -- _ _ stros,
ad pa -- tres no -- _ _ _ _ _ _ stros:
A -- _ _ _ bra -- ham _
et se -- mi -- ni e -- ius in sæ -- cu -- la
in sæ -- _ _ _ _ cu -- la.
\set stanza = "12."
Sic -- ut e -- rat,
\italicas sic -- ut e -- rat _ \rectas
in _ prin -- ci -- pi -- o,
%\italicas 1581b
in prin -- ci -- pi -- o,
%\rectas
et nunc et sem -- per:
et in sæ -- _ _ _ _ _ _ _ _ cu -- la
sæ -- _ cu -- lo -- rum.
A -- men
%\italicas 1581b
sæ -- cu -- lo -- rum. A -- men,
%\rectas
sæ -- _ cu -- lo -- rum. A -- \mt #.7 men, __ _ _ % ij en 1576
sæ -- cu -- lo -- rum.
A -- men,
a -- _ \mt #1.5 men.
}



incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-g"
		\key c \major
		\time 2/2
                g'\breve
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 2/2
                c'1*2
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 2/2
                g1*2
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}


incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 2/2
                g1*2
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' g{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\set Staff.shortInstrumentName="C "
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff \with{ \remove "Ambitus_engraver"} <<\global
	\new Voice="v5" {
		%\set Staff.instrumentName=\incipitcantusdos
		\set Staff.shortInstrumentName="C2"
		\clef "treble"
		\cantusdos }
	\new Lyrics \lyricsto "v5" {\textocantusdos }
	>>
	
        \new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\set Staff.shortInstrumentName="A "
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\set Staff.shortInstrumentName="T "
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff \with { \remove "Ambitus_engraver" } <<\global
	\new Voice="v6" {
		%\set Staff.instrumentName=\incipittenordos
		\set Staff.shortInstrumentName="T2"
		\clef "G_8"
		\tenordos }
	\new Lyrics \lyricsto "v6" {\textotenordos }
	>>

        \new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\set Staff.shortInstrumentName="B "
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                \RemoveEmptyStaves
                \override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}

\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 7
	ragged-last-bottom = ##f
	indent=3.5\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 11) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 7) (minimum-distance . 0) (padding . 4))
	markup-system-spacing.padding = #1.5
	score-markup-spacing = 
	#'((basic-distance . 11) (minimum-distance . 0) (padding . 0))

}