\version "2.18.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.4) #(ly:set-option 'point-and-click #f) %mobile -s15.5 -i3.2 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 20 mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} mt=#(define-music-function (parser location offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) htitle="Simile est regnum: 1. Kyrie" hcomposer="Ceballos" \header { title=\markup{\fontsize #3 "1. Kyrie"} subtitle="de la misa Simile est regnum cælorum" subsubtitle=\markup{\null \vspace #2 } composer="Rodrigo de Ceballos (c.1525-1581)" pdfauthor=\composer %opus="(-)" poet=\markup{"Ms. B.7, catedral de Toledo"} % hay otra copia en Catedral de Jaén, y en Guatemala copyright=\markup{ \fill-line {"Edited by Nancho Alvarez upon a transcription by Robert J. Snow" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } global={\key c \major \time 2/2 \skip 1*15 \bar "||" \skip 1*15 \bar "||" \skip 1*14 \bar "|." } cantus=\relative c''{ R1*2 g2. a4 b g c d e4. d8 c4 a8 b c d e2 d4 ~ d8 c c2 b4 c2 r4 b ~ b c d b a2 g4 g' ~ g8[ f] e[ d] c4 b c2 r4 e f2 e d4 c2 b4 c\breve*1/2 r2 d c4 b a c ~ c b8 a b4 a c4 d4. c8 c4 d2 r4 d ~ d c b a c d c2 r4 c2 b4 a2 b4 c d2 g, r4 g'2 f4 e d f e d c e2 ~ e4 d c2 b\breve*1/2 g2 b4 c d d e c ~ c b d c ~ c4 b c2 ~ c r r4 c c a c4. d8 e4 d ~ d \ss cis d2 ~ d r r4 d d b c d g, g' e4 f2 e4 d4 c2 b4 c\breve*1/2 } altus=\relative c'{ R1*4 c2. d4 e c e f g2 a4 g ~ g \ss fis g2 R1*2 c,2. d4 e c f g a2 g4 e f g a g g\breve*1/2 g2. f4 e d f e d2 r r2 r4 g ~ g f e d f4 e d2 r2 r4 g ~ g f e d f2. e4 g4 d e d ~ d8 c c4 d a' g f a2 d,4 e2 c8 d e f g2 \ss fis4 g\breve*1/2 r4 g g e f g c,2 d2 g4 g f4 d g2 c,2 e4 f g g a2 a,2 c4 d e e f2 d f4 g a2 g f e r4 c' b g a2 g g\breve*1/2 } tenor=\relative c'{ g2. a4 b g c d e2 r4 c d e f f e g e f g2. f4 e2 d r4 c2 d4 e2 d4 g ~ g \ss fis g2 e2 f4 g ~ g8 f e d c4 b c2 r4 g' f e d d c\breve*1/2 R1*2 r2 d c4 b a c b a g2 r4 g'2 f4 e d f e d c g'2 r4 d2 c4 b4 a c b a g a4. b8 c4 d a2 r4 a' g e g2 c, d\breve*1/2 R1*2 g,2 b4 c d4 d e c e4. f8 g4 f ~ f e f2 e2 r r4 a a d, f4. g8 a4 g ~ g \ss fis g g, a4 b c8 d e f g4 a g2 f4. e8 d2 c\breve*1/2 } bassus=\relative c{ R1*5 c2. d4 e4 c f g a2 r4 g ~ g a b g c d e2 r4 a,2 g4 c4. b8 a4 g f8 g a b c4 c, d e f g c,\breve*1/2 R1*2 g'2. f4 e4 d f e d2 r r2 r4 d' c b a c b a g2 r2 r4 a g4 f e g f e d2 r4 d'2 c4 b4 a c2 ~ c4 b a2 g\breve*1/2 R1*2 r4 g g e f4 g c,2 r4 c' c a b c f,2 r4 a a f g a d,2 r4 d' d b c d g,2 r2 r4 c c a b c f,2 g c,\breve*1/2 } % casi siempre pone e~e, yo lo desdoblo textocantus=\lyricmode{ Ky -- ri -- e e -- _ _ _ _ _ _ _ _ _ _ _ _ _ lei -- son Ky -- ri -- e e -- lei -- son Ky -- _ ri -- _ e~e -- lei -- son Ky -- ri -- e e -- _ lei -- son. Chri -- ste e -- _ _ _ _ _ _ _ _ _ lei -- son \mt #1 Chri -- ste e -- _ _ lei -- son Chri -- ste e -- _ _ lei -- son Chri -- ste e -- _ _ _ _ _ _ _ lei -- son. Ky -- ri -- e e -- lei -- son, Ky -- ri -- e e -- lei -- son Ky -- ri -- e e -- _ _ _ lei -- son Ky -- ri -- e e -- lei -- son, Ky -- ri -- e e -- _ _ lei -- son. } textoaltus=\lyricmode{ Ky -- ri -- e e -- _ _ _ _ _ lei -- son Ky -- ri -- e e -- _ _ _ _ _ _ _ _ lei -- son. Chri -- ste e -- _ _ lei -- son \mt #1 Chri -- ste e -- _ _ lei -- son \mt #1 Chri -- ste e -- _ lei -- son, Chri -- ste e -- lei -- _ _ son, % distinto Chri -- ste e -- _ _ _ _ _ _ _ _ lei -- son. Ky -- ri -- e e -- lei -- son, Ky -- ri -- e e -- lei -- son, Ky -- ri -- e e -- lei -- son, Ky -- ri -- e e -- lei -- son, Ky -- ri -- e e -- _ lei -- son Ky -- ri -- e e -- lei -- son. } textotenor=\lyricmode{ Ky -- ri -- e e -- _ lei -- son Ky -- ri -- e e -- lei -- _ _ _ _ _ _ _ son Ky -- ri -- e __ _ e -- lei -- son, Ky -- ri -- e~e -- _ _ _ _ lei -- son Ky -- ri -- e e -- lei -- son. Chri -- ste e -- _ _ _ lei -- son Chri -- ste e -- _ _ _ _ lei -- son Chri -- ste e -- _ _ _ _ _ _ _ _ lei -- son Chri -- ste e -- _ lei -- son. Ky -- ri -- e e -- lei -- son, Ky -- ri -- _ _ e e -- lei -- son Ky -- ri -- e e -- _ _ _ lei -- son, Ky -- ri -- e~e -- lei -- _ _ _ _ _ _ _ _ _ son. } textobassus=\lyricmode{ Ky -- ri -- e e -- _ lei -- son Ky -- ri -- e e -- _ lei -- son Ky -- ri -- e~e -- _ _ lei -- son, __ _ _ _ _ Ky -- ri -- e e -- lei -- son. Chri -- ste e -- _ _ lei -- son Chri -- ste e -- _ _ _ lei -- son Chri -- ste e -- _ _ _ lei -- son Chri -- ste e -- _ _ _ lei -- son. Ky -- ri -- e e -- lei -- son Ky -- ri -- e e -- lei -- son Ky -- ri -- e e -- lei -- son Ky -- ri -- e e -- lei -- son Ky -- ri -- e e -- _ _ lei -- son. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-g" \key c \major \time 4/4 g'1. } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Altus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c2" \key c \major \time 4/4 c'1. } \layout { line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 4/4 g1. } \layout { line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 4/4 c1. } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' g{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "G_8" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice %melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff %\RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 ragged-last-bottom = ##f indent=3.6\cm system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 8) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 12) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #1.5 }