\version "2.18.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.3)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.4

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mt=#(define-music-function (parser location offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Simile est regnum: 5. Benedictus"
hcomposer="Ceballos"

\header {
	title=\markup{\fontsize #3 "5. Benedictus"}
	subtitle="de la misa Simile est regnum cælorum"
	subsubtitle=" "
	%subsubtitle=\markup{\null \vspace #0 }
	composer="Rodrigo de Ceballos (c.1525-1581)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{"Ms. B.7, catedral de Toledo"} % hay otra copia en Catedral de Jaén, y en Guatemala
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez upon a transcription by Robert J. Snow" \typewriter "http://tomasluisdevictoria.org"}
	}
	tagline=""
}

global={\key c \major \time 2/2 \skip 1*23
	%\override Score.TimeSignature.break-visibility = #'#(#f #t #t)
	\override Score.RehearsalMark.self-alignment-X=#right
	\override Score.RehearsalMark.padding = #1.5
	\mark \markup{"Hosanna ut supra"}
	\bar "|."
}


cantus=\relative c''{
	g1
	g
	a
	b2 r4 c
	c d c b
	d e d2
	r4 d d g ~
	g8 f e d c4 g
	a2 g4 c ~
	c b8 a b2
	c2 r4 c
	c c b2
	c4. d8[ e f] e4 ~
	e8 d b4 c2 ~
	c r4 e
	e e d2
	c4. d8 e4 d
	r4 g, g4. a8
	b c d2 c4 ~
	c e4. d8 c4 ~
	c b8 a b2
	c1 ~
	c\breve*1/2
}

altus=\relative c''{
	R1*3
	g1
	g
	a
	b
	g
	\[c
	d\]
	e ~
	e
	R1*2
	g,1
	g
	a
	b
	\[g
	c\]
	d
	c1 ~
	c\breve*1/2
}

tenor=\relative c'{
	g2 g4 c ~
	c b c e
	d c d2
	r4 d d e ~
	e d e8 f g e
	f4 g2 \ss fis4
	g2 r4 d
	d e2 d4
	e f4. e8 e4
	f g r4 g ~
	g e g a
	g a2 \ss gis4
	a2 r4 g
	g g e f ~
	f e8 d e2 ~
	e4 c d2
	r4 e e f
	g4. f8 e4 d8 c
	d2 r4 e
	e4. f8 g4 a
	f1
	g2 a
	g\breve*1/2
}

bassus=\relative c'{
	R1*3
	g2 g4 c ~
	c b c e
	d c d2
	g,2 r4 g
	g c2 b4
	a f c'2
	r4 g2 g4
	c2 c4 a
	c4. d8 e2
	r4 a, c c
	g2 a4. b8
	c2 r4 c ~
	c c b2
	a4. b8 c4 d
	g,2 r4 g
	g4. a8 b4 c
	a8 b c d e4 f
	d4. c8 d2
	c2 a4. b8
	c\breve*1/2
}

textocantus=\lyricmode{
Be -- ne -- di -- ctus
be -- ne -- di -- ctus qui ve -- _ nit
be -- ne -- di -- _ _ _ _ _ _ ctus
qui ve -- _ _ nit
in no -- mi -- ne Do -- _ _ _ _ _ mi -- ni
in no -- mi -- ne Do -- _ mi -- ni
in no -- _ _ _ mi -- ne Do -- _ _ _ _ mi -- ni.
}

textoaltus=\lyricmode{
Be -- ne -- di -- ctus qui ve -- _ nit
in no -- mi -- ne Do -- _ mi -- ni.
}

textotenor=\lyricmode{
Be -- ne -- di -- _ ctus qui ve -- _ nit
be -- ne -- di -- ctus qui __ _ _ _ ve -- _ _ nit
be -- ne -- di -- ctus qui ve -- _ _ _ nit
be -- ne -- di -- ctus qui ve -- _ nit
in no -- mi -- ne \mt #.5 Do -- _ _ _ mi -- ni
in no -- mi -- \mt #.5 ne __ _ Do -- mi -- _ ni
in no -- _ mi -- ne Do -- mi -- _ ni.
}

textobassus=\lyricmode{
Be -- ne -- di -- _ ctus qui ve -- _ _ nit
be -- ne -- di -- ctus qui ve -- nit
be -- ne -- di -- ctus qui ve -- _ nit
in no -- mi -- ne Do -- mi -- ni
in no -- mi -- \mt #.5 ne __ _ Do -- mi -- ni
in no -- _ mi -- ne Do -- _ _ _ _ _ _ _ _ _ mi -- _ ni.
}

% no he visto los incipits

incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus I  "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-g"
		\key c \major
		\time 4/4
                g'\breve
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus II "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-g"
		\key c \major
		\time 4/4
               g'\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus       "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c2"
		\key c \major
		\time 4/4
                g1
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor      "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 4/4
                g1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' g{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "treble"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "G_8"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 8
	ragged-last-bottom = ##f
	indent=3.8\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 13) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5

first-page-number=22
oddHeaderMarkup=\markup \fill-line {\hcomposer \htitle \fromproperty #'page:page-number-string }
evenHeaderMarkup=\markup \fill-line {\on-the-fly #not-first-page \fromproperty #'page:page-number-string \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \hcomposer }
}