\version "2.18.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.4) #(ly:set-option 'point-and-click #f) %mobile -s15.5 -i3.2 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 20 mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} mtempoc={\tempo 4 = 150} mtempod={\tempo 4 = 75} mt=#(define-music-function (parser location offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) htitle="Missa tertii toni: 4. Sanctus et Benedictus" hcomposer="Ceballos" \header { title=\markup{\fontsize #3 "4. Sanctus - Benedictus"} subtitle="de la missa tertii toni" subsubtitle=\markup{\null \vspace #2 } composer="Rodrigo de Ceballos (c.1525-1581)" pdfauthor=\composer %opus="(-)" poet=\markup{"Ms. B.7, catedral de Toledo"} % hay otra copia (sin texto?) en el ms 975 del archivo Manuel de Falla de Granada copyright=\markup{ \fill-line {"Edited by Nancho Alvarez upon a transcription by Robert J. Snow" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } global={\key c \major \time 2/2 \skip 1*16 \bar "||" \break \skip 1*15 \bar "||" \pageBreak \override Score.TimeSignature.break-visibility = #'#(#f #t #t) \mtempoc \mark \markup{\hspace #2.5 \fontsize #-2 \concat{\musicglyph #"timesig.mensural22" \raise #-.8 "3"} } \time 3/4 \skip 1*3/4*27 \bar "||" \break \mtempo \time 2/2 \skip 1*26 \bar "|." \override Score.RehearsalMark.self-alignment-X=#right \override Score.RehearsalMark.padding=#3.5 \mark \markup{"Hosanna ut supra"} } cantus=\relative c''{ e2 f4 e c d e2 ~ e r r b c b4 a ~ a g a e' ~ e4 e f e ~ e8 c d4 e2 ~ e r r4 e f e c d e e e2 r4 b c b c4. b8 a4 g a f g4 a2 \ss gis4 a\breve*1/2 e'2. e4 f e c d e4. d16 c b2 c1 R1 r4 e2 e4 f e c d e4. d16 c b8 a b4 a b c a ~ a8 \ss gis gis4 a2 ~ a r4 c d c a b c2 r4 e f e c d e\breve*1/2 r4 r e f e c d4 e2 d8 c b a b4 a b c a2 \ss gis4 a8 b c d e4 d2 c4 d c4. a8 b4 a e' f4. e8 d4 c2 b4 % c2 ennegrecida c4 b4. g8 a4 g2 r4 c4. d8 e4 f e d e c d c2 % c2 ennegrecida r4 c f ~ f8 \noBeam e d4 c d c2 b4 a2 r4 d f e4. d8 c b a4 b c a2 \ss gis4 \mtempod a\breve*3/8 \once \override TextScript.padding=#1 \once \override TextScript.X-offset=#-2.5 s4*0^\markup{"Cantus"} R1 r2 e' ~ e4 e f2 e4 c d2 e r4 e c d e e d4. c8 b2 r4 b2 b4 c b a8 b c d e4 c d2 c4 f e d ~ d \ss cis8 b cis2 ~ cis2 r4 e e f e2 c4 d e2 ~ e4 d8 c b2 r4 c c d c4. b8 a4 g8 f e2 r4 b' c4 b c8 d e f g4 f4. e8 e4 ~ e4 d e2 r4 e e f e2 c4 d ~ d c d2 ~ d4 \ss cis8 b \mtempob cis\breve*1/4 } altus=\relative c'{ e2 d4 c f2 e r4 g a c ~ c8 b a2 g4 a e g c, d2 e r4 g a c ~ c b8 a b2 r4 c c b c4. b8 a4 g % Snow \ss gis a2 r4 a a g a2 e2 r4 e f e c d e e e2 ~ e\breve*1/2 r2 a ~ a4 a a f g4 a4. \ss gis8 gis4 a1 R1 r2 a ~ a4 a a f g4 a2 g4 a g2 f4 e2 r4 e f e a2 g4 a4. g8 f4 ~ f e8 d e4 g f g a2 a\breve*1/2 a4 \ss bes4 a f g2 a4 g4. e8 a2 \ss gis4 a4 g2 f4 e2 e2 r4 a4 \ss bes a f a2 g8 f e2 a r4 g4 a g e4 g2 f8 e d2 e4 c8 d e f g4 a c b c2 b8 a g2 a2 r4 a4 \ss bes a f4 a2 g8 f e2 f4 d d c8 d e f g4 f g2 f4 e2 e\breve*3/8 \once \override TextScript.padding=#1 \once \override TextScript.X-offset=#-2.5 s4*0^\markup{"Altus"} e2. e4 f2 e4 a g a2 f4 g4 a f g ~ g8 c, c'4 b g a2 g4 c b4 a2 \ss gis8 \ss fis \ss gis2 r4 e ~ e e f e ~ e a4. f8 g4 a2 g4. f8 e2 r4 e e f e2 c4 d e8 d c b a4 a' c b c4 a2 \ss gis4 a2 r4 d, f e f d ~ d c8 b c4. d8 e f g4 a g e f g2 f2 r4 e g g a8 g a b c4. b8 a4 g f e d4. e8 f4 e e\breve*1/4 } tenor=\relative c'{ R1*2 e2 f4 e c d e2 r4 c d f ~ f8 e d2 c8 b c2 r r4 a' a g a4. g8 e4 g8 f e d c4 d b a2 r4 c c b a4. b8 c8 d e2 c4 d b a2 c b a\breve*1/2 R1*2 r2 e' ~ e4 e f e c d e4. d16 c b2 c ~ c r r4 e4. e8 e4 c e e d8 c b2 a4 c d c f2 d4 e f f g2 c, r4 c a d ~ d \ss cis8 b \mtempob cis\breve*1/4 R1*3/4 r4 r e f e c d e2 c4 e2 d8 c b a b4 a4 a'2 f4 g e \[d4 e\] f d2 \ss cis4 d f f e d2 c4 d e c2 b4 c8 d e f g4 e d g f g f d e8 f4 e8 f2 r4 f4 g e d e f d2 \ss cis4 d4 f f g4. f8 e d c4 e2 d8 c b2 a\breve*3/8 \once \override TextScript.padding=#1 \once \override TextScript.X-offset=#-2.5 s4*0^\markup{"Tenor"} R1*4 e'2. e4 f2 e4 c d2 e ~ e r r a, ~ a4 a bes2 a4 f g2 a1 ~ a r2 r4 e' e f e2 c4 d e2 r4 a, a \ss bes a2 f4 g a1 % choca con el si de la soprano r2 r4 c c d c2 a4 b c2 ~ c r r4 a a \ss bes a2 f4 g a\breve*1/2 } bassus=\relative c{ R1*2 e2 d4 c f2 e r4 a g f \ss bes2 a r4 e' d c f2 e r4 a, a g a2 d,4 e f d c4. d8 e2 r4 a a g a2 d,4 e f d c4. d8 e2 a\breve*1/2 R1*3 a2. a4 a f g a ~ a8 \ss gis gis4 a2 ~ a r e2. e4 f e c d e2 a r2 r4 a \ss bes a d2 c2 r4 c, d c f d a'\breve*1/2 R1*3/4*3 r4 r e f e c d e2 a2. r4 r a \ss bes a f g a2 d,2. r4 r g a g e f g2 c,2. r4 r c' d c a b c2 f,2. r4 r a \ss bes a f g4 a2 d,2. r4 r e f e c d e2 a\breve*3/8 R1*26 } textocantus=\lyricmode{ \mt #.5 San -- _ _ _ _ ctus \mt #.5 San -- _ _ _ _ ctus, \mt #.5 San -- \mt #.5 ctus __ _ _ _ _ _ Do -- mi -- nus De -- us sa -- ba -- oth Do -- mi -- nus De -- us sa -- _ _ _ _ _ ba -- oth. Ple -- ni sunt cæ -- li et ter -- _ _ _ ra ple -- ni sunt cæ -- li et ter -- _ _ _ _ _ _ _ _ _ _ _ ra glo -- ri -- a tu -- _ a glo -- ri -- a tu -- _ a. Ho -- san -- na in ex -- cel -- _ _ _ _ _ sis, ho -- san -- _ na in __ _ _ _ _ ex -- cel -- _ _ _ _ sis, ho -- san -- _ na in ex -- cel -- _ _ _ sis ho -- _ _ san -- na in ex -- cel -- _ sis ho -- san -- na in ex -- cel -- _ _ sis ho -- san -- _ _ _ _ na in ex -- cel -- _ sis. Be -- ne -- di -- ctus qui ve -- nit be -- ne -- di -- ctus qui ve -- _ nit be -- ne -- di -- ctus qui __ _ _ _ _ _ ve -- nit, qui ve -- _ _ _ nit in no -- mi -- ne Do -- _ _ mi -- _ ni in no -- mi -- ne __ _ Do -- mi -- _ ni in no -- mi -- ne __ _ _ _ _ Do -- _ _ mi -- ni in no -- mi -- ne Do -- _ _ _ mi -- _ ni. } textoaltus=\lyricmode{ \mt #.5 San -- _ _ _ ctus \mt #.5 San -- _ _ _ _ _ _ _ _ _ _ ctus \mt #.5 San -- _ _ _ _ ctus Do -- mi -- nus De -- us sa -- ba -- oth Do -- mi -- nus De -- us Do -- mi -- nus De -- us sa -- ba -- oth. Ple -- ni sunt cæ -- li et __ _ ter -- ra ple -- ni sunt cæ -- _ li et ter -- _ _ ra glo -- ri -- a tu -- a, glo -- ri -- a tu -- _ a, glo -- ri -- a tu -- a. Ho -- san -- na in ex -- \mt #.4 cel -- _ _ _ _ sis, in ex -- cel -- sis ho -- san -- na in ex -- _ _ cel -- sis ho -- san -- na in ex -- _ _ _ _ cel -- _ _ _ _ sis, in ex -- cel -- _ _ _ sis ho -- san -- na in ex -- _ _ cel -- sis, ho -- san -- na __ _ _ _ _ in ex -- _ cel -- sis. Be -- ne -- di -- ctus qui ve -- _ _ _ _ _ _ _ _ _ _ _ nit, qui ve -- _ _ _ nit be -- ne -- di -- ctus qui __ _ _ ve -- _ _ nit in no -- mi -- ne Do -- mi -- ni, __ _ _ _ _ in no -- mi -- ne Do -- mi -- ni in no -- mi -- ne Do -- _ _ _ _ _ _ _ mi -- ni, Do -- _ mi -- ni in no -- mi -- ne __ _ _ _ Do -- _ _ mi -- ni, Do -- _ _ _ mi -- ni. } textotenor=\lyricmode{ \mt #.5 San -- _ _ _ _ ctus \mt #.5 San -- _ _ _ _ _ _ ctus Do -- mi -- nus De -- _ us sa -- _ _ _ _ _ ba -- oth Do -- mi -- nus De -- _ us _ sa -- _ _ _ _ _ ba -- oth. Ple -- ni sunt cæ -- li et ter -- _ _ _ ra ple -- ni sunt cæ -- li et __ _ _ ter -- ra, glo -- ri -- a tu -- a, glo -- ri -- a tu -- a glo -- ri -- a tu -- _ a. Ho -- san -- na in ex -- cel -- _ _ _ _ _ _ _ sis, ho -- san -- na in ex -- _ cel -- _ _ sis, ho -- san -- na in ex -- cel -- _ _ _ _ _ _ _ _ sis, ho -- san -- na in ex -- cel -- _ _ _ sis ho -- san -- na in ex -- cel -- _ _ sis, ho -- san -- na __ _ _ _ _ in ex -- _ cel -- sis. Be -- ne -- di -- ctus qui ve -- nit be -- ne -- di -- ctus qui ve -- nit in no -- mi -- ne Do -- mi -- ni in no -- mi -- ne Do -- mi -- ni in no -- mi -- ne Do -- mi -- ni in no -- mi -- ne Do -- mi -- ni. } textobassus=\lyricmode{ \mt #.5 San -- _ _ _ ctus \mt #.5 San -- _ _ _ ctus \mt #.5 San -- _ _ _ ctus Do -- mi -- nus De -- us sa -- _ _ ba -- _ oth. Do -- mi -- nus De -- us sa -- _ _ ba -- _ _ oth. Ple -- ni sunt cæ -- li et __ _ ter -- ra ple -- ni sunt cæ -- li et ter -- ra glo -- ri -- a tu -- a glo -- ri -- a tu -- _ a. Ho -- san -- na in ex -- cel -- sis ho -- san -- na in ex -- cel -- sis ho -- san -- na in ex -- cel -- sis ho -- san -- na in ex -- cel -- sis ho -- san -- na in ex -- cel -- sis ho -- san -- na in ex -- cel -- sis. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-g" \key c \major \time 4/4 e''1 } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Altus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c2" \key c \major \time 4/4 e'1 } \layout { line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 4/4 e'1 } \layout { line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 4/4 e1 } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' g{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "G_8" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice %melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff \RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 ragged-last-bottom = ##f indent=3.6\cm system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 10) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 13) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #1.5 first-page-number=15 }