\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 17.2)
#(ly:set-option 'point-and-click #f)
%mobile -s15.0 -i3.0

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Lauda mater ecclesia"
hcomposer="Guerrero"

\header {
	title=\markup{\fontsize #4 "Lauda mater ecclesia"}
	subtitle="In festo Sanctæ Mariæ Magdalenæ"
	subsubtitle=\markup{\null \vspace #3 }
	composer="Francisco Guerrero (1528-1599)"
        pdfauthor=\composer
	poet=\markup{"Liber vesperarum, Roma 1584"}
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
%	tagline=""
}
%tablet \markup{\null \vspace #5 }
\markup{"  "}
\markup{"  "}
\markup{"  "}
\markup{\larger
\line{\bold "1." "Lauda, mater ecclesia, lauda Christi clementiam, qui septem  purgat vitia per septiformen gratiam."}} 
\markup{\null \vspace #1 }
\markup{\larger
\line{\bold "3." "Post fluxæ carnis scandala fit ex lebete fiala, in vas translata gratiæ de vase contumeliæ."}}
\markup{\null \vspace #1 }
\markup{\larger
\line{\bold "5." "Contriti cordis unctio cum lacrimarum fluvio et pietatis actio ream solvit a vitio."}}
\markup{\null \vspace #1 }
\markup{\larger
\line{\bold "6." "Surgentem cum victoria Iesum videt ab inferis, prima meretur gaudia, quæ plus ardebat ceteris."}}
\markup{" "}
\markup{"  "}

%tablet \pageBreak

global={
  \override Score.TimeSignature.break-visibility = #'#(#f #t #t)
  \key f \major \time 6/4 \skip 1*6/4*9 \bar "||" \time 3/2 \break
				\skip 1*3/2*17 \bar "||" \time 6/4 \break
				\skip 1*6/4*11 \bar "|." }
%! CSIC reduce los valores a un octavo en las estrofas 2 y 6

cantus=\relative c''{
	r4 r g g2 a4
	f2 g4 bes a2
	g2 bes4 c2 g4
	bes2 c4 \[a g\] fis
	g2 d4 f2 g4
	f2 g4 bes4. a8 g4
	f2 a4 c2 d4
	bes2 c4 \[a4 g\] fis
	g\breve*3/4
	r2^\markup{"Cantus"} 
	\once \override TextScript.X-offset = #-10
	 r^\markup{\musicglyph "timesig.mensural32"} g
	g1 a2
	f1 g2
	bes1 a2
	g1 bes2
	c1 g2
	bes1 c2
	\[a g2.\] fis4
	g1 d2
	f1 g2
	f1 g2
	bes2. a4 g2
	f1 a2
	c1 d2
	bes1 c2
	a2. g2 fis4
	g\breve*3/4
	\once \override TextScript.X-offset = #-3.5
	s4*0^\markup{\musicglyph "timesig.mensural34"}
	r2. r4 r4 g
	g2 a4 f2 g4
	bes4. a8[ f g] a4 bes4. a8
	g4 \ss fis8 e fis4 g2 d'4
	ees2 ees4 d4. c8[ a bes]
	c2 a4 bes c2
	bes bes4 \[bes a\] g
	bes8 a4 g16 f e4 d8 f4 e8 e4
	f2 f4 \[g a\] bes ~
	bes g g \[\ss fis g\] a %! fis en el original, o es una sugerencia?
	g2 fis4 g\breve*3/8
}

altus=\relative c'{
	d4 d2 e4 e c
	d4. c8[ bes g] g'2 fis4
	g2 g4 g2 g4
	g2 e4 f8[ e d c] d4
	bes2. r4 r g
	a4 d8 d4 c8 d4 \[bes c\]
	d2 d4 \ss ees2 d4
	g2 e4 f8 d4 c8 d4
	b\breve*3/4
	g2^\markup{"Altus"} g4 c2 b8 a
	b4 c g g'2 f4 ~
	f8 e d4 c2 d4 \ss ees
	d2 r4 d d f
	e c8[ d e f] g4. f8 d4
	e4 f2 \ss ees4 d ees
	d2 r4 g4 e e
	f8 e d c bes4 c a4. a8
	g1.
	r4 d'4. d8 c4 bes \ss ees
	d8 c bes a bes4 a g c
	bes8 a g a bes c d2 c4
	d2 r4 d c f ~
	f e8 d e4 f2 bes,4
	bes8 c d e f4 g e f ~
	f8 e c4 d g, a2
	g\breve*3/4
	d'4 d \ss ees c d8[ c bes a]
	g4 c8[ bes a g] a2 bes4 ~
	bes8[ a bes c] d4 r d2
	d d4 d2 g4
	g g g4. f8[ d e] f4
	\[f4 \ss ees\] d2 ees
	d d4 d4. a8 c4
	d a c d c2
	a d4 e4. f8 g4
	d d \ss ees d2 a4
	c d2 d\breve*3/8
}

tenor=\relative c'{
	g4 bes2 c a4 ~
	a a bes4. c8 d4 d
	d2 d4 ees2 ees4
	d2 c bes4 a
	g2 g4 a d8 d4 c8
	d[ c bes a] g4 f g2
	a f4 g c bes ~
	bes8 c d4 c \[d g,\] a
	g\breve*3/4
	r2^\markup{"Tenor"} r g
	g4 c2 bes4 c d ~
	d8 c bes4 a2 g4 c
	bes8 a g f g4 g d2
	r2 r4 g g bes
	a f8 g a bes c a bes4 c
	g1 r4 a ~
	a f g c, d2
	r4 d'4. c8 bes a bes4 g
	a bes2 a4 g c, 
	d d'4. d8 c4 bes \ss ees
	d8 c bes a g4 d ees2
	d1 r4 f
	f8 g a bes c4 a bes g
	g8 a bes c d4 g, a f ~
	f8 g a4 d, \ss ees4 d2
	g\breve*3/4
	R1*6/4
	r2. r4 r g
	g2 a4 f2 g4
	bes a2 g bes4
	c2 g4 bes2 c4
	\[a g\] fis g2. ~
	g2 d4 f2 g4
	f2 g4 \[bes a\] g
	f2 a4 c2 d4
	bes2 c4 \[a g\] f
	g4 a2
	g\breve*3/8
}

bassus=\relative c'{
	g4 g2 c, f4
	d2 g d
	g2 g4 c,2 c4
	g'2 c,4 \[f g\] d
	g,2 g4 d'2 ees4
	d2 \ss ees4 bes ees2
	d2 d4 c2 g'4
	g2 a4 \[d, ees\] d
	g,\breve*3/4
	R1*3/2*17
	r4 g' g a f g8 f
	\ss ees d c4 f8 ees d c d4 g,
	g ees' d4. c8[ bes a] g4
	g d'2 r4 g2
	c,2 c4 g'2 f4 ~
	f \[c d\] g, c2
	r4 g bes4. c8 d4 ees
	d d c bes c2
	r4 d2 \[c4 a\] g
	g'2 c,4 \[d g,\] d'
	ees4 d2
	g,\breve*3/8
}

textocantus=\lyricmode{
\set stanza = "2."
Ma -- ri -- a so -- ror La -- za -- ri,
quæ tot com -- mi -- sit cri -- _ mi -- na,
ab i -- psa fau -- ce tar -- _ ta -- ri,
re -- dit ad vi -- tæ li -- _ mi -- na.
\set stanza = "4."
Æ -- gra cur -- rit ad me -- di -- cum,
vas fe -- rens a -- ro -- ma -- _ ti -- cum,
et a mor -- bo mul -- ti -- pli -- _ ci,
ver -- bo cu -- ra -- tur me -- _ di -- ci.
\set stanza = "7."
U -- ni De -- o sit glo -- _ _ _ _ ri -- _ _ _ _ _ a,
pro mul -- ti -- for -- _ _ _ _ mi gra -- ti -- a,
qui cul -- _ pas et __ _ _ _ _ sup -- pli -- _ ci -- a,
re -- mit -- _ tit et dat præ -- _ mi -- a.
A -- men.
}

textoaltus=\lyricmode{
\set stanza = "2."
Ma -- ri -- a so -- ror La -- _ _ _ _ za -- ri,
quæ tot com -- mi -- sit cri -- _ _ _ mi -- na
ab i -- \mt #2 psa \mt #.5 fau -- ce tar -- ta -- _ ri,
re -- dit ad vi -- tæ li -- _ _ mi -- na.
\set stanza = "4."
Æ -- gra cur -- _ _ _ _ rit ad me -- _ _ _ _ di -- cum
vas fe -- rens a -- ro -- _ _ _ _ _ _ ma -- _ _ _ ti -- cum
vas fe -- rens a -- _ _ _ _ ro -- ma -- ti -- cum
et a mor -- bo mul -- ti -- _ _ _ _ pli -- ci,
mul -- ti -- _ _ _ _ _ _ pli -- ci
ver -- bo cu -- ra __ _ _ tur,
ver -- bo __ _ _ _ _ cu -- ra -- tur __ _ _ me -- _ di -- ci.
\set stanza = "7."
U -- ni De -- o sit __ _ _ _ _ glo -- _ _ _ _ ri -- _ _ _ a
sit glo -- ri -- a pro mul -- ti -- for -- _ _ _ _ mi __ _ gra -- ti -- a,
qui cul -- _ _ pas et sup -- pli -- ci -- a,
re -- mit -- _ _ tit et dat præ -- mi -- a. 
A -- men.
}

textotenor=\lyricmode{
\set stanza = "2."
Ma -- ri -- a so -- ror La -- _ _ za -- ri,
quæ tot com -- mi -- sit cri -- mi -- na,
ab i -- psa fau -- ce tar -- _ _ _ _ _ ta -- ri,
re -- dit ad vi -- _ _ tæ li -- _ mi -- na.
\set stanza = "4."
Æ -- gra cur -- rit ad me -- _ _ di -- cum,
ad me -- _ _ _ _ di -- cum
vas fe -- rens a -- ro -- _ _ _ _ _ ma -- ti -- cum
a -- ro -- ma -- ti -- cum
et __ _ _ _ _ a mor -- bo mul -- ti -- pli -- ci,
et a mor -- bo mul -- ti -- _ _ _ _ _ pli -- ci
ver -- bo __ _ _ _ _ cu -- ra -- tur
me -- _ _ _ _ di -- ci,
me -- _ _ _ _ di -- ci.
\set stanza = "7."
U -- ni De -- o sit glo -- ri -- a,
pro mul -- ti -- for -- mi gra -- _ ti -- a,
qui cul -- pas et sup -- pli -- _ ci -- a,
re -- mit -- tit et dat præ -- _ mi -- a.
A -- men.
}

textobassus=\lyricmode{
\set stanza = "2."
Ma -- ri -- a so -- ror La -- za -- ri,
quæ tot com -- mi -- sit cri -- _ mi -- na,
ab i -- psa fau -- ce tar -- ta -- ri,
re -- dit ad vi -- tæ li -- _ mi -- na.
\set stanza = "7."
U -- ni De -- o sit __ _ _ _ _ glo -- _ _ _ _ ri -- a,
sit glo -- _ _ _ _ ri -- a
pro mul -- ti -- for -- mi gra -- _ ti -- a
qui cul -- _ _ pas et sup -- pli -- ci -- a
re -- mit -- _ tit et dat præ -- _ mi -- a.
A -- men.
}

incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Rest.style = #'neomensural
		\override Staff.TimeSignature.style = #'mensural
		\cadenzaOn 
		\clef "petrucci-c1" %! esta mal en CSIC?
		\key f \major
		\time 3/4
		g'1
		} 
	\layout {
		\context {\Voice
			\remove Ligature_bracket_engraver
			\consists Mensural_ligature_engraver
		}
		line-width=\incipitwidth
		indent = 0
	}
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural
		\override Rest.style = #'neomensural
		\override Staff.TimeSignature.style = #'mensural
		\cadenzaOn 
		\clef "petrucci-c3" %! esta mal en CSIC?
		\key f \major
		\time 3/4
		d'1
		} 
	\layout {
		\context {\Voice
			\remove Ligature_bracket_engraver
			\consists Mensural_ligature_engraver
		}
		line-width=\incipitwidth
		indent = 0
	}
	}
}

incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor  "
		\override NoteHead.style = #'neomensural 
		\override Rest.style = #'neomensural
		\override Staff.TimeSignature.style = #'mensural
		\cadenzaOn 
		\clef "petrucci-c4" %! esta mal CSIC?
		\key f \major
		\time 3/4
		g1
		} 
	\layout {
		\context {\Voice
			\remove Ligature_bracket_engraver
			\consists Mensural_ligature_engraver
		}
		line-width=\incipitwidth
		indent=0
	}
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural 
		\override Rest.style = #'neomensural
		\override Staff.TimeSignature.style = #'mensural
		\cadenzaOn 
		\clef "petrucci-f4" %! esta mal CSIC?
		\key f \major
		\time 3/4
		g1 %! nota ennegrecida ?!
		} 
	\layout {
		\context {\Voice
			\remove Ligature_bracket_engraver
			\consists Mensural_ligature_engraver
		}
		line-width=\incipitwidth
		indent=0
	}
	}
}



\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	}%transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                \RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 8
	ragged-last-bottom = ##f
	indent=3.6\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 9) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}