\version "2.18.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.4)
#(ly:set-option 'point-and-click #f)
%mobile -s14.5 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}

htitle="Missa Quarti Toni - 1. Kyrie"
hcomposer="Victoria"

\header {
	title=\markup{\fontsize #3 "1. Kyrie"}
	subtitle="de la Missa Quarti Toni"
	subsubtitle=\markup{\null \vspace #1 }
	composer=\markup{"Tomás Luis de Victoria (c.1548-1611)"}
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{"1592"}
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} % el Kyrie del bassus está dañado en el original. Para completarlo utilizo la transcripción de Samuel Rubio
	}
%	tagline=""
}

global={\key c \major \time 2/2 \skip 1*16 \bar "||" 
		%tablet \break
		\skip 1*12 \bar "||"
		%tablet \break
		\skip 1*13 \bar "|."
}

cantus={
	e'1 |
	e'2 a'4. b'8 |
	c'' d'' c''2 b'8 a' |
	b'4.  c''8[ d'' a'] c''4 |
%5
	b' a'2 gis'8 fis' |
	gis'2 a'4 e' ~ |
	e' e' a' a' |
	g'1 |
	R1*4/4 |
%10
	r4 b'2 b'4 |
	c''2 a'4 c'' ~ |
	c''8 b' a' g' a'2 |
	%\break
	g'4 b' b' c'' ~ |
	c''8 b' a' g' f'4 g' |
%15
	a'1 |
	gis'\breve*1/2 | 
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%20
	r4 e'2 d'4 |
	e' f' e'2 |
	r4 a'2 gis'4 |
	a' f' g' a' ~ |
	a' gis' a' c'' ~ |
%25
	c'' b' c'' d'' |
	c''8 b' a' g' f'4 a' ~ |
	a' gis' a' f' |
	e'\breve*1/2 | 
	R1*4/4 |
%30
	r2 e' |
	f'4 g' a'2 |
	g'4. e'8 a'4 g' |
	e'2 r |
	r4 a' b' cis'' |
%35
	d'' d'' c''2 |
	R1*4/4 |
	e'2 f'4 g' |
	a'2. g'4 |
	f' e'2 d'4 |
%40
	e'1 ~ |
	e'\breve*1/2
}

altus={
	R1*4/4 |
	a1 |
	a2 e'4. f'8 |
	g' a' g'4. f'8 e'4 |
%5
	d'2 c'4 b8 a |
	b2 c' ~ |
	c' r4 e' ~ |
	e' e' d' d' ~ |
	d' e' f'2 |
%10
	r4 d'2 d'4 |
	c' a c' a8 b |
	c' d' e'4 a e' |
	e' g'4. f'8 e' d' |
	e'4 \[f'2 e'4 ~ \]
%15
	e' d'8 c' d'2 |
	e'\breve*1/2
	r2 b ~ |
	b4 a b c' |
	b e'2 d'4 |
%20
	e' c'2 b4 |
	c' d' c' b8 a |
	b c' d'4 b e' ~ |
	e' d' e' c' |
	b2 r |
%25
	e'2. d'4 |
	e' f'4. d'8 e'4 |
	f' e'8 d' c'4 d' ~ |
	d' cis' \mtempob cis'\breve*1/4 |
	\mtempo
	R1*4/4 |
%30
	R1*4/4 |
	r2 a |
	b4 cis' d'2 ~ |
	d'4 cis' d' e' |
	a2 r4 e' |
%35
	d' b e' a |
	b cis' d'2 ~ |
	d'4 cis' d' e' ~ |
	e' d' e' e |
	f g a2 ~ |
%40
	a4 gis a a |
	b\breve*1/2
}

tenor={
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%5
	r2 e ~ |
	e e |
	a4.  b8[ c' d'] c'4 ~ |
	c' b8 a b4. c'8 |
	d' a c'4 b a ~ |
%10
	a gis8 \ss fis gis2 |
	a4 e2 e4 |
	a4.  b8[ c' d'] c'4 ~ |
	c' b8 a b4 a |
	c' c' d' e'8 d' |
%15
	c' b a g a4 a |
	b\breve*1/2
	s4*0^\markup{\smaller "Tacet"}
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%20
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%25
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	a2 b4 cis' | % no se ve bien el sostenido
%30
	d'2. cis'4 |
	d' e'2 d'4 |
	e' e f g |
	\[a2 g ~ \] |
	g4 f g a ~ |
%35
	a \ss gis \[a2 |
	gis\] r | % parece que hay un sostenido borrado
	R1*4/4 | 
	r4 a b cis' | %  el sostenido no se ve bien
	d'8 a c'2 b8 a |
%40
	b2 c'4 a ~ |
	a gis \mtempob gis\breve*1/4
}

bassus={
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
	R1*4/4 |
%5
	R1*4/4 |
	r2 a, ~ |
	a, a, |
	e4.  f8[ g a] g4 ~ |
	g8 f e4 d2 |
%10
	c4 b,8 a, b,2 |
	a,1 |
	r4 a,2 a,4 |
	e4. f8 g4 a ~ |
	a8 g f e d4 c |
%15
	f1 |
	e\breve*1/2
	e2. d4 |
	e f e a ~ |
	a gis a f |
%20
	e4. f8 g2 |
	r e ~ |
	e4 d e2 |
	f e ~ |
	e r4 a ~ |
%25
	a g a bes |
	a d2 cis4 |
	d e f d |
	a,\breve*1/2 |
	r2 e |
%30
	f4 g a4. g8 |
	f4 e f2 |
	e r |
	a, b,4 \ss cis |
	d4. c8 b,4 a, |
%35
	b,2 a, |
	e f4 g |
	a4. g8 f4 e |
	f2 e4 e |
	d c \[f2
%40
	e\] a, |
	e\breve*1/2
}

textocantus=\lyricmode{
Ky -- ri -- e e -- _ _ _ _ _ _ _ _ _ _ lei -- _ _ _ _ son,
\italicas
Ky -- _ ri -- e~e -- lei -- son
\rectas
Ky -- ri -- e e -- _ _ _ _ _ lei -- son,
\italicas
Ky -- ri -- e __ _ _ _ _ _ e -- lei -- son.
\rectas
Chri -- ste e -- lei -- son
\italicas
Chri -- ste e -- lei -- _ _ _ _ son,
\rectas
Chri -- _ ste e -- lei -- son, __ _ _ _ _ 
\italicas
Chri -- _ ste e -- lei -- son.
\rectas
Ky -- ri -- e~e -- lei -- _ _ _ _ son
\italicas
Ky -- ri -- e e -- lei -- son
\rectas
Ky -- ri -- e e -- _ _ lei -- _ son. _
}

textoaltus=\lyricmode{
Ky -- ri -- e e -- _ _ _ _ _ _ lei -- _ _ _ son _
\italicas
Ky -- _ ri -- e e -- _ lei -- son
\rectas
Ky -- ri -- e e -- lei -- _ _ _ _ _ son,
\italicas
Ky -- ri -- e e -- _ _ _ lei -- _ _ _ _ _ son.
\rectas
Chri -- _ ste e -- lei -- son,
\italicas
Chri -- ste e -- lei -- _ _ _ _ _ _ _ _ _ son,
\rectas
Chri -- _ ste e -- lei -- son
\italicas
Chri -- ste e -- lei -- _ _ _ _ _ _ _ _ _ son.
\rectas
Ky -- ri -- e e -- _ _ _ lei -- son
\italicas
e -- le -- i -- son,
\rectas
Ky -- ri -- e e -- _ _ _ _ _ lei -- son,
\italicas
Ky -- ri -- e e -- _ _ _ lei -- son.
}

textotenor=\lyricmode{
Ky -- _ ri -- e e -- _ _ _ _ _ _ _ _ _ _ _ lei -- _ _ _ _ _ son,
% lo pongo como la soprano
\italicas
Ky -- ri -- e __ _ _ _ _ _ e -- _ _ lei -- son,
\rectas
Ky -- ri -- e __ _ _ _ _ _ e -- lei -- son.
Ky -- ri -- e e -- _ lei -- _ _  son,
\italicas
Ky -- ri -- e e -- _ _ _ _ lei -- _ _ son __ _
\rectas
Ky -- ri -- e e -- _ _ _ _ _ _ lei -- _ _ son.
}

textobassus=\lyricmode{
Ky -- _ ri -- e e -- _ _ _ _ _ _ _ lei -- _ _ _ son
\italicas
Ky -- ri -- e __ _ _ _ _ _ _ _ _ e -- lei -- son.
\rectas
Chri -- ste e -- lei -- son,
\italicas
Chri -- _ ste e -- lei -- son __ _ _ 
\rectas
Chri -- _ ste e -- lei -- son _ 
\italicas
Chri -- _ ste e -- lei -- son,
\rectas
Chri -- ste e -- _ _ lei -- son.
Ky -- ri -- e e -- _ _ _ lei -- son
\italicas
Ky -- ri -- e e -- _ _ _ lei -- son,
\rectas
Ky -- ri -- e e -- _ _ _ lei -- son,
\italicas
Ky -- ri -- e e -- _ lei -- son.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c1"
		\key c \major
		\time 4/4
                e'\breve
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key c \major
		\time 4/4
                a\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 4/4
                e\breve
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f4"
		\key c \major
		\time 4/4
                a,\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "treble"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	%page-count = 8
	ragged-last-bottom = ##f
	indent=3.6\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 12) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}