\version "2.18.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.4) #(ly:set-option 'point-and-click #f) %mobile -s15.5 -i3.2 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 20 mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} mtempoc={\tempo 4 = 150} mt=#(define-music-function (parser location offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) htitle="Missa Quarti Toni - 4. Sanctus" hcomposer="Victoria" \header { title=\markup{\fontsize #3 "4. Sanctus"} subtitle="de la Missa Quarti Toni" subsubtitle=\markup{\null \vspace #1 } composer=\markup{"Tomás Luis de Victoria (c.1548-1611)"} pdfauthor=\composer %opus="(-)" poet=\markup{"1592"} copyright=\markup{ \fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } global={\key c \major \time 2/2 \skip 1*29 \bar "||" \break \once \override Score.TimeSignature.break-visibility=#end-of-line-invisible \time 3/4 \skip 4*3*16 \bar "|." } cantus={ R1*4/4 | R1*4/4 | R1*4/4 | R1*4/4 | %5 r2 a' ~ | a'4 g' f' e' | f'2 e'4 e'' ~ | e'' d'' c'' b' | c''2 b' | %10 r4 e'4. e'8 e'4 | fis'2 g'4 g' ~ | g' g' a' f' ~ | f'8 g' a'2 \ss gis'4 | a' e'4. e'8 e'4 | %15 fis'2 g'4 g' ~ | g' g' a'2 | r r4 a' ~ | a' gis' gis' c'' ~ | c'' b' b'2 | %20 c'' c''4 c'' | \[c''2 b'\] | a'4 c'' b' c'' | a' b' c'' a' | g' g' f'2 | %25 e'1 | r2 g' | fis'4 g' e' fis' | g'8 f' e'2 d'4 | e'\breve*1/2 %30 \once \override TextScript.X-offset=#-4 s4*0^\markup{\musicglyph #"timesig.mensural34"} % 3/2 R1*3/4 | R1*3/4 | R1*3/4 | e'4 f' g' | a' e'8 f' g' a' | %35 b' c'' \[d''4 b'\] | c''2 b'4 | % ennegrecias, ¿por qué? R1*3/4 | a'4 b' cis'' | d''2 a'4 | %40 c'' b'8 a' g'4 | d'' r r | c'' b' cis'' | \[d'' e''\] d'' | c''8 b' a' g' a'4 | %45 \ss gis'\breve*3/8 } altus={ e'2. d'4 | c' b \[c'2 | b4.\] c'8[ d' a] c'4 ~ | c' b8 a b2 | %5 a4 gis a2 | e' r | r4 a'2 g'8 f' | e'4 f' e'2 | e' r4 b ~ | %10 \set Staff.autoBeaming = ##f b8 b b4 cis'2 | d'4 d'2 d'4 | e'2 r4 a ~ | a8 a a4 b2 | \set Staff.autoBeaming = ##t cis'4 cis'2 cis'4 | %15 d' d'4. d'8 d'4 | e'2. fis'4 | g'8 f' e' d' c'4 d' | e' e'2 e'4 | e'2 r4 e' ~ | %20 e' e' e'2 | e'1 | e' | r2 e' | d'4 e' c' d' | %25 e' c' b c' | a b c'4. b16 c' | d'4 b c' a | g g a2 | b\breve*1/2 | %30 R1*3/4 | R1*3/4 | R1*3/4 | e'4 d' e' | a8 b c' d' e' f' | %35 \[g'4 f'\] e' | e'2. | d'4 f'2 | e'4 e'2 | f' r4 | %40 e' d' e' | a8 b c' d' e' f' | g'2 g'4 | \[fis' g'4.\] \ss f'8 | e'2 d'4 | %45 e'\breve*3/8 } tenor={ R1*4/4 | r2 a ~ | a4 g f e | f2 e | %5 r4 e'2 d'4 | c' b \[c'2 | a\] c'4 c' ~ | c'8 b a4. gis8 gis4 | % a2 gis4 en la copia manuscrita a8 e a2 gis4 | % se ve mal el sostenido %10 \ss gis2 r4 a ~ | \set Staff.autoBeaming = ##f a8 a a4 b2 | c'4 c'2 c'4 | d' d'2 b4 | a2 r4 a ~ | %15 a8 a a4 b2 | \set Staff.autoBeaming = ##t c'4 c'4. b8 a4 | \[g2 a4.\] a8 | % g2 a2 en la copia manuscrita b2 r4 a ~ | a gis gis2 | %20 a a4 a | g a2 gis4 | a2 r | r r4 c' | b c' a b | %25 c'2 r4 e' | d' d' e'2 | a4 e'2 d'4 | b c'4. b8 a4 ~ | a gis \mtempob gis\breve*1/4 %30 \mtempoc a4 b cis' | d' a8 b c' d' | e'4. d'8[ c' b] | c'4 \[a g\] | % compas ennegrecido entero c'2 r4 | %35 e f g | a e8 f g a | b c' d'2 | \[c'4 b\] a | % compas ennegrecido entero a d8 e f g | %40 a e g4. e8 | f4 e r | e' d' e' | \[a c'\] b | c'2 a4 | %45 b\breve*3/8 } bassus={ R1*4/4 | R1*4/4 | R1*4/4 | a2. g4 | %5 f e f2 | e a4. g8 | f e d4 c c ~ | c d e2 | a, r4 e ~ | %10 \set Staff.autoBeaming = ##f e8 e e4 a2 | \set Staff.autoBeaming = ##t d g | c f | d4. c8 d4 e | a, a,4. a,8 a,4 | %15 d2 g,4 g8 f | e d c b, a,4 d | e c f2 | e r4 a, ~ | a, e e2 | %20 a, a,4 a, | c4. d8 e2 | a,4 a gis a | f g a2 | R1*4/4 | %25 r4 a \ss gis a | % hay un signo extraño después del silencio % [podría ser el sostenido del sol, pero puesto al revés] f g c e | % fa sostenido en la copia manuscrita d e c d | \[e2 f\] | e\breve*1/2 %30 a4 gis a | d8 e f g a b | c'4 g a ~ | a8 g \[f4 e\] | f c r | %35 e d e | a,8 b, c d e f | g4 d8 e f g | \[a4 gis\] a | d2 r4 | %40 a, b, c | d a,8 b, c d | e f \[g4 e\] | d c g | % 2 compases enngrecidos a f2 | % como marcando una hemiolia %45 e\breve*3/8 } textocantus=\lyricmode{ San -- _ _ _ _ _ ctus, \italicas \mt #1 San -- _ _ _ _ _ ctus \rectas Do -- mi -- nus De -- us Sa -- _ ba -- oth, Sa -- _ _ _ ba -- oth, Do -- mi -- nus De -- us Sa -- _ ba -- oth. Ple -- _ ni sunt, ple -- _ ni sunt cæ -- li et ter -- _ ra glo -- ri -- a tu -- _ a, glo -- ri -- a tu -- a \italicas glo -- ri -- a tu -- _ _ _ _ _ a. \rectas Ho -- san -- na in ex -- _ _ _ _ _ _ _ cel -- sis \italicas ho -- san -- na in ex -- cel -- _ _ _ sis ho -- san -- na in __ _ ex -- cel -- _ _ _ _ sis. } textoaltus=\lyricmode{ San -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ctus \italicas San -- _ _ _ _ _ ctus \rectas Do -- _ mi -- nus De -- us Sa -- ba -- oth \italicas Do -- _ mi -- nus De -- us Sa -- ba -- oth, \rectas Do -- mi -- nus De -- us Sa -- _ _ _ _ ba -- oth. Ple -- ni sunt cæ -- _ li et ter -- ra glo -- ri -- a tu -- _ a, glo -- ri -- a tu -- _ _ _ _ _ _ a, glo -- ri -- a tu -- a. Ho -- san -- na in __ _ _ _ _ _ _ _ ex -- cel -- sis, in ex -- cel -- sis ho -- san -- na in __ _ _ _ _ _ _ ex -- cel -- _ _ _ _ sis. } textotenor=\lyricmode{ San -- _ _ _ _ _ ctus \italicas San -- _ _ _ _ _ ctus, \mt #1 San -- _ _ _ _ _ _ _ _ _ ctus \rectas Do -- _ mi -- nus De -- us Sa -- ba -- oth, Sa -- ba -- oth Do -- _ mi -- nus De -- us Sa -- _ _ _ _ ba -- oth. Ple -- _ ni sunt cæ -- li et ter -- _ _ ra glo -- ri -- a tu -- _ a % la copia manuscrita dice hosanna ... \italicas glo -- ri -- a tu -- a, \rectas glo -- ri -- a tu -- _ _ _ _ a. Ho -- san -- na in ex -- _ _ _ _ _ _ _ _ cel -- _ sis \italicas ho -- san -- na in ex -- _ _ _ _ _ _ cel -- _ _ sis, \rectas in __ _ _ _ _ _ _ ex -- cel -- sis ho -- san -- na in __ _ ex -- cel -- _ sis. } textobassus=\lyricmode{ San -- _ _ _ _ ctus, \italicas San -- _ _ _ _ ctus, \mt #1 San -- _ _ _ ctus \rectas Do -- _ mi -- nus De -- us Sa -- ba -- oth, Sa -- _ _ ba -- oth, Do -- mi -- nus De -- us Sa -- _ _ _ _ _ _ ba -- oth, Sa -- ba -- oth. % sin repeticion en la copia manuscrita Ple -- _ ni sunt cæ -- li et ter -- _ _ ra glo -- ri -- a tu -- _ a \italicas glo -- ri -- a tu -- _ a, % no se ve el texto \rectas glo -- ri -- a tu -- _ _ _ a. Ho -- san -- na in __ _ _ _ _ _ _ ex -- cel -- _ _ _ _ _ sis ho -- san -- na in __ _ _ _ _ _ _ ex -- _ _ _ _ _ cel -- sis \italicas ho -- san -- na in ex -- _ _ _ _ _ _ _ cel -- sis, \rectas in ex -- cel -- sis. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c1" \key c \major \time 4/4 a'1. } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Altus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 4/4 e'1. } \layout { line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 4/4 a1. } \layout { line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-f4" \key c \major \time 4/4 a1. } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' c'{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "treble" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff %\RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 ragged-last-bottom = ##f indent=3.6\cm system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 8) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 12) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #1.5 first-page-number=13 }