\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.2)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 20
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 50}
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Officium defunctorum: 7. Kyrie"
hcomposer="Morales"

\header {
	title=\markup{\fontsize #3 "7. Kyrie"}
	subtitle="Officium defunctorum"
	%subsubtitle=\markup{\null \vspace #2 }
	composer="Cristóbal de Morales (c.1500-1553)"
        pdfauthor=\composer
	%opus="(-)"
	%poet=\markup{} % hay muy pocas diferencias con el manuscrito IV de la Catedral de Málaga
	copyright=\markup{
		\fill-line {"Edited by Nancho Alvarez upon a transcription by Josep M. Llorens" \typewriter "http://tomasluisdevictoria.org"}
	}
	tagline=""
}

global={\key f \major \time 2/2 \skip 1*14 \bar "||"
        \skip 1*14 \bar "||" \break
        \skip 1*12 \bar "|."
}


cantus=\relative c'{
	R1
	\[f1
	g\]
	a
	\[a
	g\]
	bes ~
	bes
	a
	f
	e2 g
	f f
	e4 f2 e4
	f\breve*1/2
	c'1 ~
	c
	\[a
	g\]
	bes ~
	bes
	a ~
	a 
	f
	\[e1
	g\]
	f2 f ~
	f e
	f\breve*1/2
	f1
	\[g1
	a\]
	a g
	a f
	\[e
	g\]
	f2 f ~
	f e 
	f\breve*1/2
}

altus=\relative c'{
	c1
	\[d
	e\]
	e
	f2 f ~
	f4 e8 d e2
	f1
	g2 f ~
	f4 e8 d c2
	d1
	c2 e
	d c
	c1 ~
	c\breve*1/2
	a'1
	g2 a ~
	a4 g f2 ~
	f4 e8 d e2
	f2 bes, ~
	bes4 c d e
	f2 c
	f f ~
	f4 e d2 ~
	d4 \ss cis8 \ss b cis2
	\[d2 e\]
	d1
	c
	c\breve*1/2
	c1
	\[d1
	e\]
	f1
	d2. e4
	f2 c
	d4. c8 bes4. a8
	g2 g' ~
	g4 f \ss ees d
	c2 d
	c1
	c\breve*1/2
}

tenor=\relative c{
	f1
	\[a
	c ~ \]
	c 
	d2 c
	\[c1
	d ~ \]
	d
	c2 a
	bes2. a4
	g2 c
	a4 f a2 ~
	a4 g8 f g2
	f\breve*1/2
	f'1
	e2 f
	c1
	r2 c
	d4 bes2 c4
	d4 e f2
	f,4 g a bes
	c2 d
	a1
	r2 a
	bes c
	\[a2 bes\]
	g1
	f\breve*1/2
	a1
	g
	c
	d2 c ~
	c bes
	c2 f ~
	f4 e d2
	c2. bes8 a
	\[g2 bes\]
	a2 bes
	a4 g8 f g2
	f\breve*1/2
}

bassus=\relative c{
	f1
	d
	c
	\[a2 a'\]
	d,2 f
	c1
	bes2 bes'
	g bes
	f1
	r2 bes,
	c2 c
	d f
	c1
	f\breve*1/2
	f1
	c'2 f, ~
	f4 g a bes
	c1
	bes2 r
	bes,2. c4
	d e f2 ~
	f d ~
	d4 e f g
	a1
	g2 c,
	d bes
	c1
	f\breve*1/2
	f1
	bes
	a
	\[d,2 f
	g1\]
	f1
	bes,
	c2. d4
	ees1
	f2 bes,
	c1
	f\breve*1/2
}

textocantus=\lyricmode{
Ky -- _ _ ri -- _ e~e -- le -- i -- son,
Ky -- ri -- e e -- le -- i -- son.
\mt #1 Chri -- ste __ _ _ e -- le -- _ _ _ _ i -- son.
Ky -- _ _ ri -- e e -- le -- _ _ _ _ i -- son.
}

textoaltus=\lyricmode{
Ky -- _ _ ri -- e e -- _ _ _ _ le -- _ _ _ _ i -- son,
e -- le -- i -- son.
\mt #1 Chri -- _ ste __ _ _ e -- _ lei -- son,
\mt #1 Chri -- _ ste e -- lei -- _ son,
Chri -- _ ste __ _ _ _ e -- _ le -- i -- son.
Ky -- _ _ ri -- e __ _ e -- _ le -- _ i -- _ son,
e -- _ _ _ le -- _ i -- son.
}

textotenor=\lyricmode{
Ky -- _ _ ri -- e e -- _ _ _ le -- i -- son,
e -- le -- _ _ _ _ i -- son.
\mt #1 Chri -- _ _ ste
e -- le -- _ _ _ _ _ _ _ _ _ _ i -- son
e -- le -- _ _ _ i -- son.
Ky -- ri -- e e -- _ _ le -- _ _ i -- son, __ _ _
e -- _ le -- _ _ _ _ i -- son.
}

textobassus=\lyricmode{
Ky -- _ _ ri -- _ e __ _ 
e -- le -- _ _ i -- son
Ky -- ri -- e e -- _ lei -- son.
\mt #1 Chri -- ste e -- _ _ _ lei -- son
\mt #1 Chri -- _ _ _ _ ste e -- _ _ lei -- son,
Chri -- ste e -- lei -- son.
Ky -- ri -- e e -- _ _ lei -- son,
e -- _ le -- _ _ i -- son.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c1" % no he visto los incipits, pongo los del número anterior
		\key c \major
		\time 2/2
                \[f'\breve*1/2 g'\]
		} 

	\layout {
       \context {\Voice
               \remove Ligature_bracket_engraver
               \consists Mensural_ligature_engraver
       }
       line-width=\incipitwidth
       indent = 0
       }
}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key f \major
		\time 2/2
                c'\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c3"
		\key f \major
		\time 2/2
                f\breve
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f4"
		\key f \major
		\time 2/2
                f\breve
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c' c'{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "treble"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . .7))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	system-count=4
	page-count = 1
	ragged-last-bottom = ##f
	indent=3.6\cm
	system-system-spacing =
	#'((basic-distance . 20) (minimum-distance . 0) (padding . 5))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 14) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}