\version "2.18.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.8) #(ly:set-option 'point-and-click #f) %mobile -s15.5 -i3.2 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} incipitwidth = 20 mt=#(define-music-function (parser location offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) htitle="So gracious is thy sweet self" hcomposer="Bennet" \header { title=\markup{\fontsize #4 "3. So gracious is thy sweet self"} subtitle="Madrigals to four voices" subsubtitle=\markup{\null \vspace #2 } composer="John Bennet (c.1575-c.1614)" pdfauthor=\composer %opus="(-)" poet=\markup{"London 1599"} % Madrigalls to foure voyces newly published by Iohn Bennet his first works (1599) copyright=\markup{ \fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } global={\key g \major \time 2/2 \skip 1*26 \bar ".|:" \break \skip 1*13 \bar ":|." } cantus=\relative c''{ R1*2 d4 d8 d b4 cis d2 e4 a, b8[ c d b] cis4. cis8 d4 b a a8 a fis4 g a2 b4 e, fis8[ g a fis] g4 fis e d a'4 g fis b a1 a r4 a4. a8 e4 fis2 e4 e d d cis a' ~ a8 a d4 cis2 d2 r4 a ~ a8 a e4 fis2 e r4 d' d4 cis d8 \ss c[ b a] g4 a d, g g fis g8 a[ b c] d4 d, r4 a' d8[ c b a] g4 a b4 a a2 a r4 fis ~ fis8 fis fis4 d2 g4 d'4. d8 d4 b2 g4 e ~ e8 e e2 a4 fis2 g e4 e c2 g'2. fis4 g8 a b c d2 b4 g fis8[ e d e] fis8[ g] e2 d4 cis8[ d e fis] g4 fis % Hopkins: segunda vez g4 e b a a2 a\breve*1/4 % a2 s4*0^\markup{\smaller "sigue cantus 2"} \parenthesize r4 \parenthesize a\laissezVibrer } altus=\relative c''{ a4 a8 a fis4 g a2 b4 e, fis8[ g a fis] g4 fis8[ e] d8[ e fis g] e4 fis d8[ e fis g] a2 ~ a4 g8[ fis] e2 r2 d'4 cis8 d b4 cis d2 e4 a, b8[ c d b] c4. b8 a4 g4 ~ g fis e2 fis1 r2 r4 a ~ a8 a d4 cis2 d4 a4. a8 e4 fis2 e r2 d'4 d ~ d cis d8 \ss c8[ b a] g4 a d, g b4 a a g8[ a] b[ c] d4 d b b a b8 a8[ g a] b[ c] d4 d4. c8 b8[ a g a] b4 a g fis e2 fis2 r4 a ~ a8 a a4 d2 b1 r4 g4. g8 g4 c2 a r4 d,4. d8 d4 g2 e r2 r4 c' b8 a g8 a[ b c] a4 g4 b a8 g fis8 g a[ b] g2 fis4 e8[ d cis d] e4 a g fis e2 fis\breve*1/4 s4*0^\markup{"sigue cantus 1"} \parenthesize r4 \parenthesize fis\laissezVibrer } tenor=\relative c'{ R1 d4 d8 d b4 c d2 e4 a, b8[ c d b] cis4 d b2 e a,4 d2 cis4 d4 b a2 e'4. e8 d4 fis e4 d g4. fis8 e2 a,4 d cis4 d2 cis4 d2 r4 d, ~ d8 d fis4 a2 d,2 r r4 a'4. a8 cis4 d2 a4. a8 b4 fis a2 R1 r4 e' fis d g4 e fis d ~ d a b8[ a g a] b[ c] d4 g,2 ~ g4 g g fis g8 a8[ b c] d[ e] fis4 e8[ d] d2 cis4 d2 r4 d ~ d8 d d4 b2 g2 r4 g' ~ g8 g g4 e2 c4 a4. a8 a4 d2 b r2 r4 e d8 c b8 c[ d e] c4 d2. d4 d8 c b[ c] d4 a d4 b a2 ~ a r4 a b8 c d4 d cis d\breve*1/4 \parenthesize r4 \parenthesize d\laissezVibrer } bassus=\relative c'{ R1*4 r2 a4 a8 a fis4 g a2 b4 e, fis8[ g a] fis g4 a d, d' cis d g,4. g8 a4 e fis g a1 d, r4 a'4. a8 cis4 d2 a b4 fis a2 d,2 r r4 d4. d8 fis4 a2 d,4 d' d cis d8 \ss c8[ b a] g4 a d, g g fis g8 a[ b c] d4 d, r2 R1 r4 g g fis g d a'2 d,1 R1 r2 r4 g ~ g8 g g4 c2 a r4 d, ~ d8 d d4 g2 c,2 r4 c' b8 a g8 a[ b c] a4 g2. fis4 g2 d ~ d4 e cis d a a' e fis % Hopkins: segunda vez e a e fis g d a'2 d,\breve*1/2 % d,1 } textocantus=\lyricmode{ So \mt #2 gra -- \mt #1 cious is thy sweet self, % selfe so __ _ fair so fram -- ed, % faire \italicas so gra -- cious is thy sweet self, so __ _ fair so fram -- ed, \rectas so __ _ fair so fram -- ed: that who so sees thee, who so sees thee, \italicas that who so sees thee \rectas that who so sees thee with -- out a heart in -- _ flam -- ed, % hart enflamed en algunas voces \italicas with -- out a heart in -- flam -- ed \rectas with -- out __ _ a heart in -- flam -- ed. Ei -- ther he lives not, \italicas ei -- ther he lives not, \rectas ei -- ther he lives not, \italicas ei -- ther he lives not, \rectas or loves de -- light he \mt #1 knows not, or loves __ _ _ de -- _ _ _ light he knows not. Ei- } textoaltus=\lyricmode{ So gra -- cious is thy sweet self, so __ _ fair __ _ _ _ so fram -- _ _ ed so gra -- \mt #1 cious is thy sweet self, so __ _ fair __ _ _ so __ _ fram -- ed: that who so sees thee, \italicas that who so sees thee \rectas with -- out a heart in -- _ flam -- ed, \italicas with -- out a heart in -- _ flam -- ed, \rectas with -- out a heart in -- _ _ flam -- _ _ _ _ _ _ _ ed. % no esta claro Ei -- ther he lives not \italicas ei -- ther he lives not \rectas ei -- ther he lives not or loves de -- light he __ \mt #1.5 knows not, of \mt #3 loves de -- light he __ _ \mt #1.5 knows, or loves __ _ de -- light he knows not. % segunda vez distinto Ei- } textotenor=\lyricmode{ So gra -- cious is thy sweet self, % tious so __ _ fair so fram -- ed, \italicas so gra -- cious is thy sweet self, so fair, \rectas so gra -- cious is thy sweet self, so fair so fram -- ed: that who so sees thee \italicas that who so sees thee, \rectas who so sees thee with -- out a heart in -- flam -- ed, \italicas in -- flam -- _ _ ed, \rectas with -- out a \mt #3.5 heart in -- _ _ flam -- _ _ ed. Ei -- ther he lives not \italicas ei -- ther he lives not, ei -- ther he lives not \rectas or loves de -- light he __ \mt #1.5 knows not, \italicas or loves de -- light __ _ _ \rectas he knows not or loves de -- light he knows not. % segunda vez italicas Ei- } textobassus=\lyricmode{ So gra -- cious is thy sweet self, so fair __ so fram -- _ ed, so gra -- cious is thy self, so fair so fram -- ed: that who so sees thee, who so sees thee \italicas that who so sees thee, \rectas with -- out a heart in -- _ flam -- ed, \italicas with -- out a \mt #3 heart in -- flam -- ed \rectas with -- out a heart in -- flam -- ed. Ei -- ther he lives not \italicas ei -- ther he lives not \rectas or loves de -- light he __ \mt #1.5 knows not, he knows not, or loves de -- light, or loves de -- light he knows not. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus 1 " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-g" \key c \major \time 2/2 g''4 } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Cantus 2 " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-g" \key c \major \time 2/2 d''4 } \layout { line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c2" \key c \major \time 2/2 g'4 } \layout { line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 d'4 } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' c'{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus %\set Staff.instrumentName="Cantus 1 " \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus %\set Staff.instrumentName="Cantus 2 " \clef "treble" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor %\set Staff.instrumentName="Tenor " \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus %\set Staff.instrumentName="Bass " \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.1 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice %melismaBusyProperties = #'() autoBeaming = ##f } \context {\Staff %\RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string } %system-count=6 %page-count = 2 ragged-last-bottom = ##f indent=3.6\cm system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 8) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 12) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #1.5 }