\version "2.22.0"

#(set-default-paper-size "a4")
#(set-global-staff-size 16.2)
#(ly:set-option 'point-and-click #f)
%mobile -s15.5 -i3.2

italicas=\override LyricText.font-shape = #'italic
rectas=\override LyricText.font-shape = #'upright
ss=\once \set suggestAccidentals = ##t
incipitwidth = 18
mtempo={\tempo 4 = 100}
mtempob={\tempo 4 = 75}
mtempoc={\tempo 4 = 150}
mt=#(define-music-function (offset) (number?) ; move lyric text
      #{ \once \override LyricText.X-offset = -$offset #})

htitle="Adorámoste Señor"
hcomposer="de la Torre"

\header {
	title=\markup{\fontsize #3 "Adorámoste Señor"}
	subtitle="Cancionero de Palacio, 309"
%	subsubtitle=\markup{\null \vspace #1 }
	composer="Francisco de la Torre (c.1450-c.1504)"
        pdfauthor=\composer
	%opus="(-)"
	poet=\markup{\fontsize #0 "fol. cclxxv"}
	copyright=\markup{
		\fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"}
	}
	tagline=""
}

global={\key c \major \time 2/2 \skip 1*17
        \override Score.RehearsalMark.self-alignment-X=#RIGHT
        \mtempoc
        \time 3/4 \skip 1*3/4*4 \mtempob \skip 1*3/4 \bar ".|:"
	\mark \markup{\fontsize #-3 "Fine  "}
        \mtempo
        \time 2/2 \skip 1*13
	\bar ":|."
	\mark \markup{\fontsize #-3 "D.C"}
}

cantus=\relative c'{
        % sigo más o menos las semitonias de Orlando Consort
	d2 d
	\ss cis cis
	d d
	e1
	f2 e
	d d
	\ss cis2. d4
	e2 d ~
	d \ss cis
	d1
	\ss bes2 d
	\ss cis cis
	\[d2 f\]
	e2 d
	\ss cis1
	d2 d
	\ss cis1
	\once \override TextScript.X-offset=#-4.5
	s4*0^\markup{"3     " \raise #1 \musicglyph #"noteheads.sM1mensural" "."}
	d2.
	c2 d4
	d4 e4. c8 % Orlando Consort cis
	d2 \ss cis4
	d\breve*3/8 % calderon
	
	f2 e
	e d
	d e
	d4 e4. c8 f4 ~
	f4 e8 d \ss cis2
	d1
	e2 d4 c
	b d2 \ss cis4 % OC bes
	d e f2
	e d4 e ~
	e8 d d2 \ss cis4
	d4 f2 e8 d
	\ss cis\breve*1/2
}

altus=\relative c'{
	a2 a
	a a
	a2. b4
	c1
	c2 c
	\[f,2 d
	e1\]
	c'2 a2 ~
	a1
	f1
	d2 d
	e e
	f f
	g \[d2
	e\] a ~
	a g % barbieri gis
	a1
	a2.
	a2 a4
	b4 c2 % barbieri bes
	a2 a4
	<a f>\breve*3/8
	a4. b8 c2 % orlando consort bes, aquí y en más sitios.
	c b
	g g
	g e4 f ~
	f8 g a2.
	f2 a4 b
	c2 a
	g4 f e2
	d4 g2 f4
	g2. c4 ~
	c a2.
	\[f2 g
	a\breve*1/2\]
}

tenor=\relative c{
	d2 d
	e e
	f f
	g1
	a2 a ~
	a g % barbieri gis
	a1
	g2 f
	\[e1
	d\]
	g2 g
	a a
	a2. b4
	c4 a2 g4 % barbieri gis
	a4. g8 f4. e8
	d2 d
	e1
	f2.
	e2 f4
	g2 g4
	f4 \[e2
	d\breve*3/8\]
	f2 g
	g g
	b c
	b4 c4. b8 a4 ~
	a4 g8 f e2
	d1
	g2 f
	g4 a2.
	f4 c'2 b4
	c2 \ss bes4 g4 ~ 
	g4 f e2
	d d
	e\breve*1/2
}

bassus=\relative c{
	d2 d
	a a
	d d
	c1
	\[f,2 c'\]
	bes2 bes
	a2. bes4 % ennegrecidas
	c2 d
	\[a1
	d\]
	g,2 bes
	a a
	d d
	c bes
	a1
	bes2 bes
	a1
	d2.
	a2 d4
	g,4 c2
	% R1*3/4 parece que hay un silencio, no sé cómo interpretar ese signo.
	d4 a2
	<d a'>\breve*3/8 % Barbieri lo interpreta como ligadura, para mí es un divisi.
	d2 c
	c g
	g c
	g4 c2 d4 ~
	d2 a
	d1
	c2 d
	g,4 d' a2
	bes4 c d2
	c r4 c4 ~ % este silencio será un puntillo?
	c4 d4 a2
	bes2 bes
	a\breve*1/2
}

% tengo que romper las ligaduras para encajar el texto, si no no encaja

textocantus=\lyricmode{
A -- do -- rá -- mos -- te, Se -- ñor,
Dios y hom -- bre Je -- _ su -- cris -- _ to,
sa -- cra -- men -- to mo -- do vis -- _ _ _ _ to,
u -- ni -- ver -- sal re -- _ _ den -- tor.

A -- do -- rá -- mos -- te, vic -- to -- _ _ _ _ _ _ ria, % vitoria
de la san -- ta ve -- _ _ _ _ _ _ _ _ _ _ _ ra __ _ _ cruz,
}
textocantusb=\lyricmode{
Cri -- a -- tu -- ra~y cri -- a -- dor,
Dios y hom -- bre Je -- _ su -- cris -- _ to,
sa -- cra -- men -- to mo -- do vis -- _ _ _ _ to,
a -- do -- rá -- mos -- te, __ _ _ Se -- ñor.

y el cuer -- po lle -- no de __ _ _ _ _ _ _ luz,
que nos de -- jas -- te~en me -- mo -- _ _ _ _ _ _ _ _ _ _ _ _ ria.
}

textoaltus=\lyricmode{
A -- do -- rá -- mos -- te, Se -- ñor,
Dios y hom -- bre Je -- su -- cris -- to,
sa -- cra -- men -- to mo -- do vis -- _ _ _ _ to,
u -- ni -- ver -- sal re -- _ den -- tor.

A -- _ do -- rá -- mos -- te, vic -- to -- _ _ _ _ ria,
de la san -- ta ve -- _ _ _ _ _ _ _ _ ra __ _ cruz,
}
textoaltusb=\lyricmode{
Cri -- a -- tu -- ra~y cri -- a -- dor,
Dios y hom -- bre Je -- su -- cris -- to,
sa -- cra -- men -- to mo -- do vis -- _ _ _ _ to,
a -- do -- rá -- mos -- te, __ _ Se -- ñor.

y __ _ el cuer -- po lle -- no de __ _ _ _ _ luz,
que nos de -- jas -- te~en me -- mo -- _ _ _ _ _ _ _ _ ria.
}

textotenor=\lyricmode{
A -- do -- rá -- mos -- te, Se -- ñor,
Dios y hom -- bre Je -- su -- cris -- to,
sa -- cra -- men -- to mo -- do \mt #.5 vis -- _ _ _ _ _ _ _ _ to,
u -- ni -- ver -- sal re -- _ den -- tor.

A -- do -- rá -- mos -- te, vic -- to -- _ _ _ _ _ _ ria, % vitoria
de la san -- ta ve -- _ _ _ _ _ _ _ _ ra cruz,
}
textotenorb=\lyricmode{
Cri -- a -- tu -- ra~y cri -- a -- dor,
Dios y hom -- bre Je -- su -- cris -- to,
sa -- cra -- men -- to mo -- do \mt #.5 vis -- _ _ _ _ _ _ _ _ to,
a -- do -- rá -- mos -- te, __ _ Se -- ñor.

y el cuer -- po lle -- no de __ _ _ _ _ _ _ luz,
que nos de -- jas -- te en me -- mo -- _ _ _ _ _ _ ria.
}

textobassus=\lyricmode{
A -- do -- rá -- mos -- te, Se -- ñor,
\mt #1.3 Dios y hom -- bre Je -- _ su -- cris -- _ to,
sa -- cra -- men -- to mo -- do vis -- _ _ _ _ to,
u -- ni -- ver -- sal re -- _ den -- tor.

A -- do -- rá -- mos -- te, vic -- to -- _ _ _ ria, % vitoria
de la san -- ta ve -- _ _ ra cruz, \italicas ve -- _ _ _ ra cruz, \rectas
}
textobassusb=\lyricmode{
Cri -- a -- tu -- ra~y cri -- a -- dor,
\mt #1.3 Dios y hom -- bre Je -- _ su -- cris -- _ to,
sa -- cra -- men -- to mo -- do vis -- _ _ _ _ to,
a -- do -- rá -- mos -- te, __ _ Se -- ñor.

y el cuer -- po lle -- no de __ _ _ _ luz,
que nos de -- jas -- te~en me -- _ mo -- ria
\italicas me -- _ _ _ mo -- ria.
}


incipitcantus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Cantus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 2/2
                d'1
		} 

	\layout { line-width=\incipitwidth indent = 0 }
	}
}

incipitaltus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Altus    "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 2/2
                d1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}


incipittenor=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Tenor   "
		\override NoteHead.style = #'neomensural 
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-c4"
		\key c \major
		\time 2/2
                a1
		} 
	\layout { line-width=\incipitwidth indent=0 }
	}
}

incipitbassus=\markup{
	\score{
		{ 
		\set Staff.instrumentName="Bassus "
		\override NoteHead.style = #'neomensural
		\override Staff.TimeSignature.style = #'neomensural
		\cadenzaOn 
		\clef "petrucci-f4"
		\key f \major % bemol solo en el bajo
		\time 2/2
                d1
		} 
	\layout { line-width=\incipitwidth indent = 0 }
	}
}

%\layout {
%       \context {\Voice
%               \remove Ligature_bracket_engraver
%               \consists Mensural_ligature_engraver
%       }
%       line-width=\incipitwidth
%       indent = 0
%}

\score {\transpose c f{
\new ChoirStaff<<

	\new Staff <<\global
	\new Voice="v1" {
		\set Staff.instrumentName=\incipitcantus
		\clef "treble"
		\cantus }
	\new Lyrics \lyricsto "v1" {\textocantus }
	\new Lyrics \lyricsto "v1" {\textocantusb }
	>>

	\new Staff <<\global
	\new Voice="v2" {
		\set Staff.instrumentName=\incipitaltus
		\clef "G_8"
		\altus }
	\new Lyrics \lyricsto "v2" {\textoaltus }
	\new Lyrics \lyricsto "v2" {\textoaltusb }
	>>
	
	\new Staff <<\global
	\new Voice="v3" {
		\set Staff.instrumentName=\incipittenor
		\clef "G_8"
		\tenor }
	\new Lyrics \lyricsto "v3" {\textotenor }
	\new Lyrics \lyricsto "v3" {\textotenorb }
	>>

	\new Staff <<\global
	\new Voice="v4" {
		\set Staff.instrumentName=\incipitbassus
		\clef "bass"
		\bassus }
	\new Lyrics \lyricsto "v4" {\textobassus }
	\new Lyrics \lyricsto "v4" {\textobassusb }
	>>
	
>>

	} % transpose

\layout{ 
	\context {\Lyrics 
		\override VerticalAxisGroup.staff-affinity = #UP
		\override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
			#'((basic-distance . 0) (minimum-distance . 0) (padding . 1))
		\override LyricText.font-size = #1.2
		\override LyricHyphen.minimum-distance = #0.5
	}
	\context {\Score 
		tempoHideNote = ##t
		\override BarNumber.padding = #2 
	}
	\context {\Voice 
		%melismaBusyProperties = #'()
		%autoBeaming = ##f
	}
	\context {\Staff 
                %\RemoveEmptyStaves
                %\override VerticalAxisGroup.remove-first = ##t
		\override VerticalAxisGroup.staff-staff-spacing =
			#'((basic-distance . 11) (minimum-distance . 0) (padding . 1))
		\consists Ambitus_engraver 
		\override LigatureBracket.padding = #1
	}
}

%\midi { \mtempo }

}


\paper{
	evenHeaderMarkup=\markup  \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer }
	oddHeaderMarkup= \markup  \fill-line { \on-the-fly #not-first-page \hcomposer \on-the-fly #not-first-page \htitle \on-the-fly #not-first-page \fromproperty #'page:page-number-string }
	%system-count=20
	page-count = 1
	ragged-last-bottom = ##f
	indent=3.2\cm
	system-system-spacing =
	#'((basic-distance . 17) (minimum-distance . 0) (padding . 0))
	top-system-spacing = % header
	#'((basic-distance . 8) (minimum-distance . 0) (padding . 0))
	last-bottom-spacing = % footer
	#'((basic-distance . 14) (minimum-distance . 0) (padding . 0))
	markup-system-spacing.padding = #1.5
}